Visual Studies Commons^™

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Regarding Aid: The Photographic Situation Of Humanitarianism, Sonya De Laat

Electronic Thesis and Dissertation Repository

Since the invention of photography, the medium has played an increasingly central role in shaping spectators’ imagination of distant suffering and calamitous experiences. The discourse of humanitarianism has evolved alongside photography and has relied on the medium to give it shape. Indeed, humanitarianism is and always has been a photographic situation, which is to say, photography has played and continues to play a significant role in constituting the very terms of humanitarianism, including how it is referenced, conceived, understood, and practiced. This dissertation is concerned with the historical role of photography in shaping the humanitarian imagination, as well as the …

Adoptability And Acceptability Of Peace Journalism Among Afghan Photojournalists: Lessons For Peace Journalism Training In Conflict-Affected Countries, Saumava Mitra

Media Studies Publications

In this article, I seek to inform Peace Journalism (PJ) edu­cation and training in conflict-affected countries in par­ticular. Based on a case study of the professional expe­riences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by jour­nalists from conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ train­ing in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by …

Display-Through-Foregrounding By Photojournalists As Self-Reflexivity In Photojournalism: Two Case Studies Of Accidental Peace Photojournalism, Saumava Mitra

FIMS Publications

This article explores media self-reflexivity as understood within Peace Journalism (PJ) in the case of photojournalists and photojournalism. Carrying forward the discussion started by Allan (2011) for research into ‘peace photography’ to be extended to ‘tacit, unspoken rules’ underlying photojournalistic images, the article shows, through two examples of mainstream news images, how photojournalists can and may break from diktats of ‘news values’ to advertently or inadvertently critique the myths of the very practice they function within. Such self-reflexive, synecdochic images which display media’s own role in covering conflict are examples from which PJ can take lessons for a new visual …

Because I Am Not Here, Selected Second Life-Based Art Case Studies. Subjectivity, Autoempathy And Virtual World Aesthetics, Francisco Gerardo Toledo Ramírez

Electronic Thesis and Dissertation Repository

Second Life is a virtual world accessible through the Internet in which users create objects and spaces, and interact socially through 3D avatars. Certain artists use the platform as a medium for art creation, using the aesthetic, spatial, temporal and technological features of SL as raw material. Code and scripts applied to animate and manipulate objects, avatars and spaces are important in this sense. These artists, their avatars and artwork in SL are at the centre of my research questions: what does virtual existence mean and what is its purpose when stemming from aesthetic exchange in SL?

Through a qualitative …