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Anti-Americanism And The Auteur: Critical Discourse And The French Film Industry From 1946 To 1965, Madison Gee

Honors Theses

Cinema is not only a popular form of entertainment but an art through which socio-cultural, economic, and political activities intersect. France's cinematic history, in particular, is characterized by its government's protectionist policies and the enduring popularity of New Wave films. Yet, the end of World War II saw the expansion of American soft power and, consequently, widespread fear that Hollywood’s market dominance would push out local producers. In this thesis, I aim to study the impact of Cold War anti-Americanism on the French film industry’s development from 1946 to 1965. Through a critical discourse analysis of popular film magazines of …