Film and Media Studies Commons^™

Front Matter And Table Of Contents (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présence Francophone, Numéro 57

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Présentation, Sada Niang, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Littérature D'Afrique Noire Francophone Et Cinéma. Bibliographie Indicative, Sada Niang, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Bibliography and filmography of literary and cinematic works from French-speaking black Africa.

« Bessette, Y A-Tu Shaké L'Systeme? » - L'Orallté Chez Gérard Bessette, G. Aileen Clark

Présence Francophone: Revue internationale de langue et de littérature

The purpose of this article is to study the use of oral markers in five excerpts from works by Gérard Bessette. The synchronic analysis looks at the author's use of vernacular in the narrative discourse. The diachronic analysis shows how and why the use of spoken French in the narrative discourse has changed since the publication of the novel La bagarre (1958).

André Djiffack (2000). Mongo Beti. La Quête De La Liberté, Paris, L'Harmattan. Isbn 2-7384-8831-5, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Christopher L. Miller (1999), Nationalists And Nomads, Essays On Francophone African Literature And Culture 1, Chicago Et London, The University Of Chicago Press, 258 P., Ambroise Kom

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Livres Reçus (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Index (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Abstracts (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Parties Annexes (N° 57)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Écriture Apatrlde : Le Langage De L'Exil Dans Le Jardin Perdu D'Andrée Chedid, Marlène Barsoum

Présence Francophone: Revue internationale de langue et de littérature

The fertile territory of exile, inhabited and explored by displaced writers, has yielded myriad personal narratives. In this article, I discuss the strategy that Andrée Chedid chooses to broach in Le jardin perdu. Instead of relating a personal account of her own uprooting, she recreates the archetypal story of exile, that of Adam and Eve banished from paradise. By imagining what would have been their fears and hopes as they faced the unknown, she evokes the typical emotions of all exiles. By removing the story of displacement from the temporal and personal spheres, she brings it into the realm …

Najib Redouane (Dir.) (2000). Rachid Mimouni, Collection « Autour Des Ecrivains Maghrebins », Toronto, Les Editions La Source, Toronto, 428 P., Bouba Mohammedi-Tabti

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Reflections On A Shimmering Screen: Television’S Relationship To Writing Pedagogies, Bronwyn Williams

Faculty and Staff Scholarship

No abstract provided.

Newark Noir: A Study Of Film And Architecture, Tom Mcinerney

Architecture Senior Theses

"Through the investigation of the filmic narrative and the semantics of the visual style inherent in film noir, I intend to establish a precedent that can be used to construct an architectural product in Newark that serves to investigate the city's past, present, and anticipate the future."

'Good Little Bad Girls': Controversy And The Flapper Comedienne, Sara Ross

Communication, Media & The Arts Faculty Publications

In the late 1910s and early 1920s, the American film industry experimented with variety of new and timely female types which in some way challenged the sexual status quo, including the bohemian feminist, the madcap, the baby vamp and the flapper. Whether drawn from the headlines, adapted from best-selling novels or hot Broadway plays, or created for the screen, these characters had the potential to generate both strong box office, and controversy and censorship.

How Hollywood Films Portray Illness, Robert A. Clark

New England Journal of Public Policy

The author speaks about Hollywood's depiction of medicine and illness if often wrong and breaks down his analysis in this article.

Bolshevism And The Avant-Garde: Marxist Ideology And The Aesthetics Of Soviet Film, 1923-28, Garrett H. Booker

History Theses & Dissertations

When Eisenstein's Strike burst onto the cultural scene in 1925, Soviet cinema began a creative odyssey that left to posterity a brilliant collection of films that redefined the manner in which audiences viewed them. Not only was the form of these films dynamic and innovative, but their content captured the heroic actions of a new historical subject, the revolutionary proletariat. As the Soviet State assumed control over the production of films, politics imprinted its indelible mark on the content of these films, especially as Stalin tightened his grip over all aspects of artistic life. The author of this project will …

A Conversation With Harold Ramis: The Whacky Redemptions Of An Existential Buddhist, 2001, Harold Ramis, Ronald Falzone

Conversation With...

From May 14 to May 16, Harold Ramis served as the inaugural artist in the Visiting Director Program of the Directing Concentration, Film and Video Department, Columbia College Chicago. During his residency, he spoke about his influences and themes, pre-production, production, post-production, and muses and musings. This program was co-sponsored by the Chicago International Film Festival and the Academy Foundation. Ron Falzone served as moderator and editor of this work. 39 pages.

