European Languages and Societies Commons^™

Tracing The Origins Of Success: Implications For Successful Aging, Nora M. Peterson, Peter Martin

French Language and Literature Papers

Purpose of the Study: This paper addresses the debate about the use of the term “successful aging” from a humanistic, rather than behavioral, perspective. It attempts to uncover what success, a term frequently associated with aging, is: how can it be defined and when did it first come into use? In this paper, we draw from a number of humanistic perspectives, including the historical and linguistic, in order to explore the evolution of the term “success.” We believe that words and concepts have deep implications for how concepts (such as aging) are culturally and historically perceived.

Design and Methods: We …

Red Social En La Celestina: Una Aproximación Cuantitativa A Su Sistema De Personajes, Jennifer Isasi

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

La que hoy es conocida como La Celestina se publicó en su edición príncipe con el título de Comedia de Calisto y Melibea (1499 o 1500), con 16 actos, para ser retitulada Tragicomedia de Calisto y Melibea en 1502, añadiéndosele cinco actos más. Parece que sin prestar demasiada atención a la decisión tomada respecto a la trama trágica en lugar de cómica, ya en ese mismo siglo Juan de Valdés o Juan Luis Vives comenzaron a referirse a la obra tal y como la conocemos hoy, haciendo de Celestina la protagonista de la obra ¿Por qué se dio dicho cambio, …

Albert Camus And The Anticolonials: Why Camus Would Not Play The Zero Sum Game, James D. Le Sueur

Department of History: Faculty Publications

In 1994, I returned from Paris to Hyde Park just in time to catch a lecture about Albert Camus that an esteemed colleague, the late Tony Judt, was giving at the University of Chicago. I was much younger then, eager to engage in debate, and I had just spent most of the past two years turning over the recently opened pages of Camus’ private papers in Paris and trolling through the private papers of other prominent French intellectuals, as well as newly declassified state archives for what was to become my first book, Uncivil War.2 I had also done dozens …

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

El Ex-Hombre: Masculinidad Y Exilio En La Poesía De Juan José Domenchina, Iker González-Allende

Spanish Language and Literature

This article analyzes the representation of masculinity in Juan José Domenchina’s poetry of exile. The article argues that, during his last 20 years of life in exile (1939–1959), Domenchina shows in his poetry a contradictory masculinity. On the one hand, he reaffirms normative masculinity by rejecting pompous demonstrations of suffering, describing himself as stoic, tough, strong-willed and independent, and praising nostalgically Castilian men’s hypermasculine behavior. On the other hand, Domenchina’s poetry also testifies to his feelings of emasculation, since he calls himself an “ex-man”, shows his masculine fragmentation with the figures of the doppelganger or shadow, identifies himself with a …