European Languages and Societies Commons^™

“An Imperialism Of The Imagination”: Muslim Characters And Western Authors In The Nineteenth And Twentieth Centuries, Robin K. Miller

Student Publications

This paper specifically discusses the cultural attitudes that made writing fully realized Muslim characters problematic for Western authors during the 19th and 20th centuries and also how, through their writing, certain authors perpetuated these attitudes. The discussed authors and works include William Beckford's Vathek, Lord Byron's poem “The Giaour,” multiple short stories from the periodical collection Oriental Stories, one of Hergé's installments of The Adventures of Tintin, and E.M. Hull's novel The Sheik. Three “types” of Muslim characters emerge in these works: the good, the bad, and the white. All three reflect Western attitudes towards the East as a place …

Review Of Contesting The Renaissance By William Caferro, Brian Maxson

ETSU Faculty Works

No abstract provided.

Not Gaelic, But Free. Not Free, But Gaelic: The Role Of The Irish Language In Cultural And Political Nationalism In Ireland, Jeanne Buckley

Library Faculty Scholarship

The title of this paper paraphrases a quote by Patrick Pearse, an Irish poet, writer, nationalist and political activist who was killed by the British for his participation in the Easter 1916 uprising. These words seem fitting for a discussion on the connection between politics and the Irish language in 19^th and early 20^thcentury Ireland, which this paper addresses.

The Irish language and Ireland’s creation as a nation are intricately linked. After the Great Famine of the 19^th century, the rise of cultural nationalism within Ireland, fueled by its writers, convinced the Irish that they existed …

Intersections In Immanence: Spinoza, Deleuze, Negri, Abigail Lowe

Department of English: Dissertations, Theses, and Student Research

The connection between French philosopher Gilles Deleuze and Italian political theorist Antonio Negri has drawn attention in academic publications over the last decade. For both thinkers, the philosophical concept of immanence is central to how both respectively conceptualize the world. However, in order to consider their work with regard to a metaphysical grounding, one may benefit from turning to each thinker’s engagement with Jewish Dutch philosopher Baruch Spinoza whose immanent ontology, or monism, was indeed his Ethics. This essay concentrates on drawing out an ontological distinction between the philosophical projects of Deleuze and Negri by way of a close reading …

Medieval Redemption For Modern Times: Representations Of Sacrifice In Perceval Le Gallois And The Fisher King, Tabitha Gerardot

Symposium on Undergraduate Research and Creative Expression (SOURCE)

Chretien de Troyes' medieval novel Perceval ou le Conte du graal tells the story of young Perceval's journey to knighthood and an understanding of selflessness and redemption. However, the tale was left unfinished, giving rise to numerous continuations, both medieval and modern. The film adaptations Perceval le Gallois, by French director Eric Rohmer, and The Fisher King, by Terry Gilliam, continue the rich tradition of Perceval with their own conclusions. While the films use different artistic styles and entirely different plots, they both solve the story with a tale of redemption. While Rohmer's adaptation is extremely faithful to the original …

The Politics Of Film Adaptation In Zola’S La Bête Humaine, Reillie Acks

Symposium on Undergraduate Research and Creative Expression (SOURCE)

In 1890, Emile Zola published a book called La Bête Humaine. The novel is essentially a psychological thriller whose story features three very dynamic characters: a train station master Roubaud, his wife Séverine, and her lover Jacques Lantier. The conflict that ensues is one of murder and deceit – and the motivations of the characters are similarly unclear and compromised. Therefore, this story can potentially be interpreted in multiple ways, providing important political commentary for their receiving audiences. It follows that when a series of film adaptations re-created the story on screen, they did so in drastically different ways. Two …

Cultured, Cara L. Dochat

Student Publications

This memoir piece comprises three parts, each of which tells a humorous and perhaps slightly embarrassing story of interpersonal upsets the narrator experienced while studying abroad in Europe. Their telling exposes the narrator as a naïve American tourist, despite her conscious attempts to be culturally sensitive and respectful. The intent of this piece was neither to make a political statement about being American in Europe, nor to present yet another trite account “the best four months of [my] life.” While my primary goal was to share these stories for their entertainment value (if self-effacing), my hope was to transform the …

