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Articles 1 - 3 of 3
Full-Text Articles in Literature in English, Anglophone outside British Isles and North America
Representing Modern Female Villain: On Feminine Evil, Perverse Nationhood, And Opposition In Rómulo Gallegos’ Doña Bárbara And Salman Rushdie’S Midnight’S Children, Barbara Guerrero
Electronic Thesis and Dissertation Repository
This thesis aims to contribute to the scholarship on modern female villainy by further exploring the ways in which 20th century female villains are represented as well as the functions they carry out in the text. In this study, I look at Rómulo Gallegos’ doña Bárbara from Doña Bárbara (1929) and Salman Rushdie’s Indira Gandhi from Midnight’s Children (1981). I argue that both villains are a combination of already-existing forms of evil in more recognizable contexts as well as a rejection of and opposition to modern values. Firstly, I examine how the villains both conform and resist the formula …
Global Ecologies And The Environmental Humanities: Postcolonial Approaches Edited By Elizabeth Deloughrey, Jill Didur, And Anthony Carrigan, Joshua Bartlett
Global Ecologies And The Environmental Humanities: Postcolonial Approaches Edited By Elizabeth Deloughrey, Jill Didur, And Anthony Carrigan, Joshua Bartlett
The Goose
Review of Elizabeth Deloughrey, Jill Didur, and Anthony Carrigan's Global Ecologies and the Environmental Humanities: Postcolonial Approaches.
A New Definition Of Magic Realism: An Analysis Of Three Novels As Examples Of Magic Realism In A Postcolonial Diaspora, Sarah Anderson
A New Definition Of Magic Realism: An Analysis Of Three Novels As Examples Of Magic Realism In A Postcolonial Diaspora, Sarah Anderson
Honors Program Projects
In the world of literature, magic realism has yet to find its place as an established genre or style. The following paper posits that magic realism stems from marginalized writers in a postcolonial diaspora, attempting to make sense of their world without the influence of Western gaze. Gabriel García Márquez in his novel One Hundred Years of Solitude, Salman Rushdie in his novel Midnight’s Children, and Toni Morrison in her novel Paradise use similar elements of magic realism in order to establish a grounding mythology for their cultures. These three novels can demonstrate the direction of fiction that uses magic …