Fresa Y Chocolate: The Rhetoric Of Cuban Reconcilliation, Enrico Mario Santí

Institute for Cuban & Cuban-American Studies Occasional Papers

No abstract provided.

Black Or White: A Content Analysis Of Newspaper Coverage Dealing With Nba Players & Race, Daniel Eric Newman

Theses, Dissertations and Capstones

A content analysis of The New York Times and The Washington Post was conducted to determine if there were differences in the coverage devoted to African-American and Caucasian players in the National Basketball Association from July 1, 1999, through June 30, 2000.

The study examined 96 randomly chosen articles, 48 from each publication, to determine trends with regard to coverage of each race.

While the hypotheses predicted African-American players would receive more negative coverage than their Caucasian counterparts, the results showed that Caucasian players actually receive slightly more negative coverage.

The results also showed The New York Times is more …

Book Review: Artists In The Audience, James Morrison

CMC Faculty Publications and Research

No abstract provided.

Summer 2001, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

The Man’S Film: Woo And The Pleasures Of Male Melodrama, Philippa Gates

English and Film Studies Faculty Publications

No abstract provided.

Film Review: The House Of Mirth, James Morrison

CMC Faculty Publications and Research

Catharsis, said Aristotle, is the goal of drama. You'd never know it from The House of Mirth, an adaptation of Edit Wharton's 1905 novel by the great British filmmaker Terence Davies. Its intensity is distilled in its uncompromising restraint, and though there are passing moments of anger in the film, and rare, sudden swellings of grief, there's not a second of real release in this grim anatomy of a socialite's inexorable decline. Yet the film's relentlessness does not feel cruel. It feels like the piercing expression of a boundless pity.

Hyènes Ou L'Étau De La Mondialisation, Sada Niang

Présence Francophone: Revue internationale de langue et de littérature

Throughout his career, Djibril Diop Mambety infrequently associated with organizations set up by African film makers. He lived a life of dreams and invariably attempted to turn his dreams into film : the dream of a city (Dakar) at the crossroads of the history of a country (Contras'City, 1968), the dream of freedom (Badou Boy, 1970), the dream of belonging to a country free from the determinations of hegemonic discourses (Touki Bouki, 1973). In Hyenas (1992), Djibril Diop Mambety puts globalization on trial.

Book Review: Hitchcock's Notebooks, James Morrison

CMC Faculty Publications and Research

Everyone knows movies are collaborative, polyvalent, and multiform; it's only in our stubbornly powerful experiences of them that they can seem autonomous, homeostatic, or singly begotten. Hitchcock's Notebooks—a tantalizing, frustrating glimpse through a narrow chink in the thick door of a hallowed vault—will not doom the myths of the auteur to their final resting place, but the book tellingly reveals the many negotiations, improvisations, sleights-of-hand, and slipknots that went into the crafting of Hitchcock's exacting, austerely precisionist films. To that extent, it contributes some compelling new information to both he meanings of the films and the image of …

Hégémonie, Féminin Et Paradoxes De La Représentation, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Gender issues in African literature and cinema have always raised challenging questions. It seems that the real or supposed oppression of women is often Justified in biological rather than in social terms, which, in turn obfuscates the real issues. This essay addresses the problem of film reecritures, from a comparative perspective. In so doing we pay special attention to the status of the feminine. Our aim is to reconsider current trends and ideological changes in the transfer from literary to filmic text.

L'Image-Son Dans La Zerda Ou La Pharmacie Du Cinématographe, Mireille Calle-Gruber

Présence Francophone: Revue internationale de langue et de littérature

Film and literature are interrelated in the works of Assia Djebar. An analysis of La Zerda et les chants de l'oubli reveals among other techniques, that the "image- son" can also be found in the literary production of this author whose concern for autobiography and languages is essential.

Ousmane Sembène Et Le Cinéma Politique, Samba Gadjigo

Présence Francophone: Revue internationale de langue et de littérature

The study examines how Ousmane Sembene positions himself as a fiimmakerthrough his ideology. it begins with a summary of his trade union days on the docks of Marseille, and continues with his memberships in the CGT (Confederation generale des travailleurs), the French Communist Party, and other sister organisations. Further, the study provides a sketch of Sembene's ideal society and finally analyze the role he attributes to cinema in such a setting. The study concludes with a discovery ofthe main features of politically committed filmmaking for Ousmane Sembene.