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Full-Text Articles in Literature in English, Anglophone outside British Isles and North America

Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari Aug 2018

Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari

Theses and Dissertations

In The God of Small Things and The Ministry of Utmost Happiness novels, the author Arundhati Roy is not only attempting to give feminist weight to the multiplicity of locations in which gender is articulated by recasting her female characters in their quest for selfhood, she is also focusing on women and women-identified characters as agents of history, thereby contributing to an ongoing project of feminist historiography.


Misassembled Monsters, Jenn Brown May 2018

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …


“The Idea Of Self In The Land Of Self-Help”: Globalization And A Structure Of Feeling In Mohsin Hamid’S How To Get Filthy Rich In Rising Asia, Sharmeen Mehri May 2018

“The Idea Of Self In The Land Of Self-Help”: Globalization And A Structure Of Feeling In Mohsin Hamid’S How To Get Filthy Rich In Rising Asia, Sharmeen Mehri

Theses and Dissertations

Focusing on the novel, How to Get Filthy Rich in Rising Asia, this paper examines Mohsin Hamid’s experimentation with narrative structure and the idea of the split self through the context of Frederic Jameson’s dialectic of the cultural and economic dimensions of globalization and David Harvey’s take on Postmodernism.