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Full-Text Articles in Literature in English, Anglophone outside British Isles and North America

Cosmopolitan Christians: Religious Subjectivity And Political Agency In Equiano's Interesting Narrative And Achebe's African Trilogy, Joel David Cox May 2013

Cosmopolitan Christians: Religious Subjectivity And Political Agency In Equiano's Interesting Narrative And Achebe's African Trilogy, Joel David Cox

Masters Theses

The primary texts featured in this study—the Interesting Narrative of Olaudah Equiano and two novels of Chinua Achebe’s so-called African Trilogy—each constitute responses to a sly and exploitive Christian modernity, responses which, borrowing from theories of intersubjectivity articulated by Kwame Anthony Appiah and others, might be called two cosmopolitanisms: for Equiano, a Christian cosmopolitanism, which works within available theological structures to revise Enlightenment-era notions of shared humanity; and for Achebe, a contaminated cosmopolitanism, which ironically celebrates the modern inevitability of cultural admixture. Despite their separation by time, space, and even genre, and even more than their common …


Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins Apr 2013

Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins

Global Honors Theses

Sarah Piatt, a recently recovered nineteenth century poet, is best known, where she is known at all, as an American poet. While this label is certainly appropriate, it should not obscure Piatt’s decidedly international focus, or more precisely, her transnational focus, especially in regard to Ireland. Piatt’s verse, considered by some to be the best poetry of her time second only to the work of Emily Dickinson, is remarkable for its quantity and breadth, but more importantly, for its subversive use of genteel style. Though her poems are generally divided into four overlapping categories, the two thematic classes of her …


'Everything Looks Different Up Close': Perception In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Jennifer Leora Nessel Cassidy Jan 2013

'Everything Looks Different Up Close': Perception In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Jennifer Leora Nessel Cassidy

Electronic Theses and Dissertations

In the first two books of her MaddAdam series (a projected trilogy), Margaret Atwood explores a series of events from three very different perspectives. A close reading of the two texts suggests that the specific focalizers chosen, and their very different ways of perceiving the world around them, are central issues in the novels. In Oryx and Crake, Atwood establishes the apocalypse as a problem of dystopian vision through the book's deeply flawed focalizer. In The Year of the Flood two alternative visions are offered in order to rehabilitate the perceptual problems of the first text. In the three …


Knowing One's Place In The Post-Millennial, South African Novels Of Van Niekerk, Wicomb, And Matlwa, Stephen C. Poggendorf Jan 2013

Knowing One's Place In The Post-Millennial, South African Novels Of Van Niekerk, Wicomb, And Matlwa, Stephen C. Poggendorf

Masters Theses

The literature of post-apartheid South Africa suggests that the atrocities of the past still linger and continue to shape the mentality of the nation. Grace and hope often mix with resentment, bitterness, and vexation in the pages of contemporary South African novels. Marlene van Niekerk's The Way of the Women (2004), Zoë Wicomb's Playing in the Light (2006), and Kopano Matlwa's Spilt Milk (2010), each reflects on intersections of race, space, and gender as they occur in specific locations. These novels all unfold in South Africa, and involve highly particularized settings that conjure up specific moments from the country's history; …