Film and Media Studies Commons^™

Affect And Identification In Hereditary And Huesera: A Critique Of Neoliberal Motherhood In Post-Horror, Jared M. Lamanati

USF Tampa Graduate Theses and Dissertations

This thesis examines the implications of affect and identification in post-horror and the consequences they present for motherhood. Specifically, I argue Hereditary (Ari Aster, 2018) and Huesera (Michelle Garza Cervera, 2023) make use of their maternal protagonists to complicate spectatorial identification and critique the cruel attachments of neoliberalism which idealize a heteronormative, homogenous vision of mothering. Following David Church’s postulation of affect, neoliberalism, and the maternal melodrama as central to “post-horror,” I look towards Linda Williams’s and Lauren Berlant’s paradigms of pathos and sentimental politics. While Williams addresses the complicated pains and pleasures of pathetic identification in the maternal melodrama, …

Netflix, Between Intercultural Exchange And Monopolizing Tendencies: Streaming Consumption, Production, And Distribution In Romania, Ana-Maria Calancea

USF Tampa Graduate Theses and Dissertations

This thesis examines the development and involvement of the SVOD platform Netflix in Romania in the context of a global media corporation engaging with a local market. Romania’s status as a former communist country acts as a good case study highlighting the long-term consequences of diverse content deprivation. I argue that in a country such as Romania, a service like Netflix can provide a so-called indirect intercultural exchange through the production and distribution of easily accessible diverse content, whether that diversity stems from nationality, ethnicity, race, sexuality, or any unconventional form of expression that was restricted or censored in the …

The Power Of A Princess: Rebranding For A New Generation, Victoria A. Heath

USF Tampa Graduate Theses and Dissertations

The lyric “Well, that sounds an awful lot like princess problems” from Snow White (2025) reflects Disney’s evolving portrayal of its princesses as more self-aware and independent. This shift is echoed in earlier live-action adaptations, such as Beauty and the Beast (2017), where Belle’s longing for “adventure in the great wide somewhere” signals her rejection of a limited, traditional role. Guided by Feminist Film Theory and media framing, this study examines how Disney’s rebranding of princess characters in Beauty and the Beast (2017), The Little Mermaid (2023), and Snow White (2025) reflects contemporary ideals of empowerment. Through narrative content and …

Lost & Found: The Postmodernism Of Japan's "Lost Decades" In Kamen Rider Decade, Andrew K. Barrow

USF Tampa Graduate Theses and Dissertations

As a franchise, Kamen Rider is underrepresented in anglophonic scholarship despite its potential to relate postmodern texts, nostalgia, and history. In making these relations, Decade in particular challenges postmodern critiques that were prevalent in its time and during the time of the material it references, from 2000 to 2008. Scholars critical of postmodernism such as Fredric Jameson and Hiroki Azuma situate themselves as such because of postmodernism’s perceived detachment from history and lack of depth, creating a cultural logic of artworks that pales in comparison to older logics and eras. By teaching himself and another Kamen Rider morals and lessons …

Framing Affect: Close Up To Feeling With Women At The Eighteenth-Century Theatre On The Twenty-First Century Screen, Ros M. Ballaster Professor

ABO: Interactive Journal for Women in the Arts, 1640–1830

Period films and television dramas of the twenty-first century use scenes of attendance at the theatre by women in the (long) eighteenth century as a test of their capacity to feel. Such scenes provide an opportunity to measure the competing affordances of screen and stage regarding affect in the eighteenth century and our present moment. Explored are scenes of theatrical affect from Dangerous Liaisons (1998) to The Duchess (2008), Harlots (2017), Portrait of a Lady on Fire (2019), Bridgerton (2020). The figure of the liberated, educated, and aesthetically sensitive woman serves in period fiction on stage, screen and page more …

Cinematic Abuse: A Critical Analysis Of Disney’S “Happily Ever After” In The Little Mermaid, Aladdin, And The Princess And The Frog, Erin Michelle Gough

USF Tampa Graduate Theses and Dissertations

This dissertation examines the manner in which three animated Disney princess films cultivate stereotypes and gendered behaviors consistent with domestic violence and thereby encourages viewers to accept and tolerate abuse against women. I argue that due to the dangerous, constricting, and sexist gender roles encouraged by the Walt Disney Corporation, films prime young girls and boys to react to social situations and encounters in a way that mirror the characters’ reactions. Because of the films’ entertainment value, most of the characters’ inappropriate, stereotypical, and often violent behaviors either go unnoticed or are passively accepted. The violence does not have to …

