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Full-Text Articles in Literature in English, Anglophone outside British Isles and North America

Breaking Free: Detectives Let The Guilty Walk, Cassandra Holcombe Jan 2022

Breaking Free: Detectives Let The Guilty Walk, Cassandra Holcombe

All Master's Theses

In a genre like detective fiction, known for affirming social order, the refusal to enforce rule of law seems like an anomaly. The number of famous detectives who have let a perpetrator go suggests that release of suspects is not a break in genre conventions, but is a wider pattern that needs to be acknowledged. This study investigates that pattern by measuring the complexity of thirteen detectives: eleven of whom release perpetrators and two of whom do not, to serve as a control group. The higher the complexity of the character, the more human the character seems to be. The …


“Donning The Skins”: The Problem Of Shapeshifting In The Saga Of The Volsungs, David Mudrak Oct 2019

“Donning The Skins”: The Problem Of Shapeshifting In The Saga Of The Volsungs, David Mudrak

Seton Hall University Dissertations and Theses (ETDs)

“Fafnir became so ill-natured that he set out for the wilds and allowed no one to enjoy the treasure but himself. He has since become the most evil serpent and lies now upon his hoard” (Byock 59). Regin, recounting the tale of his brother’s transformation to Sigurd, describes an act of shapeshifting, a magical transformation of one’s body. While many scholars of Icelandic sagas focus their attention on the family sagas because of the clear message they provide for the Icelandic society, the magical elements of the mythical sagas also offer insight into the cultural workings of that people. In …


Bad Girls In Corsets: Women And The Transgressive Body In The Nineteenth Century, Colleen Warwick Green Dec 2016

Bad Girls In Corsets: Women And The Transgressive Body In The Nineteenth Century, Colleen Warwick Green

Open Access Dissertations

Women, and their bodies, posed an increasing anxiety for Victorian society. Culturally and outwardly, the Victorian era strove to maintain a level of decorum that, increasingly, the nineteenth-century woman were, rebelling against. The urge for women to break through social barriers and constraints binding them to the century created a divergence in thought from the traditional mores of the past, in turn affecting the ways in which womens’ bodies were portrayed, displayed and manipulated by the authors and artists of the century.

As women entered actively entered into spaces once closed to them, they furthered the rift of uncertainty and …