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Full-Text Articles in Other Film and Media Studies

Conceptions Of Nietzsche In Popular Film And Television, Jeffrey Willicut Apr 2018

Conceptions Of Nietzsche In Popular Film And Television, Jeffrey Willicut

Senior Theses

There are few faces or names in the field of philosophy more recognizable than Friedrich Nietzsche’s. His cartoonish, bushy mustache and stern, unwelcoming brow appear in posters on the walls of angsty teens, in the street art and murals of trendy and upcoming urban neighborhoods, and even in the punishingly glossy pages of every high school history textbook. More recognizable still are his ideas, which have found their way into the ears or eyes of just about everyone in the Western world, whether they know it or not. His concept of the Übermensch, or his notion that God is dead, …


“Recognize Me”: An Analysis Of Transgender Media Representation, Jackson Taylor Mclaren Jan 2018

“Recognize Me”: An Analysis Of Transgender Media Representation, Jackson Taylor Mclaren

Major Papers

The representation of transgender people in popular media has been overwhelmingly problematic. Historical representations of transgender characters in fictional television have featured stereotypical and negative portrayals that do not accurately reflect the real experiences of transgender people. Both the quantity and quality of transgender representation across all forms of media is an issue.

This research examines two popular television shows that feature transgender characters. Using a mix methods approach of Content Analysis and Critical Discourse Analysis, the first four seasons of Orange is the New Black and The Fosters are examined. This research seeks to examine how the fictional transgender …


Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards Jan 2018

Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards

Scripps Senior Theses

Entertainment is an ever-changing medium, and television specifically has gone through many technological innovations since its bright beginnings. These innovations have consistently changed the way stories are told. Stylistic shifts in key elements ranging from shot format to the way shows are constructed can be seen especially clearly in horror which does not have the same narrative constraints as many other genres, and therefore more room to experiment. By tracking changes in the narrative formats of serialized and anthology horror shows, I define a new era of television brought about by the prevalence of streaming, and the rise of binge …