Reparative Cuteness: Summer Camp Island’S Obfuscated Streaming Distribution Reveals Our Dependence On Monetary Care, James R. Hanjian

USF Tampa Graduate Theses and Dissertations

Summer Camp Island exhibits the culmination of the animation styles and ethics of dependent care produced within contemporary Cartoon Network animations. As part of the production cycle of Warner Bros. animated television programs following Adventure Time, Julia Pott’s animated program depicts networks of collaborative care informed by the lived realities of the creator-animators. By employing a reparative reading of the narratives and cute aesthetics which appear in the program, I maintain that the care networks presented within the diegesis of Summer Camp Island depict alternatives to the precarious economic and industrial realities that actively shaped the show’s production and distribution. …

Awful, Yet Awe-Full: The Sublime Dystopia Of Blade Runner 2049, Charles E. Butt

USF Tampa Graduate Theses and Dissertations

Blockbuster dystopian sci-fi features stories of environmental collapse, authoritarian governments, out of control corporations, unbounded consumerism, and other awful possibilities. Scholars of science fiction broadly agree that this genre explores collective fears, anxieties, and speculations about the present and future. At the same time, film scholars have established that dystopian sci-fi cinema is compelling, and audiences respond to their effects-driven visuals, photorealistic mise-en-scene, and dramatic narratives. This creates an apparent paradox: Blockbuster cinematic aesthetics portray undesirable worlds desirably. I resolve this paradox by arguing that the worldbuilding of spectacle-driven, dystopian sci-fi cinema is Romanticized. That is, the provocative style of …

Protracting The Immediate: Time As Form In Contemporary Horror, Kennedy Kelley

USF Tampa Graduate Theses and Dissertations

This thesis examines the expression and experience of temporality in horror films of the last decade. Whereas early twenty-first century horror was characterized by high-octane jump scares, current horror is marked by contemplative slowness. I argue that the elongated duration of recent horror extends an experience of indeterminate anxiety that attunes us to an expansive relationality, offering a corrective not only to contemporary logics of immediacy, but also to the frequently constricting nature of embodiment as a theoretical concept. Recent horror scholarship tends to center sensuous propinquity in response to a long history of gaze theory’s disembodied passivity. While these …

The Manosphere’S Reception Of The Women Auteurs Behind The ‘Man-Eating’ Jennifer’S Body (2009) And ‘Man-Hating’ Barbie (2023), Hilda Sheridan-Hewlett

USF Tampa Graduate Theses and Dissertations

Scholarship on women filmmakers has not significantly emphasized the burden women auteurs carry when bracing themselves for the reception from misogynistic community discourse online, the manosphere. Director Greta Gerwig and screenwriter Diablo Cody are not simply perceived as filmmakers but as birth mothers of their work: Barbie (2023) and Jennifer’s Body (2009) which convey inherently popular feminist narratives. I argue Cody and Gerwig faced the wrath of the men online because they are inextricably linked to their productions, the feminization of their work in the eyes of the manosphere equals personalization. Despite Cody having the freedom to write any film …

The Rust Belt Gothic: Charting The Affective Politics Of Deindustrialization And The Emergence Of A Great Lakes Horror Genre In Film, Micheal B. Raines

USF Tampa Graduate Theses and Dissertations

Within the past decade, a string of notable horror films set within the Steel Belt has emerged. These works collectively invoke the specter of the ‘Rust Belt’ in their narratives: the industrial Midwest’s derelict urban and suburban sprawls in the wake of the economic decline and white flight of the USA’s once-mighty manufacturing sector. Scholarship has commented upon the subtext of these works individually but fails to observe their collective nature as an emergent subgenre in horror fiction, centered upon directly confronting the Steel Belt’s twentieth-century history of stagnation. In this paper, I examine films which share clear aesthetic and …

Zeros And Ones: Digital Video Aesthetics And Geopolitical Economy In Blackhat, Everett Barnett

USF Tampa Graduate Theses and Dissertations

Film and media theory has been fundamentally altered by the advent of digital technology, both in terms of film production and broader aesthetic overtures but also in terms of greater digital mediation. Blackhat (Michael Mann, 2015), although not a commercial or critical success, articulates many of the exact circumstances and broader consequences of digital technology in relation to its digital video aesthetics but also its narratives content involving global telecommunication and data systems. As a wholly digital film, Blackhat is uniquely situated to speak not only developments in digital filmmaking but also, by way of its plot line involving stateless …

Unveiling Estrangement: The Ambivalence Of Iranian Cultural Identity In Documentary Films, Vahid Valikhani

USF Tampa Graduate Theses and Dissertations

This paper examines estrangement within Iranian society as depicted in Iranian documentaries, which, I argue, regularly suppress the complexities of Iranian cultural identity. While Iranian narrative cinema has been studied in this context, documentaries have received less scholarly attention, despite their potential to illuminate the shortcomings of conceiving Iranian cultural identity. I examine three documentaries: Tehran Today (Ahmad Faroughi Ghajar, 1962), Newcomers (Kianoush Ayari, 1979) and Tehran Without Permission (Sepideh Farsi, 2009). Through this analysis, I uncover various forms of estrangement, including those induced by westernization, gender oppression, and the political control of what Hamid Naficy calls “mediawork.” Drawing on …

The Boundaries Of Melodramatic Film Music: Redefining Home Through The Score Of Douglas Sirk’S All That Heaven Allows, Meredith Donovan

USF Tampa Graduate Theses and Dissertations

In this project, I analyze the relationship between music and narrative in Douglas Sirk’s 1950 film All That Heaven Allows. Sirk’s melodramas are held in high regard by film scholarship, but their scores, especially those composed by Frank Skinner, are often dismissed as lazy or mere atmospheric mood assistance. I argue, however, that the score of Sirk’s All That Heaven Allows builds protagonist Cary both a home—and a “home key”—through its tonal structure, rejecting a rigid boundary between diegetic and non-diegetic music as a whole by offering a fluid musical space to express the conflict between Cary’s emotional home and …

From Displacement To Intersubjectivity: A Phenomenology Of Sound In Classic Film Noir, Thomas Goodchild

USF Tampa Graduate Theses and Dissertations

This paper analyzes the use of sounds displaced from their sources in classic filmsnoir. Noir is often understood as a dark and solipsistic moment in American cinema. Interpretations of noir frequently emphasize isolated individuals who are physically, psychologically, and socially displaced from their environments. Although scholarship on noir has examined this alienation through various sonic motifs such as music and voice-over, I investigate how several noirs draw attention to the act of listening through acousmatic sound—that is, sound heard without a visible source. Far from being an ephemeral auditory experience, I argue that the separation between sound and image invites …

Reading Rent: Interracial Relationships And Racial Hierarchies, Susanna A. Perez-Field

USF Tampa Graduate Theses and Dissertations

In examining the musical Rent by Jonathan Larson (1995) and its film adaptation by Chris Columbus (2005), most scholarly work and analyses have focused on the work’s identity as a queer text. I assert that elements of this musical have been overlooked for its depth of racial and class hierarchies. Utilizing sociological theory and interracial relationships, I will examine characters and musical numbers to explore diversity and class positioning.

I will explore Rent for themes of racial, gender, and sexual identities and how they are presented through the friendships and romantic relationships of the eight principal characters (alphabetically): Angel, Benny, …

Selective Framing And Narrative As Anthropocentric Agents In Yellowstone: America’S Eden, Breanna Lee Hansen

USF Tampa Graduate Theses and Dissertations

Yellowstone: America’s Eden is but one example of nature documentaries tackling the complexities of nature-culture relationships during the age of the Anthropocene. Yellowstone National Park, the first to be named, is a primary example of how our relationship to the natural world developed through conservation and commodification. Yellowstone: America’s Eden demonstrates how film techniques conceal nature as a human construct through selective framing and narrative. By analyzing editing techniques made in the representation of Yellowstone National Park, this thesis bridges anthropocentrism to nature documentaries. Drawing on interdisciplinary research from media studies, environmental humanities, and anthropology, this thesis analyzes the ways …

From Counter-Strike To Counterterrorism: How The Cheater Reconfigures Our Understanding Of Asymmetric Warfare, Enya C. Silva

USF Tampa Graduate Theses and Dissertations

Around the turn of the century, as the United States increased its military presence in the Middle East in what was widely known as the War on Terror, computer games were also rising in popularity. Military inspired narratives and settings are very common in video games, especially in the genre known as the first person shooter – characterized by a single player, first person point of view. Alexander Galloway provides a vocabulary for understanding the video game, and the first person shooter in particular, derived from the framework of game studies. Scholarship around video games usually either seeks to affirm …

Motherhood In The Multiverse: Melodrama And Asian American Identity In Everything, Everywhere, All At Once, Aditya Sudhakaran

USF Tampa Graduate Theses and Dissertations

In what follows, I look to the visual and narrative composition of the multiverse between Everything, Everywhere, All at Once (The Daniels, 2022) and Doctor Strange: Multiverse of Madness (Sam Raimi, 2022) to develop a more precise understanding of the superhero blockbuster as a contemporary expression of sensation melodrama. To do so, I use two depictions of maternity to excavate two very different approaches to the multiverse: one that externalizes social conflict, which it answers with individuated and exculpatory violence, and another that internalizes social conflict, which it answers through collective care. I introduce the blockbuster’s mobilization of the multiverse …

Losing The Streaming Wars: What Netflix Loses In Television Narrative And Participatory Fan Cultures, Annabelle G. Naudin

USF Tampa Graduate Theses and Dissertations

This thesis focuses on the rise of streaming television and subsequent “binge-watching” and its impact on the narrative structure of a series. By looking at shows such as Stranger Things, which pioneered the rise in this new form of television, one can see the shift in narrative structure in comparison to previous long- form television such as LOST. This shift can be seen in the slow disappearance of “game-changer” cliffhangers within episodes that build to a larger implication in a season arc in favor of one longer mystery that stretches throughout the season. In this thesis, I argue that this …

Narrar El Final De Los Tiempos: Misantropía Y Liberación En Dos “Cuentos Atómicos” Del Salvadoreño Álvaro Menen Desleal (1960s), David Díaz Arias

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El presente artículo analiza una parte de la obra de ciencia ficción del salvadoreño Álvaro Menen Desleal. Para eso, se concentra en uno de los temas que, aunque no dominante, sí es abordado de forma crítica y sagaz por parte de ese autor: el exterminio de la humanidad a partir de una hecatombe nuclear. Así, se estudian dos cuentos publicados por Menen Desleal en 1969 y que forman parte de su premiado texto Una cuerda de nylon y oro y otros cuentos maravillosos. Los cuentos son el que le da nombre a esa antología de relatos y “Hacer el …

Ambient Athleticism: Politicizing Akira’S Accelerationist Olympiad, Thomas G. Chaplin

USF Tampa Graduate Theses and Dissertations

This thesis politicizes Katsuhiro Otomo’s 1988 animated cyberpunk film, Akira, specifically through how it stages its myriad neoliberal crises as opportunities for accelerationist solutions mediated by the Tokyo Olympics. Akira’s display of fully animated and intense action physics produces an aesthetic relation to its own athletes that contracts around their bodies in an attempt to transgress classical and oppressive compositions. Akira’s vague utopic promise receives broad acceptance and affirmation by extant scholarship, often relying on the accelerative impulses found in the works of Gilles Deleuze to substantiate Akira’s hopeful ending. Invoking Gilles Deleuze’s notion of athleticism, this thesis critically rereads …

Critique Beyond Judgment: Exploring Testimony And Truth In The Classroom, Sean Sidky

Genocide Studies and Prevention: An International Journal

This essay offers a set of strategies for utilizing the words of survivors and of witnesses to genocide in the classroom. Including the voices of survivors and victims in our classroom conversations about genocide, its impact, representation, and the possibilities for its prevention is crucial to an ethical and wholistic pedagogy of genocide. Discussion of these events in the classroom often finds us confronting questions from students about truth, historical accuracy, authenticity, and authority. Addressing such questions requires careful framing that takes into account student assumptions and cultural discourses about memory and witnessing, as we work with students to develop …

Cinema Studies, Burak Turten

University of South Florida (USF) M3 Publishing

PREFACE

Cinema Studies is a comprehensive book that, is hoped, will provide students and researchers with film studies and other persons interested in cinema with a useful reference book on film analysis and, where relevant, the different discussions surrounding that. The contributors analyze some films using ideas and concerns from modernism, cinematographic narrative, ideology, propaganda, migration, nomadism, and the sense of revenge. The book provides new insights into films and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis.

