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Full-Text Articles in Literature in English, Anglophone outside British Isles and North America

Listening To "Silence": Alternative Modes Of Communication In Korean And Korean American Women's Literature, Judy Joo-Ae Bae Mar 2024

Listening To "Silence": Alternative Modes Of Communication In Korean And Korean American Women's Literature, Judy Joo-Ae Bae

Electronic Thesis and Dissertation Repository

South Korean feminist activity may be relatively unknown to many Western readers; however, a distinct form of feminist activism can be seen when considering alternative modes of communication that are not less than, simply different from “speech” or “voice” as forms of agency celebrated in the West. Alternative modes of communications such as silence, song, touch, and performance also speak important messages which can be heard when understood through local knowledges. In the three cases of South Korean and Korean American women’s fictions used in this dissertation, I unpack these alternative modes of communications used by the female protagonists through …


Representing Modern Female Villain: On Feminine Evil, Perverse Nationhood, And Opposition In Rómulo Gallegos’ Doña Bárbara And Salman Rushdie’S Midnight’S Children, Barbara Guerrero Dec 2016

Representing Modern Female Villain: On Feminine Evil, Perverse Nationhood, And Opposition In Rómulo Gallegos’ Doña Bárbara And Salman Rushdie’S Midnight’S Children, Barbara Guerrero

Electronic Thesis and Dissertation Repository

This thesis aims to contribute to the scholarship on modern female villainy by further exploring the ways in which 20th century female villains are represented as well as the functions they carry out in the text. In this study, I look at Rómulo Gallegos’ doña Bárbara from Doña Bárbara (1929) and Salman Rushdie’s Indira Gandhi from Midnight’s Children (1981). I argue that both villains are a combination of already-existing forms of evil in more recognizable contexts as well as a rejection of and opposition to modern values. Firstly, I examine how the villains both conform and resist the formula …


Food Figures At The Forks: The Intersection Of Feminist And (Post)Colonial Politics Of Food Imagery In Kiran Desai’S The Inheritance Of Loss, Maryam Golafshani Jan 2016

Food Figures At The Forks: The Intersection Of Feminist And (Post)Colonial Politics Of Food Imagery In Kiran Desai’S The Inheritance Of Loss, Maryam Golafshani

2016 Undergraduate Awards

In Culinary Fictions: Food in South Asian Diasporic Culture, Anita Mannur argues that food offers ‘an alternative register through which to theorize gender, sexuality, class, and race’ in literature by and about the South Asian diaspora. The use of food in these texts is not merely a figurative flourish, but rather an ‘important vector of critical analysis in negotiating the gendered, racialized, and classed bases of collective and individual identity’ of South Asian bodies. Food is always already political; it must not merely be tasted, but must be read in terms of how it (re)presents and (re)produces intersecting power differentials. …