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Articles 1 - 10 of 10
Full-Text Articles in Literature in English, Anglophone outside British Isles and North America
Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford
Love On The Spectrum: Djuna Barnes’S Case Against Categorization In Nightwood, Kaitlyn A. Alford
Masters Theses
Djuna Barnes’s Nightwood is a challenging and beautiful text that continues to confound readers almost 100 years after its original publication. Though the text is often read as a “lesbian” novel, I consider the possibilities available when we read this text instead with a more open queerness in mind. By looking at the novel’s treatment of image, time, history, gender, sexuality, and identity, a new way of reading is revealed which rejects moves of taxonomization and categorization. This thesis explores how Barnes challenges dominant modes of representation and understanding, not to be a simple contrarian, but to present a new …
Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar
Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar
Masters Theses
This paper introduces the concept of "extralingual citizenship," which I define as an expansion of translingualism to include the ethnoracial logic of the nation-state and demonstrates the entanglement of language, governance, and education in the policing of knowledge infrastructures and discursive practices. I am interested in the codification of postcolonial disparity into the teaching, social performance, and material assessment of English language users, and the infrastructural disqualification of World Englishes (and their amalgams) in favor of a standardized English. I frame extralingualism as a kind of citizenship, shifting the focus of English pedagogy/practice from the syntactical/etymological concerns of language …
There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore
There Can Be But The One Ezra Pound: Rearticulating Hugh Selwyn Mauberley As Modernist Autobiography, Joshua H. Moore
Masters Theses
Ezra Pound took Eliot’s theory of Literary Impersonality seriously and rejected biographical readings of his poetry. Yet, his poem Hugh Sewlyn Mauberley contains explicitly autobiographical material, which is directly related to the poem’s meaning and has been referenced repeatedly in historical criticism of the poem. This creates a paradox of interpretation, in which the poem’s interpretive meaning stands in contrast with the author’s preferred style of interpretation. The intent of this Thesis is to work within this paradox by applying new criticism on literary autobiography to the poem; specifically the work of Max Saunders, Kevin Wong, and Hannah Sullivan. As …
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows
Masters Theses
This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.
Workers, Athletes And Artists: The Historical Continuity Of White Control Of Black America, Courtney Walton
Workers, Athletes And Artists: The Historical Continuity Of White Control Of Black America, Courtney Walton
Masters Theses
From the early twentieth century to the early twenty-first century, black Americans have been subject to different forms of control. This subjection of blacks to societal demands arose in part because black people are viewed as inferior to white people. Because of this misconstrued perception, black people are forced to present an acceptable level of blackness to prevent punishment. Richard Wright's "The Ethics of Living Jim Crow: An Autobiographical Sketch" (1938), Zora Neale Hurston's "How It Feels to Be Colored Me" (1928), and Langston Hughes's "The Negro Artist and Racial Mountain" (1926) detail their lives at the tum of the …
Cosmopolitan Christians: Religious Subjectivity And Political Agency In Equiano's Interesting Narrative And Achebe's African Trilogy, Joel David Cox
Cosmopolitan Christians: Religious Subjectivity And Political Agency In Equiano's Interesting Narrative And Achebe's African Trilogy, Joel David Cox
Masters Theses
The primary texts featured in this study—the Interesting Narrative of Olaudah Equiano and two novels of Chinua Achebe’s so-called African Trilogy—each constitute responses to a sly and exploitive Christian modernity, responses which, borrowing from theories of intersubjectivity articulated by Kwame Anthony Appiah and others, might be called two cosmopolitanisms: for Equiano, a Christian cosmopolitanism, which works within available theological structures to revise Enlightenment-era notions of shared humanity; and for Achebe, a contaminated cosmopolitanism, which ironically celebrates the modern inevitability of cultural admixture. Despite their separation by time, space, and even genre, and even more than their common …
Knowing One's Place In The Post-Millennial, South African Novels Of Van Niekerk, Wicomb, And Matlwa, Stephen C. Poggendorf
Knowing One's Place In The Post-Millennial, South African Novels Of Van Niekerk, Wicomb, And Matlwa, Stephen C. Poggendorf
Masters Theses
The literature of post-apartheid South Africa suggests that the atrocities of the past still linger and continue to shape the mentality of the nation. Grace and hope often mix with resentment, bitterness, and vexation in the pages of contemporary South African novels. Marlene van Niekerk's The Way of the Women (2004), Zoë Wicomb's Playing in the Light (2006), and Kopano Matlwa's Spilt Milk (2010), each reflects on intersections of race, space, and gender as they occur in specific locations. These novels all unfold in South Africa, and involve highly particularized settings that conjure up specific moments from the country's history; …
Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris
Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris
Masters Theses
In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her mother, …
The Therapy Of Humiliation: Towards An Ethics Of Humility In The Works Of J.M. Coetzee, Ajitpaul Singh Mangat
The Therapy Of Humiliation: Towards An Ethics Of Humility In The Works Of J.M. Coetzee, Ajitpaul Singh Mangat
Masters Theses
This work asks how and for whom humiliation can be therapeutic. J. M. Coetzee, in his works Waiting for the Barbarians, Life & Times of Michael K and Disgrace, does not simply critique the mentality of Empire, an “Enlightenment” or colonialist mode of knowing that knows no bounds to reason, but offers an alternative through the Magistrate, Michael K and David Lurie, all of whom are brutally shamed and “abjected”. Each character, I propose, experiences a Lacanian “therapy of humiliation” resulting in a subversion of their egos, which they come to understand as antagonistic, a site of …
"And The Woman Is A Stranger": The Double-Voiced Discourse In Jean Rhys's Wide Sargasso Sea And Voyage In The Dark, Hsiao-Chien Lee
"And The Woman Is A Stranger": The Double-Voiced Discourse In Jean Rhys's Wide Sargasso Sea And Voyage In The Dark, Hsiao-Chien Lee
Masters Theses
As the daughter of an English father, Jean Rhys inherited from her father and his sister the assertion that England was her motherland. On the other hand, growing up in Dominica which is inhabited mostly by African-Caribbean people, and surrounded by black servants--some of whom were her childhood playmates, Rhys naturally identifies herself with blacks. In her unfinished autobiography (Smile Please 1979), Rhys points out that she used to envy black people, feeling that they laugh a lot and seem to have a better time than whites do. Nevertheless, the problematic tensions of colonial and postcolonial society obstructed the …