Film and Media Studies Commons^™

Mula Sa Editor (Disyembre 2020), Florentino T. Timbreza, Rowell Madula

Malay Journal

Nilalaman nito ang pambungad na mensahe ng mga editor para sa isyu.

The Mulder Effect: I Want To Believe...In Steam, Olivia Burgess

The Transdisciplinary STEAM+ Journal

The balance that Mulder and Scully discover in their partnership on The X-Files represents the balance we find in STEAM: trust in science with the ability to question, imagine, and dream.

Seminar On Film Media Production Flm 496, Joanna Burkhardt

Library Impact Statements

No abstract provided.

Cambodian Family Albums: Tian's "L'Année Du Lièvre", Angelica P. So

Genocide Studies and Prevention: An International Journal

This article explores how Franco-Cambodian cartoonist Tian’s graphic novel, L’année du lièvre [Year of the Rabbit], represents second-generation postmemory in the form of, what I call, a “Cambodian family album,” or a personal-collective archive. The album serves to convey to subsequent generations: 1) the history of the Cambodian genocide, 2) the collective memories of pre-1975 Cambodia preceding the Khmer Rouge takeover of Phnom Penh, and 3) the Cambodian humanitarian crisis and exodus of the 1970s-1990s. The conceptualization of the family album is derived from the literal translation, from Khmer into English, of the term “photo album” – “book designated for …

Wetland To Wasteland, Plantation To Plant: The Visual Legacy Of Plantations In The South Louisiana Landscape Of Environmental Justice, Ella Mcintire

LSU New Orleans Theses and Dissertations

The Southeast Louisiana landscape sits at the intersection of a number of environmental and humanitarian crises. Violence against man and land endemic to the Plantation Era development of the Lower Mississippi laid the foundation for modern issues of coastal land loss, habitat destruction, pollution, environmental racism, and displacement. Land-use patterns of the Plantation economy made the region optimal for petrochemical processing, turning wetland to wasteland, and plantation to plant. The exhibit Climates of Inequality: Standing Up On River Road uses photography, cinematography, 360-video, and soundscapes to explore the dialogic relationship between fragile natural spaces in southern Louisiana and the historically …

Her Story: Ecuadorian Women In New York City, Benjamin Chambers

Capstones

My Capstone Project is an 80-photo reportage about women of Ecuadorian origin living in New York City, including text and video elements. The project is broken down into a general introduction; four photo stories each with captions and story text; and two videos. The project is entitled:

HER STORY: ECUADORIAN WOMEN IN NEW YORK CITY

https://www.chambersphotojournalist.com/capstone/

"Revolution", Noelle Lilley

Capstones

When faced with gun violence in 1990s Canarsie, one 17-year-old carried his community on his back. “Revolution” chronicles the rise and fall of the Canarsie arts youth-led movement, Team Revolution, and the man at the center of it all: Divine Bradley.

Lgbtv - A Look Into Queer Representation In Television, Daisy J. Williams

Capstones

In 50 years, the LGBTQ+ portrayals on tv have come along way but with only 6.8% of characters being members of the queer community, there is still a significant amount of work to be done. A look into the rich queer history, the problem and triumph areas and the current state of queer television.

https://daisywilliams.github.io/dw_capstone/

Brian Reynolds, Public Visibility, And Gay Stardom, Finley Freibert

Faculty and Staff Scholarship

Once gracing the covers of numerous gay newspapers and magazines, Brian Reynolds was a key figure of Los Angeles’ emergent gay adult film industry of the late 1960s. He had all but disappeared from gay adult film historiography until he re-emerged as a cover model for a scholarly journal in 2012, to illustrate pioneering scholarship that initiated contemporary Pat Rocco studies. This article puts the story of Brian Reynolds in dialogue with critical star studies in order to offer a recovery history of Reynolds. Reynolds’ rise to celebrity and sudden relegation to obscurity underscores the historical instability of gay pornographic …

Digital German-Jewish Futures: Experiential Learning, Activism, And Entertainment., Kerry Wallach

