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Passing The Remote: Community And Television Viewing In Woobinda And La Guerra Degli Antò, Monica Seger

Arts & Sciences Articles

This paper explores television-modeled narratives in Silvia Ballestra’s La guerra degli Antò, of 1992, and Aldo Nove’s Woobinda, of 1996. In so doing, it considers both the role of a text's author and the majority/minority reception practices that lead to its social imprint. For a definition of reception practices it turns to the work of media and reception scholars such as Henry Jenkins and Ien Ang. Employing a soap-operatic narrative and respecting the viewing practices of a minority viewer group, Ballestra navigates contemporary TV language to shape receptive communities within, and outside, of her text. Nove, in turn, models his …