Film and Media Studies Commons^™

The Split Child: Fragmented Temporalities And Selves In Post-Francoist Horror Cinema, Harper A. Denniston

Scripps Senior Theses

This thesis interrogates the prolific figure of the spectral child in post-dictatorial horror cinema in Spain. During the renaissance wave of the horror boom (a period between the late 1990s and early 2000s that experienced a surge in horror films), narratives of haunting often presented the ghost in child form, blending childhood and horror. This thesis examines the spectral child as depicted in the seminal horror films The Devil’s Backbone (2001) and The Orphanage (2007). First, I establish the historical context behind these films, exploring the traumatic history of children during the Spanish Civil War and Franco dictatorship, Spain’s cultural …

(Dis)Orientations: Finding Rhythm Within Queer Nightlife In Los Angeles, Frances Bright Currie

Scripps Senior Theses

This thesis examines how queer individuals in Los Angeles perceive, inhabit, and reshape their experiences in queer cultural spaces. Through this project, I trace the evolution of queer nightlife in Los Angeles (from early gay counterspaces, through the collectivist politics of the Queer Nation, to post-gay assimilation and contemporary “inclusive” queer nightlife) in order to examine how queer space has been shaped and reshaped by a recurring tension between the utopian promise of universality and inclusion and the material realities of exclusion. Drawing on ethnographic fieldwork, queer theory, and approaches to memory and the archive, I argue that queer nightlife …

Lights, Camera, Aggression!: Exploring The Relationship Between The Horror Genre And Criminality, Taylor M. Wanke

Scripps Senior Theses

This proposed correlational study will examine the effect of exposure and involvement with the horror genre in media and the crime genre in media on one’s antisocial personality traits, criminal thinking, criminal behavior/aggression, and morality in the general population and those who are currently incarcerated. Data will be collected through a Qualtrics survey accessed online for the general sample and printed out for the incarcerated sample. Each participant will complete exposure checklists, involvement scales for each genre, and multiple measures to record their level of each dependent variable. Data will be analyzed using a correlational analysis, 1-sample t-tests, and a …

Play, Then: Reimagining The Classical Music Film, Isabel Li

Scripps Senior Theses

Play, Then is a 8-minute short narrative classical music film that centers on a young Chinese American cellist who must face his relationship with music when his mother asks him to play for his ailing grandmother. The prevailing context of my film is the genre of what I call “classical music films,” which are narrative films, usually fictional, that explore cultural depictions of classical music and musicians through a visual cinematic story. Play, Then subverts expectations in classical music films by positioning an Asian American classical musician as the protagonist of the film and featuring a lesser-known classical piece. As …

Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson

Scripps Senior Theses

This thesis explores how Black rodeos in Oklahoma emerged from post-emancipation agricultural labor and ranching traditions, serving as powerful sites of cultural preservation, knowledge transmission, and resistance to dominant narratives of the American West. Through analysis of historical records, photographic evidence, and personal family narratives, this research demonstrates how Black Oklahomans developed unique relationships with land and animals that encompassed both the "ecological burden" of agricultural labor and the "beauty" of cultural expression and community-building. Drawing on theoretical frameworks including Kimberly Ruffin's "ecological burden-and-beauty paradox," George Lipsitz's "Black spatial imaginaries," bell hooks' "oppositional gaze," and Toni Morrison's concept of "rememory," …

Tackling Media Convergence: An Examination Of Video Game Influence In La Liga Live Streams, Melina Durre

Scripps Senior Theses

Following a partnership with gaming giant EA Sports, Spanish top-flight soccer league La Liga has begun to include various digitized elements reminiscent of video games in the broadcasts of their matches. This sponsorship has allowed La Liga to set itself apart from competitors through the creation of a unique viewing experience while simultaneously selling EA's product. Using aspects of media convergence theory, this project aims to explore the growing relationship between video games and live sports. These findings reflect a trend among younger generations, who want to get more out of their engagements with their favorite athletes and teams. As …

Severance As Metaserial Dystopia: Penal Spectatorship And Critical Reintegration, Sofia Buntz

Scripps Senior Theses

Typical prison media, while purporting to represent incarceration and its social meaning to the public, transforms lived realities of state-sanctioned violence into entertainment spectacle and operates under strict material and ideological constraints that prevent it from meaningfully questioning the legitimacy and function of the prison as a built institution. The television series Severance (2022), however, represents incarceration in the form of the dystopian office-prison where the innies are trapped, employing metaserial and science fictional narrative mechanisms to critically implicate the spectator. The show’s science fictional premise links the explicit violence of incarceration to the more subtle form of disciplinary control …

