Film and Media Studies Commons^™

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …

Pathos, Winter 2026, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

Pathos, Fall 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

Cinematic Empathy: Autistic Interpretation Of Social Cues In Narrative Film, Lux Gomez

University Honors Theses

From research and lived experience we can see a pattern of Autistic people engaging and forming connection with emotional narratives in media, despite stereotypes suggesting they lack empathy or theory of mind. This mixed-methods study sought to lay the groundwork and start preliminary investigation into how film’s structured formal elements may facilitate autistic viewers’ interpretation of social cues that typically challenge autistic-allistic (nonautistic) communication in real life. A sample of 22 participants (13 autistic, 9 allistic) viewed five film scenes depicting lying, flirting, sarcasm, exposition, and flat affect and completed a survey. Both quantitative and qualitative data were analyzed. While …

Fancy Mice, Damian Aguilar

University Honors Theses

In this proof-of-concept screenplay, a family becomes the subject of an isolating experiment that observes their behavior changes after remaining in their home for an extended period of time with all their basic needs met. The first twenty-pages of this psychological horror lays the foundation for a larger work that explores existential themes related to purpose, competition, and play.

Intersectional Realities, Multi-Dimensional Films: Reading Julie Dash's Illusions As An Activist Text, Amelia Morrison

University Honors Theses

This paper reads Julie Dash's 1982 film Illusions as an activist text, which challenges dominant cinematic and historical narratives through its Black feminist perspective. It explores the cinematic and narrative devices that Dash uses--including the weaving of fantasy and history, the strategic use of period aesthetics, and masking--to expose and subvert the mechanisms of white supremacist and patriarchal hegemony within Hollywood. Drawing on intersectional feminist theory from scholars like Kimberlé Crenshaw, Patricia Hill Collins, and bell hooks, alongside cinematic theory, this analysis demonstrates how Illusions critiques the historical erasure of people of color from United States cinema and history. By …

Cultural Shadows: Vampires And The Shifting Fears Of The West, A Creative Exploration Of Vampire Media And Its Reflection Of Evolving Social Anxieties, Tasha Sayre

University Honors Theses

Cultural Shadows: Vampires and the Shifting Fears of the West is a creative-critical thesis that explores vampire media as a reflection of evolving social anxieties in Western culture. Focusing primarily on film and television, with reference to key literary texts, this study examines how the vampire figure is used to articulate and dramatize recurring societal fears—particularly those surrounding women's sexuality and autonomy, queer identity, and class-based inequality. Through close readings of influential vampire narratives, the thesis demonstrates how these stories mirror cultural tensions and moral panics, transforming the vampire into a symbol of both fear and fascination. Drawing on gender …

Playing Makes Believing: Narrative Creation In Tabletop Role-Playing Games, Evan Salthouse

University Honors Theses

Tabletop role-playing games (TTRPGs) are a medium of narrative creation that combine collaborative improvisation, dice rolling, and game mechanics to allow players to tell mythical stories of fantasy and adventure. How are TTRPG systems used to create such memorable, evocative narratives? This research paper analyses Dungeons & Dragons (D&D) 5th Edition, examining its multifaceted system of narrative creation and the forces of influence at play, and outlining how narrative emerges from each aspect of the game. It highlights the act of play as the catalyst for these narratives supported by scholarship of role-playing game studies, and suggests future research investigating …

A House With No Walls Where Persimmons Grow In The Garden: Photography As A Collaborative Feminist Practice And Using Archives To Reframe The Present, Jada Wheeler

University Honors Theses

A House With No Walls is an investigation of the idea of chosen family, as it exists apart from the influence of any institution. It alludes to the home as a place that exists within space shared with the people we choose as family and within our own free bodies. This project investigates the collaborative potential of photography, and uses it as a tool in creating a feminist representation of family. All the photographs were made with close friends, in an unplanned and spontaneous manner, to document intimate moments of our everyday lives.

Where Persimmons Grow In The Garden is …

Pathos, Spring 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

Voices To Faces: The Midnight Cowboy’S Picaresque Journey, Dave Patterson

Anthós

John Schlesinger’s 1969 film, Midnight Cowboy, tells the story of Joe Buck, a Texan who dreams of working as a hustler in New York. Schlesinger’s resulting tale follows the framework of the picaresque, wherein a naive rube ventures to the big city to pursue a better life and exposes societal ills along the way. In this article, Patterson reveals how Joe Buck’s internal tension derives from his materialism, symbolized as disembodied voices, and his devaluing of human connection and empathy, symbolized as faces. The voices from his radio’s advertisements and game shows reinforce his flawed assumptions about life. A midpoint …

Pathos, Winter 2025, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

Pathos, Fall 2024, Portland State University. Student Publications Board

Pathos

Editor: Adriana Stanzione

The Construction Of Character And Authenticity On Rupaul's Drag Race, Carli Pickett

University Honors Theses

One of the most common instructions delivered to the drag queens competing on RuPaul's Drag Race is to show their "true self." At first glance, RuPaul's Drag Race foregrounds authenticity and individuality, but it does so through a constructed lens that shapes its contestants into characters. While storylines and characterizations on the show are necessarily informed by the queen's actions, they are heavily shaped by editing.

In this essay, I will be exploring the ways in which authenticity manifests itself throughout several seasons of RuPaul's Drag Race. Each episode of Season Seven, Eight and Nine was watched with special …

Trial By Rat Infestation, Elias Lunsford

University Honors Theses

Wanna make a rat movie?! From Ashton Livingston handing me his script in class to a week of December night shoots, his vision for a 1980s-inspired horror comedy called Rat Problem was a joy of a challenge for me to take on as his cinematographer. Watching reference films, renting and borrowing equipment, and managing the crew all culminated in creating this film's unique vintage-inspired ultra-wide and high-contrast aesthetic. The process of making this film, from equipment technicalities to creative problem-solving, forged my values as a creative collaborator. I learned to always protect the essence of the film as campy and …

Tea Leaves And Other Stories: Expressing Themes Of Change And Loss Through The Magical Realist Style, Olivia Geist

University Honors Theses

"Tea Leaves and Other Stories" is a collection of "tiny" (1 - 2 page) film scripts and one longer, seven page script that study how themes of change and loss can be expressed through the magical realist style. Inspired by Isabel Allende's essay, "The Short Story", these scripts are both a study of magical realism in film as well as a reflection on the author's process as a writer and the themes present within her work.

'To Surpass Convention' (2024): An Analysis Of Conventional Fantasy And How My Story Can Go Beyond, Aj Odom

University Honors Theses

Something that I struggle with when engaged in creative writing, just as every other writer has struggled with the same issue, is how my stories differ from those written before. It's difficult to create something that is entirely new, because, as artists, we always fall back on what we know has worked in the past. This uncertainty of unique creativity is what my thesis stems from. I am in the process of writing a fantasy script, but I struggle with originality. I can't help but compare my fantasy story to the fantasy stories of the past. I want to be …

Book Review Of, K-Pop Dance: Fandoming Yourself On Social Media, Jungmin Kwon

School of Film Faculty Publications and Presentations

Book Review:

Chuyun Oh, K-pop Dance: Fandoming Yourself on Social Media, New York, NY: Routledge, 2022, 194 pp., $52.95 (paperback).

The Allegory Of United States Settlers V. Native Americans In Wes Craven's The Hills Haves Eyes (1977), Blue Van Alst

University Honors Theses

The year 1977 saw the release of Wes Craven’s second major production, The Hills Have Eyes. A film that sits within a filmic library of Craven that works to use the horror genre to reflect on and critique the American society that he lived in. The Hills Have Eyes employs the stereotypes that the films of John Ford helped to solidify in U.S. society. He does this in order to explore the tense historical relationships between Indigenous and United States settlers during the time of westward expansion. Using the white middle class Carter family to serve as settlers, and …

Hemingway In Hollywood: From Page To Screen, Hayden Hendricks

University Honors Theses

Little attention has been paid to how film adaptations affected Hemingway’s popular reputation (and vice versa). This thesis traces Hemingway's celebrity through the case studies A Farewell to Arms (1932), The Killers (1946), and The Old Man and the Sea (1958). It details their production histories, analyzes the changes made from page to screen, and discusses the contextual motivations behind such divergences. Finally, it considers the ways in which the filmmakers adapted texts of different lengths to fit feature length runtimes and, in doing so, found cinematic equivalences of literary form.

"It's Not The Same Anymore" (2023): A Reflection On The Creative Process Behind My Queer Coming-Of-Age Short Film, Olivia Lee

University Honors Theses

"It's Not The Same Anymore" stands as a poignant queer coming-of-age short film crafted by individuals who share the queer experience, with the intention of resonating deeply with the queer community. The narrative intimately captures the journey of a young queer woman as she navigates the realms of love, heartbreak, and the quest for self-discovery. Amidst a media landscape that frequently falls short in its representation of LGBTQ+ voices and authentic lived experiences, this film aspires to bridge the gap and bring forth a much-needed sense of belonging and recognition.