German Studies Faculty Publications

The future of the German-Jewish past is, in a word, digital, and not only in the sense of digital humanities or digital history. Future generations of scholars, students, and the general public will engage with the past online in the same ways—and for many of the same reasons—that they engage with everything else. There needs to be something redeeming, enjoyable, or at least memorable about studying history for people to feel that it is worthwhile. For many, the act of learning about the past serves as a kind of virtual travel, even an escape, to another time and place. Learning …

Poetic Walking Across Mobile Boundaries: Contemporary Southeast Asian Narratives In The Work Of Trinh T. Minh-Ha And Apichatpong Weerasethakul, Weiying Yu

Master's Projects and Capstones

This research investigates how personal politics, the poetics of cinematic narrative form, and current Southeast Asian landscapes are embodied in the work of filmmakers/artists Trinh T. Minh-ha (b. 1952, Hanoi, Vietnam) and Apichatpong Weerasethakul (b. 1970, Bangkok, Thailand). Trinh and Apichatpong’s transnational reflections and radical poetics challenge the West as the authoritative domain of modern knowledge, evoking a border rupture that questions hegemonic definitions of culture, history, geography, and society. Synthesizing art and politics, their works create experimental spaces to navigate the multidimensional consciousness associated with the Asia Pacific and global political issues of immigration, refugeeism, military action resistance, and …

Whatever It Takes: Redemption, Individualism, Altruism And The Marvel Cinematic Universe, Rianna Jeanine Robinson

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Caudill College of Arts, Humanities and Social Sciences at Morehead State University in partial fulfillment of the requirements for the degree of Master of Arts by Rianna Jeanine Robinson on December 14, 2020.

Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu

CLCWeb: Comparative Literature and Culture

This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …

China Question Of Us-American Imagism, Qingben Li

CLCWeb: Comparative Literature and Culture

This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.

Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu

CLCWeb: Comparative Literature and Culture

This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …

The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai

CLCWeb: Comparative Literature and Culture

This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …

Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu

CLCWeb: Comparative Literature and Culture

This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.

“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang

CLCWeb: Comparative Literature and Culture

China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …

The Television Showrunner: A Case Study Analysis Of Insecure And Fleabag, Haley Bulen, Charles Howard

Honors Thesis

In light of the rise in video-on-demand (VOD) services, television has exploded in popularity on an international scale, eclipsing its predecessor of movies. This phenomenon has been further heightened by the COVID-19 pandemic as audiences flocked to their television screens during Stay-At-Home orders. Specifically, Netflix received 15 million more subscribers since mid- March, 2.3 million more Americans subscribed to Netflix since March, and broadcast television viewing has jumped by 8.3 million viewers (Fitzgerald). With the demand for high-quality entertainment, the role of the television creator/showrunner has become increasingly important, as this individual or pair of individuals is tasked with maintaining …

Making Data Playable: A Game Co-Creation Method To Promote Creative Data Literacy, Stefan Werning

Journal of Media Literacy Education

This article explores how making data playable, i.e. developing exploratory co-creation techniques that use elements of play and games to interpret small to mid-sized datasets beyond the current focus on visual evidence, can help a) promote creative data literacy in higher education, and b) expand existing definitions of data literacy. The article briefly investigates playful characteristics in existing data practices, and discusses how this perspective compares to existing frameworks that define data literacy. In a second step, we present a Discursive Game Design technique to promote creative data literacy. The article reports on findings from a sample workshop, during which …

News

In The Loop

News briefs: Hollywood Reporter Honor; Studio CDM Documents Remote Initiatives; Animation Jam Goes Virtual; "Tom of Your Life" Film Release; D.E.F. Showcase 2020; Trackmania Soundtrack; Alumnus Commemorates St. Vincent de Paul; Alumni Games at PixelPop; Cybersecurity Champion

Walking The Walk

In The Loop

DePaul's College of Computing and Digital Media has several programs that engage students in enjoyable and educational endeavors that build their skill sets, confidence, and connections. The School of Cinematic Arts has partnered for several years with the Chicago Housing Authority (CHA) on a program that pays youth residents of CHA housing to participate in documentary filmmaking, screenwriting and design. DeSports involves students at two Chicago Public Schools (CPS) in e-sports to develop collaboration, communication and critical-thinking skills. Middle-school girls in CPS participate STEM-oriented pursuits as part of Digital Youth Divas.