You Must Really Love Your Mother, Eliet Lee Williamson-Diaz

Scripps Senior Theses

My thesis, You Must Really Love Your Mother, is a documentary that explores the relationship between my mother and grandmother living together on my grandmother’s factory pig farm in rural North Carolina. I was motivated to create this project to document and memorialize a unique chapter in my mom’s life—leaving her career and community in New York City to spend invaluable time with her mother. This documentary takes place a year after both my mom’s step-mom and biological mom were in the ICU at the same time. My mom’s step-mom, Carol, passed away, while her biological mom, Judy, survived …

Finding Futures: Refusing Canva And The Homogenization Of The D.I.Y. Political Post(Er), Cassidy Bensko

Scripps Senior Theses

The convergence of corporate technology and subversive political expression is not new. Canva, like Xerox, is but another made-for-the-office technological innovation employed to political ends. Its ease-of-use has made it a staple tool for students, office workers, event planners, and political organizers alike. However, it is easy to use because it eliminates the need for creative decision-making, empowering users to quickly and easily produce designs that all look the same. This paper asks: Is the homogenization of D.I.Y. political posters, a medium that has historically been characterized by design elements that are as subversive as the politics they represent, indicative …

Find My Friends: Location-Sharing Ideologies And Peer Surveillance Practices, Nayla Dayal

Scripps Senior Theses

This thesis investigates the use of Find My Friends in the context of the Claremont Colleges. Students choose to location-share under initial rhetorical justifications of social reciprocity, and community-orientedness, and peer-safety. Drawing from ethnographic interviews conducted with users at the colleges, I argue that the infrastructure of Find My Friends in conjunction with the social and physical proximities of the Claremont environment creates a distinctive condition where users are subject to what I term as a “virtual, neoliberal, and participatory panopticon.” Here, users are seemingly empowered through the application’s neutralizing collapse of reciprocity and hierarchy that are seen in conventional …

The Kids Aren't Alright: "Indie Sleaze Revival" And The Commodification Of Subcultures On Social Media, Lauren Mar

Scripps Senior Theses

In 2012, the “indie sleaze” subculture is accepted to have “died” — the same year Facebook bought Instagram. Named retroactively by social media in 2021, the “indie sleaze” subculture and its “revival” online provides a rich ground for investigating how and why social media converts subculture into aesthetics. Drawing on Dick Hebdige’s 1979 theory of subculture, this project considers new understandings of the political, aesthetic, and affective relationships between digital media and subcultures. In examining the evolution of “indie sleaze” from its origins and manifestations in an escapist party scene of the aughts to its online simulations from 2021 to …

Reckoning With The Cowboy: Justice, Trauma, And The Myth Of Freedom In Be The Cowboy, Abbie Oh Arroyo

Scripps Senior Theses

Be the Cowboy interrogates the romanticized myth of the cowboy as a symbol of justice and freedom through the lens of racialized and gendered trauma. Centered on two Korean American sisters, the film explores the aftermath of a sexual assault and the ensuing quest for justice, highlighting the emotional and ethical tensions between retribution and healing. Drawing from postcolonial, trauma, and feminist theory, the project critiques the cowboy archetype’s historical entwinement with white patriarchy, colonial violence, and the aestheticization of marginalized suffering. By reimagining the Western genre through a racialized and gendered perspective, Be the Cowboy challenges dominant cultural narratives …

Of Monsters And Men: Fantasy, Aesthetics, And The Nation In Pan's Labyrinth (2006) And The Shape Of Water (2017), Ally Fleming

Scripps Senior Theses

ABSTRACT: Guillermo del Toro has established himself as one of Hollywood’s most beloved filmmakers due to his ability to blend popular genres with arthouse flair. This is especially true when it comes to fairy tales, a common thread woven throughout his films that are consistently imbued with political commentary on authoritarianism. This is most apparent in two of his most critically acclaimed films, Pan’s Labyrinth (2006) and The Shape of Water (2017). Part of why these films are so beloved is how they utilize popular culture not just as tools to foreground the story’s setting, but also to guide the …

Covid-19'S Impact On Grocery Expenditure Amid The Rise Of Social Media's Unattainable Wellness Culture Within Beverage Products, Ava Hinz

Scripps Senior Theses

This paper explores post-pandemic consumption through two different lens: economics and media studies. First, I will focus on COVID-19’s impact on the expenditure of grocery goods. Then I will explore how today’s wellness culture is made unattainable through social media by examining an organic grocery store and two beverage products. By examining these two areas of consumption, it provides critical information on an individual’s consumption during the unique shocks of the pandemic and the cultural context behind those actions.

