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Full-Text Articles in Literature in English, Anglophone outside British Isles and North America
Rewrite The Past And Remember The Future: How Expatriates Built An Independent Ireland, Morgan Grabowski
Rewrite The Past And Remember The Future: How Expatriates Built An Independent Ireland, Morgan Grabowski
English Honors Papers
This paper seeks to answer the question “How did Ireland create a unique identity after gaining independence from England?” In order to answer that question, I analyzed five different Irish authors who wrote in a timeframe spanning the first half of the twentieth century. These authors are W.B. Yeats, Lady Gregory, Elizabeth Bowen, James Joyce, and Samuel Beckett. These authors, at one point or another, wrote texts which are considered Irish, while living abroad. Because of this, this paper focuses on their status as expatriates, and how that influenced their contributions to the Irish Literary Revival, which is the literary …
Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford
Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford
Masters Theses
Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …
There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore
There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore
Masters Theses
Ezra Pound took Eliot’s theory of Literary Impersonality seriously and rejected biographical readings of his poetry. Yet, his poem Hugh Sewlyn Mauberley contains explicitly autobiographical material, which is directly related to the poem’s meaning and has been referenced repeatedly in historical criticism of the poem. This creates a paradox of interpretation, in which the poem’s interpretive meaning stands in contrast with the author’s preferred style of interpretation. The intent of this Thesis is to work within this paradox by applying new criticism on literary autobiography to the poem; specifically the work of Max Saunders, Kevin Wong, and Hannah Sullivan. As …
Writing Against History: Feminist Baroque Narratives In Interwar Atlantic Modernism, Annaliese Hoehling
Writing Against History: Feminist Baroque Narratives In Interwar Atlantic Modernism, Annaliese Hoehling
Doctoral Dissertations
In the decades following the end of the Great War, paranoia and panic about survival and sovereign control were driven by unprecedented death tolls from war, disease, and economic disaster as well as by revolutionary agitation around the globe. This fear was channeled into policing gender, sexuality, and race; and the parameters of white, middle-class womanhood were weaponized for social control in the transatlantic imaginary. In this study, I identify two rhetorical-political figures that helped to shape this imagination: Surplus Women and Trafficked Women. In my analysis of the literature, these figures help to contrast domestic scenes, on one hand, …
The Struggle To Re-Establish Anglo Superiority In American Modernism And Its Collapse Into American Tragedy, Jeff Brelvi
The Struggle To Re-Establish Anglo Superiority In American Modernism And Its Collapse Into American Tragedy, Jeff Brelvi
Dissertations and Theses
A study of the impact Anglo race assertion had on American Modernism through the work of Fitzgerald, Hemingway, and T.S. Eliot shaping the discourse on American cultural identity. Arthur Miller and his "Tragedy and the Common Man" put an end to Modernism's Anglo stronghold and brought about the next period of American literature, ushering it into the era of American tragedy.