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Literature in English, North America, Ethnic and Cultural Minority Commons™
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Full-Text Articles in Literature in English, North America, Ethnic and Cultural Minority
The Boys And The Bees, Lauren Mohler
The Boys And The Bees, Lauren Mohler
Student Scholarship – English
In Zora Neale Hurston's Their Eyes Were Watching God, the pear tree is seen as a symbol of Janie Crawford's sexuality and self-discovery. However, the pear tree can also be used to analyze Hurston's use of flipped gender roles and Freud's theories on physical maturation. Janie takes on the role of the bee, rather than the flower she wishes to be, in order to go through her journey to self-discovery and change Eatonville by sharing what she has learned.
Black Dreams: Sight And Sound In African American Life Stories, Karintha Lowe
Black Dreams: Sight And Sound In African American Life Stories, Karintha Lowe
English Honors Projects
This project examines the work of Frederick Douglass, Zora Neale Hurston, Ann Petry, and Langston Hughes, in conjunction with the work of literary and psychoanalytic theorists including Mikhail Bakhtin, Jacques Lacan, and Laura Mulvey. Beginning with Benjamin Franklin’s conception of the “American Dream” as emphasizing a linear, progressive understanding of time and space, I argue that Douglass, Hurston, Petry, and Hughes all reshape this narrative of upward mobility to include the experiences of marginalized communities. By analyzing how each author used multiple genres, including autobiography, parody, song, and poetry, to form a single narrative, I contend that these life stories …
Mapping The Terrain Of Black Writing During The Early New Negro Era, A Yęmisi Jimoh
Mapping The Terrain Of Black Writing During The Early New Negro Era, A Yęmisi Jimoh
Afro-American Studies Faculty Publication Series
No abstract provided.
Social Spaces: Family Secrets, And Today's Students, Rebecca Belcher-Rankin
Social Spaces: Family Secrets, And Today's Students, Rebecca Belcher-Rankin
Faculty Scholarship – English
Southern women writers of literature uncover family secrets of dysfunction, abuse, violence and hierarchical rigidity as seen in the works of Eudora Welty, Zora Neale Hurston and Alice Walker.
Zora Neale Hurston, Daryl Cumber Dance
Zora Neale Hurston, Daryl Cumber Dance
English Faculty Publications
Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.
Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …
Following In Zora Neale Hurston's Dust Tracks: Autobiographical Notes By The Author Of Shuckin' And Jivin', Daryl Cumber Dance
Following In Zora Neale Hurston's Dust Tracks: Autobiographical Notes By The Author Of Shuckin' And Jivin', Daryl Cumber Dance
English Faculty Publications
As I began to peruse collections and studies of black folklore, I found that although considerable work had been done from which I was l earning a great deal, there were some aspects of black folklore with which I was personally familiar (from my childhood in Charles City, Virginia, my college days in Petersburg, and my adult life in Richmond) that I had observed as influence in numerous literary works, particularly on temporary works, that were not included in the material was finding, or were not presented in anything even vaguely resembling the versions I knew and saw represented in …
Tuning In The Boiler Room And The Cotton Patch: New Directions In The Study Of Afro-American Folklore, Daryl Cumber Dance
Tuning In The Boiler Room And The Cotton Patch: New Directions In The Study Of Afro-American Folklore, Daryl Cumber Dance
English Faculty Publications
One of the first problems in the study of folklore is, of course, the collection of materials. In almost every area of Black folklore, the collecting was initiated by whites. As I have noted elsewhere, "Black folk forms seem to thrive quietly and abashedly in the Black community as items of private enjoyment and public shame until they are ' discovered ' by whites who legitimize them for the American public-Black and white. Such has been the case with the general folk tales (the animal tales, the etiological myths, the Slave John tales, etc.), the spirituals, and the blues. The …