The Politics Of Fear: Exploring Diversity And Representation In The Modern Horror Genre, Abbie Oh Arroyo

Scripps Senior Theses

This thesis explores the horror films and how they have been politicized in the context of modern day poiltics (2017-2021). Works suchs as Jordan Peele's Get Out, Jayro Bustamante's La Llorona, and Nia DaCosta's Candyman are used as case studies that analyze how these films may have been shaped by the political happenings of their time as well as how these films are used as a medium of advocacy and for social commentary.

Reject Modernity, Embrace Tradition: Unpacking Gender Roles In Social Media Performances Of "The Good Life", Lauren Mar

Scripps Senior Theses

What do JD Vance, tradwife influencers, and the “sprinkle sprinkle” movement have in common? They all have something to do with the increasing popularity of an apparent return to traditional gender roles. This thesis is an intersectional investigation of women’s gender roles in relation to class and race as they appear in different performances of “the good life” on social media. Through a series of personal essays, this thesis explores how these media examples represent a deeper political unhappiness with present conditions. This thesis takes the time to unpack the different sides of discourse surrounding each subject, and counters the …

Cashing In Or Giving Back: The Role Of Film Tax Incentives In The Cultural Impact Of Runaway Productions, Karolina Krok

Scripps Senior Theses

This thesis explores the internationalization of Hollywood through economic and creative runaway productions driven by international tax incentives. It examines how these incentives can impact not only the commercial but the cultural success of productions filmed abroad, focusing on regions such as Australia, New Zealand, Canada, the United Kingdom, France, Germany, California, New York, and New Jersey. The analysis centers on cultural tests and diversity requirements, revealing two main approaches: the first requires a minimum of diversity standards and cultural tests points to be met, while the second prioritizes and rewards productions with the highest achieved assessment of those. Furthermore, …

"Girl, So Confusing": Tiktok Tweens, Technology, And The Authentic Self, Emily R. Dietrick

Scripps Senior Theses

This thesis examines the American tween as a postfeminist subject within the context of youth cultural production on TikTok, responding to the recent resurgence of concern about the young girls’ body in popular discourse. The first chapter will explore the origins of the tween as the marketing industry category previously known as the subteen, particularly through the lens of tween media culture and postfeminist narratives of choice and authenticity in identity formation. The second chapter will analyze the current technological facets of TikTok with attention to the For You page, algorithm, user-generated content, and influencer self-branding. This will demonstrate how …

Comedy Is Manipulative And I Can Prove It: Laugh, Now!, Eleanor Henderson

Scripps Senior Theses

This paper examines whether comedy is a manipulative form of interaction. Through defining manipulation and establishing a practical definition of how jokes function, it applies the definition of manipulation to the performance and experience of comedy by assessing a joke's deliberate and powerful verbal structure. It closes with a brief discussion of the ethics of comedy, within context of it being a manipulative influence.

The Favela Blossoms: Voices Of Favelas In São Paulo, Brazil, Vasti Cruz

Scripps Senior Theses

This project spotlights improvised housing in the peripheral areas of São Paulo, Brazil, better known as favelas. For over a century, the favela has been known as a place of death, violence, crime, and oppression. Paradoxically, the first favelas in Rio de Janeiro were named after a plant that produces flowers. However, today, these communities are rarely compared to their beautiful, symbolic-of-life namesake. Instead, this prejudgement is rampant not only globally, but also within the proper city– which perpetuates social division. When favelas are discussed in the media, they often reference those in Rio de Janeiro; however, favelas are present …

How To Build A World: Stereoscopes, Tourism, And Land In Zion National Park, Emma Duggleby

Scripps Senior Theses

This thesis fundamentally questions how representations of the environment and land impact how we relate to and live in it. By examining a set of 1925 stereoscope images of Zion National Park, it considers how use-based perceptions of place – structured by the entertainment of tourism and mass media – become part of the mundane practices of consumption. By revealing how these capitalist-colonial relationships to the land have been built through time, an analysis of these stereoscope slides reveals that these stories are anything but natural in hopes of making room for other stories to be built instead. The second …

The Culture Of Resistance Featuring Pleasure, Leisure, And Joy, Gabriella Osifo

Scripps Senior Theses

Black students within predominantly white institutions (PWIs) have a unique experience due to the fact that they reside in higher learning institutions that were never meant to hold Black, queer bodies. Residentially, academically, and structurally PWIs display a quality of lacking which consists of failing to provide appropriate resources, acknowledge structural barriers, and address complaints made by students of queer identities, namely Black students, in meaningful and effective ways. Through examining the history of Black student-led movements within the five Claremont Colleges (5Cs) using a Black Existentialism lens, this paper seeks to understand the positionality of this quality of lacking …

(Re)Constructing National Memory In Neoliberal Chile Through Patricio Guzman's The Cordillera Of Dreams (2019), Mica Barrett

Scripps Senior Theses

One of the most renowned Chilean exile filmmakers is Patricio Guzmán. Best known for his documentary work regarding the Allende years, Guzmán has continued to make films regarding his homeland in the decades following his initial exile.

