Visual Studies Commons^™

(Re)Constructing National Memory In Neoliberal Chile Through Patricio Guzman's The Cordillera Of Dreams (2019), Mica Barrett

Scripps Senior Theses

One of the most renowned Chilean exile filmmakers is Patricio Guzmán. Best known for his documentary work regarding the Allende years, Guzmán has continued to make films regarding his homeland in the decades following his initial exile.

The Cordillera of Dreams is the concluding film in a trilogy exploring the natural lands of Chile and their relationship to physical remnants of the human past. The initial and most renowned film in the series, Nostalgia for the Light, centers the Atacama Desert and Chileans’ relationship to the geography as a gateway to revealing artifacts of Chile’s recent history of genocide …

Cuerpos Clandestinos E Indocumentados: Narrativas Transfronterizas Centroamericanas En La Literatura Y El Cine, Sara D. Rico Godoy

Doctoral Dissertations

The reality of migration is a phenomenon that has been present in the world for centuries. Latin America is mainly where immigrants in the United States reach high scales. However, Central America explicitly sees a shift in the ways people decide to migrate nowadays, for instance, in caravans with thousands of walkers. This dissertation analyzes six Central American contemporary works in narrative and four film productions: two film features and two documentaries. The purpose is to explore the significance of mobilities and their influence on perspectives of identity and the different narratives of migration and how these are portrayed in …

Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks

Dissertations, Theses, and Capstone Projects

This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21^st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …

Framing The Border: Liminality In The Network Narratives Of Alejandro González Iñárritu, Muhammad Muzammal

Dissertations, Theses, and Capstone Projects

This thesis explores liminality conveyed as displacement before death in the network narrative films of Alejandro Gonzalez Iñárritu. Due to their depiction of existential crises and possibly fatal scenarios of several characters in different countries and regions, these network narrative films are colloquially referred to as the “Death Trilogy.” Therefore, rearranging the many strands of death-related abstractions and notions in these films around liminality becomes a jumping-off point to explore deeper layers of these works. Through interdisciplinary yet markedly film studies excavations, this thesis projects the liminal spaces of Iñárritu’s films onto border spaces. With borders considered as sites of …

El Mar Y La Gente: Hacia Una Contextualización De Lo Indígena En El Botón De Nácar, Jonathan Braden Taylor

Honors Theses

El presente trabajo analiza las ramificaciones ontológicas, epistemológicas, y políticas del botón de nácar, un documental hecho en 2015 por el cineasta Patricio Guzmán. El siguiente análisis busca poner esta obra cinemática en el contexto de la formulación y el desarrollo del estado-nación chileno, lo cual ha ocurrido a expensas de las personas indígenas de la zona. Se observa que se emplea significación verdaderamente descolonizada en representaciones y discusiones de espacios acuáticos, lo cual engendra avances teóricos que utilizo para contextualizar el filme. Se sostiene que los efectos políticos de dicha significación descolonizada se ponen en marcha productivamente cuando son …

Queer Baroque: Sarduy, Perlongher, Lemebel, Huber David Jaramillo Gil

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the ways in which queer and trans people have been understood through verbal and visual baroque forms of representation in the social and cultural imaginary of Latin America, despite the various structural forces that have attempted to make them invisible and exclude them from the national narrative. My dissertation analyzes the differences between Severo Sarduy’s Neobaroque, Néstor Perlongher’s Neobarroso, and Pedro Lemebel’s Neobarrocho, while exploring their individual limitations and potentialities for voicing the joys and pains of being queer and trans in an exclusionary society. As I analyze the literary works of each artist, …

Fact And Fiction In Mexican Film: 1970s, 2000s, Lily M. Ryan

Dissertations, Theses, and Capstone Projects

This dissertation aims to address generic preoccupations between fiction and documentary film, while also providing a historical analysis of two decades in Mexican cinema, the 1970s and the 2000s. It looks at nine Mexican fiction films that rely on the conventions of documentary in both form and content. Whether through a fictionalized historical recreation, a “mockumentary style,” or a clear interest in the reality of everyday life, each one of these films plays with the boundaries of documentary and fiction. While the influence of documentary is quite evident in some, in others, this influence remains subtle. In my examination of …

"La Venus Se Fue De Juerga Por Los Barrios Bajos": Nacho López, Mass Culture, And Modernity, Jenifer L. Caneschi

Master's Theses

No abstract provided.