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Full-Text Articles in Other Film and Media Studies
“Fashionable To Be Ethnic”: Malka Marom, Yorkville Reimagined, And The Cbc’S A World Of Music, Maureen Chow
“Fashionable To Be Ethnic”: Malka Marom, Yorkville Reimagined, And The Cbc’S A World Of Music, Maureen Chow
Electronic Thesis and Dissertation Repository
In 1999, looking back at her 1960s career as a folk performer, Malka Marom commented that she and her former singing partner, Joso Spralja, had reached mainstream success in Canada when it was considered “fashionable to be ethnic.” Here, Malka is referring to the mid-1960s, when she was classified as an ethnic folk singer in Toronto’s Yorkville Village folk scene. She performed alongside Canadian folk “greats” such as Joni Mitchell, Gordon Lightfoot, and Ian and Sylvia. Malka and Joso released four studio albums through Capitol Records of Canada and were later chosen to host their own CBC television show, A …
'Calling Out From Some Old Familiar Shrine': Living Archivism And Age Performativity In Bob Dylan's Late Period, Matthew Lipson
'Calling Out From Some Old Familiar Shrine': Living Archivism And Age Performativity In Bob Dylan's Late Period, Matthew Lipson
Electronic Thesis and Dissertation Repository
The release of Bob Dylan’s 30th studio album in 1997, Time Out of Mind, marked an unlikely and triumphant return to critical acclaim following years of personal and creative decline. From this point onward, Dylan would maintain a quality of output comparable to his 1960s catalogue and unprecedented among artists in the twilight of their career. The proceeding albums, from “Love and Theft” (2001) to Triplicate (2017) would present Dylan as a living archive of traditional American genres – an intersection through which rock and roll, blues, bluegrass, and vocal jazz would pass. The notion of Dylan as …
The Copyright Board And Tribunals Process: Users In The Balance, Louis J. D'Alton
The Copyright Board And Tribunals Process: Users In The Balance, Louis J. D'Alton
Electronic Thesis and Dissertation Repository
The wholesale adoption of copyright collective management as public policy tool has had an extraordinary impact on the information landscape. The unfettered expansion of collective rights organizations throughout the 20th century has resulted in increased social costs and a burgeoning bureaucracy surrounding the collective use of rights.
This thesis considers the role of copyright tribunals within that process, and more importantly within a critical historical frame. While some work has been done with respect to copyright tribunals and their role in the policy process, none of it has considered the tribunals within a critical frame. This thesis considers those …