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Articles 1 - 4 of 4
Full-Text Articles in Other Film and Media Studies
Put Yourself First (In A Sexy Way): Postfeminist Beauty Messaging And Resistant Media Texts, Margarita Artoglou
Put Yourself First (In A Sexy Way): Postfeminist Beauty Messaging And Resistant Media Texts, Margarita Artoglou
Dissertations, Theses, and Capstone Projects
The makeover montage trope is one of the most recognizable in media content aimed at young women, sending the message that social status and acceptance are only a new outfit and face of makeup away. While this trope and its message have been heavily critiqued by scholars, the message that beauty—and all its social benefits—can be achieved through consumerism has not disappeared, though the means by which this message is conveyed has changed. As a result of companies co-opting feminist rhetoric, conforming to standards of beauty has been recast as a “choice” one makes for herself, often wrapped in the …
Fractured Selves, Gearoid Dolan
Fractured Selves, Gearoid Dolan
Theses and Dissertations
Fractured Selves is a self-portrait that examines the histories and points of conflation and diversion of my four public personas. In the style of a Zoom meeting, they chat with a host against animated backgrounds. Interactivity creates non-linear consuming of the content and user directed navigation through four timelines
“A Space Where You Can Imagine In”: Queer World Building With Wynne Greenwood’S Tracy + The Plastics, Colleen M. O'Shea
“A Space Where You Can Imagine In”: Queer World Building With Wynne Greenwood’S Tracy + The Plastics, Colleen M. O'Shea
Dissertations, Theses, and Capstone Projects
Tracy and the Plastics was a video and music project conceived and performed by artist Wynne Greenwood from 1999 - 2006. In it, Greenwood played lead singer Tracy alongside keyboard player, Nikki and drummer, Cola (both also played by Greenwood) where Tracy performed live alongside prerecorded images of Nikki and Cola. For Greenwood, the interaction between Tracy, the Plastics, and the audience provided an opportunity to create new, intentional worlds together. In this paper, I will demonstrate that Greenwood relies on collisions and alternative temporalities to instigate the creation of these worlds with her audience. I will incorporate the principles …
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
The One-Armed Viewer: Voyeurism And Masturbation In Nudist Imagery And Film Spectatorship, Benjamin Eleanor Adam
Dissertations, Theses, and Capstone Projects
Nudist magazines and newsletters were among the first commercial, legal, and widely-available images of nudity which circulated in the late Comstock Era. To evade censorship, producers developed framing strategies that obscured the sexualized nature of these images, even as they also enabled the viewing practices their sales relied upon. This dissertation traces these framing strategies as they evolved through nudist still-imagery, camp films, and nudie cuties, and considers the evolution of spectatorial pleasures associated with Russ Meyer's early nudie cuties.