Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Academy Awards (1)
- Academy Awards Discourse (1)
- Affair of the Diamond Necklace (1)
- Agnès Varda (1)
- Annette Messager (1)
-
- Art (1)
- Art Historical Canon (1)
- Artistic Canon (1)
- Artistic Creation (1)
- Barbie (1)
- Black Venus (1)
- Body Politics (1)
- Canon (1)
- Chantal Thomas (1)
- Christine de Pisan (1)
- Creation (1)
- Discourse (1)
- Elisabeth Vigée-Lebrun (1)
- Female Representation (1)
- Female Representation in Art (1)
- Female Sexuality (1)
- Feminism (1)
- Feminist Art (1)
- Feminist History (1)
- Fertility (1)
- French (1)
- French Art (1)
- French Feminist Theorists (1)
- French Women (1)
- French Women Artists (1)
Articles 1 - 2 of 2
Full-Text Articles in Other Film and Media Studies
Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola
Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola
Student Scholar Symposium Abstracts and Posters
This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …