Other Film and Media Studies Commons^™

Cinema Exhibition In St. Louis, 1920: A Thriving Business, Sarah E. Boslaugh

Undergraduate Research Symposium

In 1920, St. Louis was the 6th largest city in the United States, with a population of 772,897, and density of 11,684/square mile (twice today's density). The population was primarily (90.9%) white, with 14.7% of the white population foreign born. The city had a dense trolley network, while private ownership of automobiles was relatively rare (15.8 residents per car). Cinema exhibition was a thriving business in the city, with 120 cinemas and 29 film exchanges (as compared to, for instance, 12 live theatres in the same year).

Cinemas were located throughout the city, primarily on or near trolley lines. This …

Diversity And Democracy At War: Analyzing Race And Ethnicity In Squad Films From 1940-1960, Lara K. Jacobson

War, Diplomacy, and Society (MA) Theses

Both the Second World War and the Korean War presented Hollywood with the opportunity to produce combat films that roused patriotic spirit amongst the American people. The obvious choice was to continue making the popular squad films that portrayed a group of soldiers working together to overcome a common challenge posed by the war. However, in the wake of various racial and ethnic tensions consistently unfolding in the United States from 1940 to 1960, it became apparent to Hollywood that the nation needed pictures of unity more than ever, especially if America was going to win its wars. Using combat …

The Evoluion Of Pacific War Cinema, Dylan J. Eldridge

History Undergraduate Theses

Following the Japanese attack on Pearl Harbor on Dec. 7th 1942, the United States became involved in World War II. Over the last seventy years film makers have attempted to chronicle the events of this war. As society changed and grew so did the interpretations of the Pacific War. Today we are left with four distinct eras of Pacific War cinema.