Visual Studies Commons^™

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Retrieving Images From Tarnished Daguerreotypes Using X-Ray Fluorescence Imaging With An X-Ray Micro Beam With Tunable Energy, Tsun-Kong Sham, Y. Zou Finfrock, Qunfeng Xiao, Renfei Feng, Sarah Bassnet

Visual Arts Publications

We report recent observations using a synchrotron X-ray micro-beam to retrieve images from tarnished 19th century daguerreotypes. We confirm that high quality image can always be retrieved from tarnished plates using Hg Lα XRF as long as the bulk of the image particles and their distribution remains intact. We also report results from using tunable tender X-rays (2 - 7 keV) to conduct imaging in high vacuum at energy above the Ag L-edge and the Hg M-edge, extracting images using Ag Lα and Hg Mα, respectively among others (e.g., S to track corrosion). Images obtained with the surface sensitive total …

Photography And 21st-Century Migration, Sarah Bassnet, Blessy Augustine

Visual Arts Publications

No abstract provided.

Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnet

Visual Arts Publications

This article examines a series of photographs by Griselda San Martin, a Spanish journalist and documentary photographer based in New York City and Mexico City. The series focuses on the experiences of people at Friendship Park, a bi-national park located in the border region of San Diego, United States, and Tijuana, Mexico. Working in Tijuana, San Martin engaged with families as they attempted to connect with loved ones across the border in San Diego. Many of the people she met at Friendship Park had become separated from family members after living as undocumented migrants in the US and then being …

Rescue Politics: Richard Mosse’S Thermal Imaging And The Containment Of Migration, Sarah Bassnet

Visual Arts Publications

This article focuses on a body of work by Mosse that includes the multichannel video installation Incoming, shown as a 52:12 minute three-channel video installation with 7.3 surround sound, and the photographic series Heat Maps (2015–2017) (Fig. 1). While Incoming concentrates on migration routes, Heat Maps portrays the architecture of refugee camps.4 I consider how the artist’s use of thermal imaging and his immersive mode of documentary complicates tropes used to represent migration. I reflect on the way Mosse’s artwork intersects with a long-standing interest by practitioners and theorists of film and photography in the idea of the camera as …

Merging Modest With Complexity, Mark Garry

Doctoral

This thesis will enable a retrospective critical examination of aspects of my practice as an artist from 2005 - 2020. The research question addresses the implication of multiple forms of inter-reliance enabled in the practice. This will be enabled by opening a discursive space that retrospectively, integrates and critically examines the role and function of inter-reliance as a structural methodology and how this is implicated in the practice over this period.

This thesis will use term inter-reliance to define a play of relations where individual art works when viewed in isolation exist only in partial illumination as a form of …

The Retablos Of Teabo And Mani: The Evolution Of Renaissance Altars In Colonial Yucatán, C. Cody Barteet

Visual Arts Publications

From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa …

Undocumented Migration And Political Community In Susan Meiselas's Crossings Photographs, Sarah Bassnet

Visual Arts Publications

In 1989, Magnum photographer Susan Meiselas (b. 1948) photographed irregular border crossings in southern California. At the time, it was relatively easy for undocumented migrants from Central America and Mexico to cross between ports of entry, even as there was growing pressure on American officials to address border security.1 One photograph in Meiselas’s Crossings series depicts a border patrol officer apprehending a migrant off the interstate near Oceanside (fig. 1). Two torsos fill the center of the image. The officer grasps the man’s clothing, propelling him toward the nearby vehicle. With heads cut off by the frame and backs turned, …

Terre Brûlée : Une Éco-Poétique Du Vide, Pierre Taminiaux

20th and 21st Century French and Francophone Studies International Colloquium

Au XXIe siècle, les sociétés occidentales sont confrontées à de nouvelles formes de chaos. Celui-ci comporte plusieurs dimensions, à la fois sociales, culturelles et écologiques. L’art doit dès lors prendre en considération cette situation d’une manière ou d’une autre. C’est ce qui m’autorise à parler ici de mes images photographiques rassemblées sous le titre de Terre brûlée.