A link to the short film can be found here: …

An Analysis On The Florida Project, Capucine Rosier

University Honors Theses

The Florida Project is a contemporary movie filmed by independent director Sean Baker. This movie tackles different social and institutional issues across America, specifically the outdated welfare system and the rise of homelessness among young children. This paper is determined to analyze the different social and ethical concerns filmed throughout the movie and offer my interpretation of the film. Digging deeper into artistic pieces is essential as hidden messages are portrayed in every way. Censorship and display through art have been a form of individual expression since the beginning. This thesis will discuss how the filmmaker filmed and showcased the …

Colonialism's Creation Of Machismo And Its Influence On Domestic Violence And Sexual Assault: A Film Analysis Of Telenovela Dv/Sa Anthologies, Yoselin Aguirre Perez

University Honors Theses

Using Lothar Mikos' (2014) content analysis framework, this thesis uses a Xicana feminist epistemology to conduct a film analysis on telenovela anthologies Mujer, Casos de la Vida Real (1986-2007) and Lo Que Callamos Las Mujeres (2001-today). The impact that harmful depictions of domestic violence and sexual assault, and their foundations in colonialism, is discussed throughout my writing. The cynical and racist implications that problematic portrayals of domestic violence and sexual assault within the Latinx community is analyzed. This thesis claims that popular media, while attempting to bring awareness to these sensitive and life-threatening issues, have perpetuated a culture of recrimination …

Lights, Camera, Climate Action: Investigating Emotional Responses To Climate Change Trailers (Documentary, Television, & Narrative Film), Erik Daniel Schell Devore

University Honors Theses

This research examined the emotional responses elicited by different genres of environmental visual media (VM) trailers. Six undergraduate Environmental Science and Management student participants self-selected to watch trailers from three different genres of VM: a documentary film, a television series, and a narrative film. The goal of this research was to understand the extent people become aware of various environmental VM topics, how VM elicits emotional responses, the effectiveness of VM in promoting action, and to gain a better understanding of how producers and directors can potentially modify VM to have a greater impact on changing participants' attitudes toward climate …

Pathos, Spring 2023, Portland State University. Student Publications Board

Pathos

Editor: Stephanie Gresham

Kurdish Filmmaking In Turkey: History And Narratives, Omar Sadik

Dissertations and Theses

This research investigates the history and politics of cultural production by examining Kurdish filmmaking in Turkey. Sadik provide an analysis of contemporary films and filmmakers to explore how Kurdish cinema in Turkey is situated in broader, global political-economic structures. By examining this important case through the lens of history and memory, Sadik clarify how production and aesthetics in Kurdish cinema point to important systemic processes. Sadik uses three main research strategies in this study: a historical survey of Kurds in Turkey, an analysis of ten semi-structured interviews with contemporary Kurdish directors and an analysis of films directed by Kurdish filmmakers …

If It Ain't Broke, Don't Fix It: Understanding The Value In Producing Film Adaptations And Movie Franchises, Courtney Mcdonald

University Honors Theses

The business of making movies is not an easy one; in an industry where very few see financial success, risk aversion often takes the wheel. In order to combat the immense amount of uncertainty, existing research has attempted to establish factors of film success, including actor star power and reviews. However, statistical studies evaluating these factors have produced consistently inconclusive results. To approach this idea from another perspective, this paper investigates two specific areas of film—movie adaptations and film franchises—that contain valuable properties not always as explicitly connected to box office results. While many movies are referenced, two film franchises …

Theorizing The Korean Wave| K(Q)Ueer-Pop For Another World: Toward A Theorization Of Gender And Sexuality In K-Pop, Jungmin Kwon

School of Film Faculty Publications and Presentations

This article argues that the K-pop space, which on one level appears to be homogeneously cishetpatriarchal, actually encompasses multiple configurations of gender and sexual identity. Nonetheless, academic discussions about gender and sexuality in K-pop have been significantly weighted toward the idea of “soft masculinity” regarding male performers, thereby muffling other possible interpretations. I suggest a new term, K(Q)ueerness. It means the aesthetics, imaginations, practices, performances, and ideas of K-pop players sublate binaristic identifications, including masculinity and femininity and heterosexual and homosexual—as well as Butler’s distinction between performance and performativity—to embrace the multifarious expressions of gender and sexuality surrounding K-pop. This …

Pathos, Winter 2023, Portland State University. Student Publications Board

Pathos

Editor: Bret Steggell

Who Lives, Who Dies, Who Sings Which Story?: Narrative Production And Race In The Curriculum Of Film Musicals, Joanna Batt, Michael Joseph

Northwest Journal of Teacher Education

Film musicals serve as a tool to infuse historical and cultural content into social studies curricula towards greater student engagement—for example, Lin Manuel-Miranda's Hamilton has become a celebrated classroom piece due to its ability to blend history with hip-hop and pop culture. Yet beyond language and content scans, teachers rarely examine or utilize musicals for how their narratives (mis)represent racial communities. This critical film analysis of three film musicals, using the theoretical framework of history production, reveals themes of historical morality, romantic relationship and race, and implicit/explicit racial messaging. Although troubling in their overall contribution to racial projects, film musicals …