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Literature in English, Anglophone outside British Isles and North America Commons™
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Articles 1 - 4 of 4
Full-Text Articles in Literature in English, Anglophone outside British Isles and North America
Meera Atkinson. The Poetics Of Transgenerational Trauma. Bloomsbury, 2017., Katie Lally
Meera Atkinson. The Poetics Of Transgenerational Trauma. Bloomsbury, 2017., Katie Lally
Studies in 20th & 21st Century Literature
Review of Meera Atkinson. The Poetics of Transgenerational Trauma. Bloomsbury, 2017.
Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari
Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari
Theses and Dissertations
In The God of Small Things and The Ministry of Utmost Happiness novels, the author Arundhati Roy is not only attempting to give feminist weight to the multiplicity of locations in which gender is articulated by recasting her female characters in their quest for selfhood, she is also focusing on women and women-identified characters as agents of history, thereby contributing to an ongoing project of feminist historiography.
Diane Di Prima: A Beat Poet?, Shelby K. Miller
Diane Di Prima: A Beat Poet?, Shelby K. Miller
Student Scholar Showcase
The Beat Poets were a group of men who wrote counterculture poetry that committed on society. They embraced themes of open sexuality, Buddhism and Eastern religions, and activism. Diane di Prima, called by most literary scholars but not by her contemporaries, was one of those Beat Poets who embraced those themes. Her focus on motherhood and female empowerment is what caused her contemporaries to reject her as an equal. A second focus will the continued rejection of di Prima from the literary canon.
The Dmz Responds, Seo-Young J. Chu
The Dmz Responds, Seo-Young J. Chu
Publications and Research
Seo-Young Chu’s “The DMZ Responds” appeared in Telos 184 (Fall 2018), a special issue on Korea edited by Haerin Shin.