Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Animation (2)
- Art (2)
- Alternative practices (1)
- Alternative selfpublishing (1)
- Angel Lozada (1)
-
- Appropriation (1)
- Architecture (1)
- Autoficción (1)
- Autogestión (1)
- Autorficción (1)
- Autorial persona (1)
- Autorías encarnadas (1)
- Book circulation (1)
- Branding yourself (1)
- Brecht (1)
- Cameras (1)
- Close reading (1)
- Composition (1)
- Computer Vision (1)
- Critical Theory (1)
- Cultural history of institutions (CUNY) (1)
- Digital Existence (1)
- Digital World (1)
- Dominicanish (1)
- Duchamp (1)
- Estética latinx de Nueva York (1)
- Ethnic studies (1)
- Experimental Film (1)
- Fine Arts (1)
- Francis Mateo (1)
- Publication
- Publication Type
Articles 1 - 8 of 8
Full-Text Articles in Visual Studies
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Material Encounters: Making Memory Beyond The Mind, Ariel Wills
Masters Theses
Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Dissertations, Theses, and Capstone Projects
This dissertation is an exploration of transdisciplinary creative practice as a means of institutional critique. The artists I have chosen as my primary focus—Robert Kocik, Eleni Stecopoulos, Zora Neale Hurston, Jimmie Durham, Leslie Scalapino and Lyn Hejinian—employ multiple mediums and fields of discourse to address the presumptions and exclusions that are structurally integral to the institutions that house them. They enact “architextural” interventions through their use of forms that move between the page and three dimensional space, incorporating architecture, sculpture, drawing, painting, film, performance, poetry and prose. My work aims at a renewed understanding of critique as such, and therefore—though …
Fractured Selves, Gearoid Dolan
Fractured Selves, Gearoid Dolan
Theses and Dissertations
Fractured Selves is a self-portrait that examines the histories and points of conflation and diversion of my four public personas. In the style of a Zoom meeting, they chat with a host against animated backgrounds. Interactivity creates non-linear consuming of the content and user directed navigation through four timelines
Appropriation Of The Highest Order: A Study Of Harry Smith’S Master Work, Film No. 18 Mahagonny In Relation To The Brecht-Weill Opera The Rise And Fall Of The City Of Mahagonny And Duchamp’S The Large Glass, Rose V. Marcus
Theses and Dissertations
Harry Smith’s Film No. 18, Mahagonny, 1970 – 1980, is a transmutation of the original Brecht-Weill opera, The Rise and Fall of the City of Mahagonny, a 1930, into a feature-length experimental film. This paper shows how the original opera and Duchamp's The Large Glass prove inherent to Smith’s double-pronged homage to both original works of art. The failure in the opera narrative and the chance shattering of The Large Glass inform Smith’s complex methodology to approach and spatialize cinema. Harry Smith’s use of the tools of the screening apparatus are traced in order to study Mahagonny in detail. The …
The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet
The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet
Visual Arts Publications
From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Auto®Ficción Latinx De Nueva York (1999–2020), Jacqueline Herranz Brooks
Dissertations, Theses, and Capstone Projects
This research on the intersection of Literary Criticism, Latino Studies, Persona Studies, and Performance Studies has led me to question the accepted definitions of autoficción (Doubrovsky, Gasparini, Alberca, Casas, Schlikers) and expand that definition into a more multifaceted and operational term. Hence, I created auto®ficción, a new term describing the hybrid creations of a group of underrepresented contemporary Latinx authors living/producing/circulating their work in New York City, during the first two decades of the 21st Century. For these authors, their life experiences and quotidian uses of this city’s spaces are the subjects of their work. Auto®ficción draws attention …
Dead Weightless, Isaiah Schwartz
Dead Weightless, Isaiah Schwartz
Senior Projects Spring 2021
There is more than convenience embedded into my attraction to the unrefined materials that I work with. Shopping cart (baby size), palette, cheesecloth, bucket, and window. Each is rich with an individual history that expands beyond the use it was intended for. Suspending them in the air is my observance of the sanctity of their mundane uses. To create something new, also out of these unrefined materials, and to refuse to polish it. To have resolution in a thing that is also ambiguous. I can find intrigue in a million different things as soon as I pay attention to them. …
Self && Self, Shuang Cai
Self && Self, Shuang Cai
Senior Projects Spring 2021
Seldom before the COVID-19 pandemic have so many people simultaneously had their lifestyle drastically changed in the same way. The forced physical isolation is, ironically, a communal experience. The sickening quarantine left everyone nothing but time to confront and reconnect with themselves. Another inevitable result of corporal isolation is the predominant awakening awareness of digital existences and connections. Evoking the shared sensitivity and delicacy, studying the tectonic activity of the digital world, the project documents the endured contemplation in the upcoming resurgence.