Visual Studies Commons^™

The Digital Extreme: Cinema's Reality Crisis In A Nostalgic Age, Lucas J. Dvorsky

Electronic Thesis and Dissertation Repository

This thesis examines the trajectory and legacy of two streams of filmmaking born in the 1990s: extreme film and the digital film, which eventually fuse into the digital extreme film, a watershed moment of postmodern filmmaking. I analyze the rise of the digital extreme, probing its disturbing aesthetic, its grainy, blurry glitches, dark, mundane reality and connections to fear, surveillance and nostalgia. Looking at filmmakers as disparate as pop-culture mainstays like Martin Scorsese, breakout directors like Jane Schoenbrun, avant-garde artists like Michael Snow, and arthouse auteurs such as Catherine Breillat and Olivier Assayas, I consider what the moment of …

Still, Unfolding, Ramolen Mencero Laruan

Electronic Thesis and Dissertation Repository

Together with my Master of Fine Art thesis exhibition, still, unfolding, at Zalucky Contemporary (Toronto, Ontario), this dossier constitutes the following accompanying components: a comprehensive artist statement, documented artwork, an interview with artist Erika DeFreitas, and a curriculum vitae. These components contextualize my subject-position, and outline theoretical research, motivations, and reflections that drive my work. I expand on the diasporic experience, politics of knowledge, and the autobiographical genre as they are linked methodologies in the retrieval of immigrant histories. The fusion of autobiography and fiction becomes a hopeful approach in challenging forgotten or omitted history and confronts the expectations …

Settler Colonial Ways Of Seeing: Documentary Governance Of Indigenous Life In Canada And Its Disruption, Danielle Taschereau Mamers

Electronic Thesis and Dissertation Repository

Settler colonialism in Canada has and continues to dispossess Indigenous nations of their lands and authority. Settler Colonial Ways of Seeing argues that a politics of visibility has been central to these structures of invasion and dispossession. In an effort to transform sovereign Indigenous nations into “Indians”, the state has used techniques of bureaucratic documentation to naturalize the classification of Indigenous bodies as racially inferior and thus subject to a range of violent interventions. This politics of visibility fails to see Indigenous people as people who matter.

Using Indigenous feminist critique, discourse analysis, and aesthetics to analyze federal legislation, …

Alternative Be/Longing: Modernity And Material Culture In Bengali Cinema, 1947-1975, Suvadip Sinha

Electronic Thesis and Dissertation Repository

Engaging in a dialogue with the recent body of scholarship on alternative/multiple modernities, postcolonial studies, Marxism and thing theory, this thesis has two main objectives: first, to examine how the transition of post-colonial India from a primarily feudal to a capitalist form of economy facilitated a historical-materialist relationship with things, objects and commodities; and second, to explore how this relationship challenges and ruptures the singularly hegemonic narrative of modern capital. Spanning a historical and political period from late-colonial India to the urban modernity of 1970s’, Satyajit Ray’s Jalsaghar (1958) and Pratidwandi (1971), Riwik Ghatak’s Ajantrik (1958), Tapan Sinha’s Harmonium (1963), …