Therefore, each chapter of this book, …

Cinema Studies: Different Perspectives, Burak Turten

University of South Florida (USF) M3 Publishing

PREFACE

Cinema Studies: Different Perspectives is essential reading for anyone interested in cinema discipline. The singular aim of this edited book of scholarly text is to stimulate and engage readers in the fast-changing, complex, and increasingly interdisciplinary nature of cinema studies, and to serve as a catalyst for future intellectual, academic, and professional-driven research agendas. It is believed that the integration of cinema studies with other disciplines will undoubtedly contribute to the development of the cinema field both in practice and in theory.

Therefore, each chapter of this book, which consists of 9 chapters, focuses on a sub-discipline such as …

“Good War” On The Cool Medium: The Cold War's Influence On The Portrayal Of World War Ii On American Television, Michael A. Losasso

USF Tampa Graduate Theses and Dissertations

This dissertation is a cultural history of the Cold War’s influence on the portrayal of World War II on American television. In it, I chronicle the production, reception, and presentation of the war of three prominent American-produced documentary series from three periods of the Cold War – Victory at Sea (1952-1953), The Twentieth Century (1957-1966), and The Unknown War (1978). The dissertation posits that from the 1940s-1960s, the television portrayal of World War II was an embodiment of the values- that the United Sates was “fighting” for through a “triumphalist” narrative of a “just war” which recast the role of …

Digital Realness: Queer Intimacy In Contrapoints, William S. Beaman

USF Tampa Graduate Theses and Dissertations

Digital media comprises a diverse ecology of creative genres, institutions, communities,platforms, and entrepreneurial businesses. Yet despite its practical association with variegated social forms, digital mediation as such is often theorized as a logic of homogenization, problematically obscuring its heterogeneously contested character. This article reconceives mediation as an irreducibly multi-scalar and heterogeneous infrastructure, recasting online activity as contested participation in wider social contexts. I am contributing to a counter tendency in media studies that methodologically treats digital forms as polysemic, ambiguous and contested, rather than necessarily homogenizing, in the context of specific cases. Drawing out the theoretical implications of this methodology …

Visions Of Entanglement And Escape: In-Visible Voice In The Films Of Terrence Malick And George Lucas, Michael Lee Taber

USF Tampa Graduate Theses and Dissertations

This thesis juxtaposes the unexpectedly parallel careers of the filmmakers George Lucas and Terrence Malick. Both popularly and academically, Lucas and Malick are typically conceived as divergent practitioners and are framed in oppositional terms. The goal of this thesis is – in part – to break down this oppositional understanding of Lucas and Malick as filmmakers. This traditional understanding of Malick and Lucas collapses when we consider their respective relationships to sensation and abstraction. Affirmations of sensation and Malick abound, as do critiques of abstraction and Lucas – all the while it is Malick who is aligned with abstraction and …

An Exercise In Exceptions: Personhood, Divergency, And Ableism In The Star Trek Franchise, Jessica A. Blackman

USF Tampa Graduate Theses and Dissertations

In 1987, more than two decades after Star Trek: The Original Series aired on television for the first time, the Enterprise returned to delight audiences with an all-new crew in Star Trek: The Next Generation. With the new generation came new issues and adventures for the crew and the audience to explore, and the popularity of the show lead to the production of three successful spin-offs. These four new shows in the Star Trek franchise dealt with more complex plots and commentaries than the original series before them; three characters in particular – Lt. Commander Data, Dr. Julian Bashir, and …

Restarting Plural Modernity: The Lyrical Tradition Of The Hometown In Kaili Blues, Huadong Fan

USF Tampa Graduate Theses and Dissertations

The dichotomous paradigm constituted by the realist tradition of Chinese cinema has become the epic and inertial discourse for understanding Chinese modernity. However, I argue that some new filmmakers after the sixth generation of directors have used the narrative and aesthetics of the hometown to change this dominant logic of Chinese modernity. The revolutions and wars of the twentieth century transformed the hometown from a relatively stable agrarian civilization to a modern society in violent turmoil. Recent hometown films are no longer satisfied with this realist aesthetic duality and strive for a pluralistic discourse of Chinese modernity, releasing it from …