Most 81/82: An Artistic Demonstration Against The Dehumanization Of Society, Hope Fried

Independent Study Project (ISP) Collection

The purpose of this paper is to document the background, events, and cultural significance of Jiří Sozanský’s “Most Project.” There has been little research conducted and critical texts written on the activities of Sozanský in the devastated city of “Old Most,” which has provided me with the opportunity to conduct fieldwork and to work largely with primary sources. This study is focused on working with primary documents, mainly interviews with the artist and viewing the original photographic documentation, in order to understand the purpose and details of Jiří Sozanský and his fellow artists’ artistic work in Most. In order to …

Bibliography For Work In Digital Humanities And (Inter)Mediality Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Migrant Stories And Italian Colonialism: A Report On Two Documentaries, Simone Brioni Dr.

Department of English Faculty Publications

No abstract provided.

Costruire La Razza Come Mostruosità, Simone Brioni Dr.

Department of English Faculty Publications

No abstract provided.

Zombies And The Post-Colonial Italian Unconscious, Simone Brioni

Department of English Faculty Publications

This article analyses the relationship between the horror genre and colonialism by focusing on Lucio Fulci’s Zombi 2 (1979) and discusses how and to what extent the colonial overtones of this film provide a fictional representation of the Italian collective unconscious fear of African immigration, which resurrected the memory of forgotten colonial crimes in Africa. Drawing on postcolonial theory and psychoanalysis, this article also underlines how xenophobe political propaganda has employed horror imagery – and especially that provided by zombie movies – in order to discriminate against immigrants.

A Homily On "The Blessedness Of Jesus' Mother" In The Catechesis Celtica (Vat. Reg. Lat. 49): Translation And Notes, Kristen Carella

English Department Faculty Works

No abstract provided.

Future Past: The Gay Science, Thus Spoke Zarathustra And Eternity Or What Is The Weight Of The Greatest Heavy Weight?, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

The Paradox Of Amnesia: Tondelli's Un Weekend Postmoderno, Stefano Giannini

Languages, Literatures, and Linguistics - All Scholarship

Tondelli opens his Un weekend postmoderno. Cronache dagli anni Ottanta declaring an intention opposite to the display of amnesia. In the long table of contents of his book, he writes down everything, in an excruciating streaming of details, so that the table of content becomes an exhaustive index of names and ideas. Yet, hidden within the hundreds of analytical snapshots, one of its many characters mentions the importance of dissimulation. Dissimulation, according to Tondelli, hides what is known, to protect the dissimulator and to mask the truth. Also, amnesia is a voluntary practice that can be enacted in order to …

Ida Pfeiffer In China: Examining The Suppression Of Gender Roles In The Face Of European Colonial Superiority, Alec Down

Library Research Grants

No abstract provided.

From Russia With Love: Souvenirs And Political Alliance In Martha Wilmot’S The Russian Journals, Pamela Buck

English Faculty Publications

Although virtually unknown in literary studies today, Martha Wilmot's The Russian Journals remains an important text on the material circulation of things in an increasingly global eighteenth-century world.The Russian Journals describes her stay in Russia from 1803 to 1808 with family friend and powerful political figure Princess Dashkova. In particular, the souvenirs that she exchanges with Princess Dashkova shed light on how cultural and political connections were formed between Russia and Britain as well as how national identity was redefined on a more global scale.

Soldiers Of Science--Agents Of Culture: American Archaeologists In The Office Of Strategic Services (Oss), Despina Lalaki

Publications and Research

"Scientificity" and appeals to political independence are invaluable tools when institutions such as the American School of Classical Studies at Athens attempt to maintain professional autonomy. Nonetheless, the cooperation of scientists and scholars with the Office of Strategic Services (OSS), among them archaeologists affiliated with the American School, suggests a constitutive affinity between political and cultural leadership. This relationship is here mapped in historical terms, while, at the same time, sociological categorizations of knowledge and its employment are used in order to situate archaeologists in their broader social and political context and to evaluate their work not merely as agents …