Screenwriting Commons^™

Persian Squares, Natasha Sabour

LMU/LLS Theses and Dissertations

After moving to Los Angeles, California, polar opposite sisters Sahar and Roxana struggle to find jobs, husbands, and their Persian identity. Here’s hoping they can find the 405!

Adapting To Adaptation: Turning Ya Literature Into Television, Adam Weinreb

English Honors Theses

I have always loved film and television, whether for casual consumption or academic pursuits. Throughout my time as an English and American Studies double major (and almost a Media and Film Studies minor), I have opted to study film and TV at every chance I could. In my junior year I began writing my own film, and I completed that film in the first half of senior year. When entering my final year of the English major and faced with making a decision surrounding my capstone, I was simultaneously deciding whether or not to pursue graduate studies in screenwriting. As …

“Putting Out Fires”: An Original Situational Comedy Pilot Episode Examining Modern Motherhood, Keely Gonyea

Honors College

Even in an age of easily accessible and ever-changing digital content, television remains one of the most influential modes of media. Shows, on television and on streaming services, play key roles in informing their audiences of societal conventions. Situational comedies are an easily identifiable genre on television and their popularity has not wavered as seen by their steadfast presence during primetime viewing slots. This thesis explores and analyzes how situational comedies have created spaces for potentially harmful stereotypes for their female characters, specifically mothers. The creative work of this thesis offers an original situational comedy pilot episode that looks to …

"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette

English Faculty Publications

This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …

Exploring Ethnic Stereotypes Through The Production Of Five Short Films, Ines Galiano Torres

Electronic Theses and Dissertations

This is a nontraditional thesis that combines social research in ethnic stereotypes in TV and film with the creative process of film production. This paper contains the formal step of research, in addition to the details on the production and creation of five original short films related to the issue of ethnic representations.

A Miniseries Of Unfortunate Events: Realizing The Full Potential Of Lemony Snicket's Book Series Through Television Adaptation, Ryan T. Pait

Mahurin Honors College Capstone Experience/Thesis Projects

Lemony Snicket’s A Series of Unfortunate Events, a series of 13 children’s books, seemed like it had the potential to become a massive franchise in a similar vein to the Harry Potter film series. Snicket’s books feature three plucky protagonists, a sinister villain, and constantly-shifting settings—all elements that could make a successful movie series. A film adaptation, titled Lemony Snicket’s A Series of Unfortunate Events was made in 2004. It adapted the first three books in the series, and became a moderate financial and critical success. Despite the success, no further films were made.

As a fan of Snicket’s …

Got Lost Behind The Scenes: Underexposed Television Producers In Magazines, Jordan King

Pell Scholars and Senior Theses

Award-winning television shows are popularly depicted through digital media and magazine coverage. However, the strenuous efforts of TV producers are hidden behind the publicity of celebrities and plotlines of the show. Using Eugene Shaw's agenda-setting theory and Robert Entman's framing theory as a basis, the author created a case study analyzing how the producers of Lost and Game of Thrones are portrayed in magazines. The research shows that reporters tend to perpetuate the anonymity of these producers, which in effect, leads an audience to deem them as unimportant.