Alumna Profile: Meet Would-Be Hot Topic Influencer Vera Drew

In The Loop

Digital cinema graduate Vera Drew (CDM '11) talks about her life in Los Angeles, her work as a film editor for Sacha Baron Cohen, Tim Heidecker and Eric Wareheim, and how she has managed coming out as a trans woman and keeping busy during the COVID-19 pandemic.

The Vampire That Refused To Die: Dracula And Nosferatu, Louis J. D'Alton

Proceedings from the Document Academy

This paper considers the efforts of the Stoker estate to stop an infringing work, Nosferatu, in a new medium while simultaneously attempting to create new vehicles to exploit the legacy of Dracula. Focusing on the works as they pass and transform through overlapping and related frames allows the consideration of both the private and public lives of the document. It also highlights the limitations of policy frames and the continuing relevance of these historical processes in discussions of the document.

Embracing Monsters, Laurie J. Bonnici, Brian C. O'Connor

Proceedings from the Document Academy

We propose monsters are documents. Monsters show us, make evident to us, teach us. An exploration of five monsters, both popular and unknown, reveals they fit within a standard model of message making; the binary nature of that model separates meaning from message enabling explanation of evolving interpretations of a monster. We examine the coding and decoding of monster documents through a functional ontology lens. We posit that monsters defy protype and thus serve as attempts at documenting the undocumented. Simultaneously monsters present clues to understanding through imagery that spans the unfamiliar and the familiar allowing the recipient to engage …

Mulan: An Exploration Of Culture And Representation In Hollywood, Annie Okuhara, Bernadine Cortina, Hung Le, Ryan Nakahara, Jerry Zou

Student Scholar Symposium Abstracts and Posters

'Mulan: An Exploration of Culture and Representation in Hollywood' is a presentation and detailed analysis of various representational, cultural, and minority-related issues in the context of Hollywood and western media. The presentation will focalize specifically around the recent live-action remake of the 1998 film "Mulan". The remake, premiered in March 2020, received critical backlash from various audiences (mostly from the BIPOC community), bashing the film for its misrepresentation of Ancient China and Ancient Chinese culture. Through this misrepresentation, the Hollywood film ultimately reflects views of cultural appropriation, misogyny, and overall minority underrepresentation in the United States. The research presents the …

Présence Francophone, Numéro 95

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

La Distribution En France Des Films D'Afrique Sud Saharienne Francophone, Patricia Caillé, Claude Forest

Présence Francophone: Revue internationale de langue et de littérature

Since the first such productions of the post-independence era, films directed by African filmmakers from former sub-Saharan French colonies have enjoyed very limited broadcast in theatres in France. Indeed, with very few exceptions, they have hardly been seen by French audiences at all. The image of the "festival film" - a label they were assigned - has had a significant negative impact, reinforcing their status as niche films reserved exclusively for film buffs. The few film titles that come up over and over again have led critics astray, restricting their view of this cinema to the places and stories portrayed …

La Diffusion Des Films Tunisiens Postrévolutionnaires, Emna Mrabet

Présence Francophone: Revue internationale de langue et de littérature

After a long period of stagnation, Tunisian cinema is experiencing a new boom today. The postrevolutionary era is thus marked by an artistic proliferation which is reflected through a multiplication of cinematographic achievements. We witness a diversification of styles and aesthetics and the advent of trends that dare to question society on its taboos and the barriers it poses to the development of the individual. These new productions are often awarded prizes in international festivals and are supported by an essential event: The Carthage Film Festival. In light of these considerations, it is necessary in this article to observe in …

Watch Me If You Can! Un Cinéma Algérien En Quête De Diffusion Et De Réception, Salima Tenfiche

Présence Francophone: Revue internationale de langue et de littérature

After a civil war that left more than 200 000 dead in Algeria in the 1990s, the return to peace in 2003 and the rise in the price of oil allowed Algerian cinema to return to the international scene. The state has invested several billion Algerian dinars since 2005 to revive film production and start renovating the country's four hundred movie theaters that had been abandoned since the late 1980s. Today, fifty-three movie theaters are functional throughout Algeria, yet they do not open their doors to the public. These movie theaters are still perceived as shady places, and they struggle …