Celles-ci ont été prises à l’automne 2017, au Portugal, près de la ville de Leiria, dans une forêt de bord de mer (une pinède, plus exactement) qui fut longtemps considérée dans l’histoire de ce pays comme un domaine royal. Cette saison fut …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Fuddy Meers: Lighting On The Edge Of Consciousness, Sheric W. Hull

Hixson-Lied College of Fine and Performing Arts: Student Research, Performance, and Creative Activity

This thesis outlines the concept, research, and production process of the lighting design for the play Fuddy Meers by David Lindsay Abaire. This show took place October 6–8 and 12–16, 2016 in the Studio Theatre at the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln. The creative team was comprised of the director Dustin Mosko*, the scenic designer Lisa Haldeman*, costumes/prosthetics/ puppetry designed by Rebecca Armstrong*, sound designer Araceli Ramirez, projection content Zachary Trout, and I was the production’s lighting designer. The production team was comprised of stage manager Riley Redburn, assistant stage manager Shannon Humiston, …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward

Comparative Literature Faculty Scholarship

An examination of questions concerning aesthetic experience from the standpoint of the structural and functional logics of the capitalist mode of production

Greek At Chartres, William S. A. Dale

Visual Arts Publications

This study of the so-called Headmaster of the West Portals of Chartres Cathedral attempts to demonstrate that this sculptor was probably a Greek, as suggested by Revoil.

First, it describes the present setting of the West Portals, and reviews the evidence for their change in location. Next, it distinguishes between the hand of the Head Master and those of his associates in the carving of the column figures of all three doorways, and describes his illusionistic use of low relief and a form of linear projection in the Maiestas Domini of the central tympanum.

A brief demonstration of the difference …

Dreamcatcher From Mao's Last Revolution: My Venture Into Creative Social Documentary Video, Christopher Shea Howard

Student Publications

Dreamcatcher From Mao’s Last Revolution is a filmmaking venture into creative social documentary production undertaken by this filmmaker as his own experimental departure from narrative feature film production and the fiction genre. This thesis report not only describes aspects of this film production that are specific to the methodology of documentary film production, but also describes the film’s cinematic expression of memory and the filmmaker’s telling of the story. Some cinematic and conceptual aspects of the story are related to the film’s influences, specifically to those theoretical concepts and techniques employed by documentary filmmaker, Werner Herzog.

The documentary story is …

Defining Industry Expectations And Misconceptions Of Art And Technology Co-Creativity, Vanessa C. Brasfield

Department of Computer Graphics Technology Degree Theses

The primary purpose of this study was to establish whether or not students and industry professionals share the same views about what students should be learning in animation education, what skills are necessary, and whether or not students graduating with a bachelor’s degree would be adequately prepared for an entry level position. To establish where misconceptions lie, surveys were issued to three groups: undergraduate students, post-graduate students, and industry professionals. These surveys were then analyzed using paired t-test for validation and question relevance, and ANOVA models to establish whether or not groups shared viewpoints. These data established significance within the …

Breathe... Keep Breathing., Shaun C. Kiel

School of Art, Art History, and Design: Theses and Student Creative Work

I work with short-duration seamless video loops. My work simultaneously depicts and emulates the material composition of time, specifically how action composes time and how time can compose or construct objects.

My work is self-reflexive. Self-reflexive means that a product actively considers or examines its own production. In video this means breaking either the illusion of depicted time as real time or the illusion of the depicted image as real space. Video loops are self-reflexive by function. Their periodic recurrence points out the artifact of the medium.

The periodic recurrence of video loops also changes the narrative quality of the …

Benefits Of Continuing Professional Development In The Visual Communications Sector In Ireland, Con Kennedy

Other resources

This research is concerned with identifying the benefits of Continuous Professional Development for the Visual Communications sector in Ireland, with the aim of establishing what benefits exist for both the employee and employer. Research is undertaken to identify CPD programmes that currently exist in other industries in Ireland for the purpose of establishing commonalities and how this may apply to the Visual Communications sector. This is achieved through a combination of literature review, desk research, surveys of employees and employers in the Visual Communications sector and a number of semi-formal interviews with representatives from various industry sectors with established CPD …

Mind Vs. Media: A Civil War Between Typography And The Mediated Image, Elizabeth J. Neffinger

Senior Honors Theses

The past thirty years have marked the start of a new kind of civil war in our digitally powered American society. There is a deep chasm between the cry for the lost art of typography and the mediated power of the Image. We are a culture battling a war in our own heads, attempting to assimilate Images without replacing the need for a written text.

This thesis will argue that the mediated Image is not a death sentence to critical thinking; rather it is an undeniable, inescapable power that can be used to positively influence our culture. It will research …

Public Mood Ring, Collaborative Project

Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations

This entry adheres to the use of the quad chart template to provide a succint description only of the current research project undertaken by the participants. It provides for the following information.M

Participants

1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci

The Casasola Legacy In El Paso, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

This article brings to light the historical context of El Paso’s unknown and uncelebrated connection to the legendary Casasola family photo dynasty in Mexico. The local El Paso Casasola portrait studio photographer and owner did not capture iconic Mexican Revolutionary images like those of his contemporary famed photographer family members in Mexico City, but instead he recorded the visual memory of ordinary individuals and families residing in the US/Mexico border region.