The Cordillera of Dreams is the concluding film in a trilogy exploring the natural lands of Chile and their relationship to physical remnants of the human past. The initial and most renowned film in the series, Nostalgia for the Light, centers the Atacama Desert and Chileans’ relationship to the geography as a gateway to revealing artifacts of Chile’s recent history of genocide …

菠蘿包(Pineapple Bun): Exploring Memory And Language Through Animation, Elaine Yang

Scripps Senior Theses

菠蘿包(Pineapple Bun) explores the themes of reconstruction, evocation, and memory through my childhood in Taiwan. Inspired by other Asian American animators, I aim to tell a simple story of connection through my grandfather and I's daily swimming ritual. The film is a 3-minute animated short film following our language barrier and how we engage with each other's differing backgrounds.

Hearth And Homefluencers: Aesthetics Of Digital And Domestic Labor In #Slowliving Content, Lena Kohls

Scripps Senior Theses

Slow Living is a philosophy that has grown in popularity as a social media “aesthetic” in recent years due to the growth of TikTok as a global platform and the increase of home-based content during the Covid-19 pandemic. Female creators following the trend, which promotes the rejection of high-speed capitalist life in favor of a slow, minimalist lifestyle, have documented their transition from career to homestead through highly aestheticized and romanticized content. This paper analyzes the slow living trend with focus on the gendered dynamics of both digital and domestic labor. It observes the ways in which “feminine” labor is …

The Burden Of Artificiality: Always The Servant, Never The Patron, Alia Biswas

Scripps Senior Theses

I examine three robots in Science Fiction, Data from the television series Star Trek: The Next Generation, David from the movie A.I.: Artificial Intelligence, and Deckard from the novel Do Androids Dream of Electric Sheep? to examine how they are analogous to marginalized bodies. I analyze how the marginalization of robots works to disorient robots so their labor can be extracted, as I focus through their embodiment of a happy object, and how their desire is directed towards the narrative of the good life, the myth that a happy life is achieved through adhering to heteronormativity. I use heteronormativity as …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

Distributor As Tastemaker: Neon And The American Independent Film Sector, Lucie Boulet-Gercourt

Scripps Senior Theses

This thesis explores the role of independent film distributor NEON as a leading tastemaker in the American indie sector. Founded in 2017, NEON has distinguished itself from competing studios and streaming services by maintaining a commitment to the theatrical experience and to genres that Hollywood has been historically hesitant to embrace. Using Pierre Bourdieu’s concept of the ‘cultural intermediary,’ I analyze how NEON has demonstrated its viability within the indie sector through its promotional strategies, chosen avenues of distribution, and specific film products. While media industry scholars have recently revisited Bourdieu’s theory in order to study producers of cultural value, …

#Mentalhealthmatters: Mental Health Awareness Campaigns In Media And Its Effectiveness On Stigma Reduction In Third Culture Kids, Airi Sugihara

Scripps Senior Theses

The recent amplified attention towards mental health and overall wellbeing has been accelerated by awareness campaigns in media, which are culturally and regionally tailored to encourage efficacy and positive attitude changes. Some of these mental health awareness campaigns are disseminated on the social media platform Instagram, which is contradictory to Instagram’s corporate lack of acknowledgement towards its addictiveness and negative impacts on user mental health. The aesthetic and influencer culture surrounding social media empowers its systemic problems, which is exacerbated by modern society’s media dependency. Within its discriminatory and oppressive algorithm, mental health awareness campaigns created by Instagram represent corporate …

Seaglass: An Animated Rejection Of Narrative Permanence, Alejandra Louise Blackmore

Scripps Senior Theses

This thesis explores how popular narrative structures imply that our reality should be stagnant, thereby leaving us as viewers unprepared for the notion of change. I introduce the term “narrative permanence” as a story structure that assumes the foundations of a narrative are absolute. These stories therefore consider structural change as a threat or abnormal. I analyzed examples such as The Simpsons and news coverage of the BP oil spill to demonstrate how popular media frames change as an unnatural occurrence that must be neutralized. My thesis then culminated in an animated short about a person living in a seaside …