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Full-Text Articles in Literature in English, Anglophone outside British Isles and North America
Who's Your Daddy?: Representations Of Masculinity And Coming Of Age In Television’S The Vampire Diaries, Kimberley Mcmahon-Coleman
Who's Your Daddy?: Representations Of Masculinity And Coming Of Age In Television’S The Vampire Diaries, Kimberley Mcmahon-Coleman
Kimberley McMahon-Coleman
Fantasy narratives often use the metaphor of the werewolf for the adolescent identity-forming process. The Vampire Diaries goes one step further in the character of Tyler Lockwood, a teen wolf/vampire hybrid. An aggressive and abused teen, Tyler loses his father in Season 1 and his replacement father figure, a paternal uncle, in Season 2. In Season 3, he is “sired” by the Original hybrid, Klaus. In the face of these competing influences, Tyler struggles to come to terms with his own identity. The program uses the fictional township of Mystic Falls, populated by witches, werewolves, vampires and ghosts, to examine …
Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris
Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris
Masters Theses
In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her mother, …
Debating Difference: Haitian Transnationalism In Paul Gilroy’S Black Atlantic, Jamella N. Gow
Debating Difference: Haitian Transnationalism In Paul Gilroy’S Black Atlantic, Jamella N. Gow
CGU Theses & Dissertations
Blacks who have descended from the nineteenth century Atlantic slave trade have historically debated and worked to claim a sense of cultural identity that reflects their African heritage and their identity as diasporic. I am particularly interested in how people of the black Atlantic claim their multiple identities since, for people of a diaspora, one main factor is the fact that they inhabit multiple spaces but cannot call any home. How does transnationalism become a better way to describe the cultural identity of those in the "black Atlantic" since these people have to create new or adapted identities as they …