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Full-Text Articles in English Language and Literature
Feminist Critique And John Updike's 'Holes', Sue Norton
Feminist Critique And John Updike's 'Holes', Sue Norton
Books/Book Chapters
Feminism, John Updike
Required Reading: The Role Of The Literary Scholar In Mapping Difference And Prompting Interest In Distant Destinations, Sue Norton
Articles
Taking account of research into the relationship between the reading of narrative fiction and niche tourism, this article speculates on the role of the university lecturer of literature in shaping the touristic desires of students. It is especially interested in the influence of European based lecturers of American fiction as they stimulate the geographic imaginations of their learners. Since cultural capital accrues through the reading of serious works of literature, the influence of lecturers is likely to have some bearing on the eventual travel destinations of university graduates prompted to seek out the material locations that they have read about …
The Regulating Daughter In John Updike's Rabbit Novels, Sue Norton
The Regulating Daughter In John Updike's Rabbit Novels, Sue Norton
Articles
This article considers the ways in which John Updike creates female characters who suffer in some way so that their family units can remain intact. His Rabbit novels privilege the so-called nuclear family as an abiding family form, one which rests upon the sacrificial choices made by girls and women. It uses Family Systems Theory as a tool of interpretation in reading the texts and establishing their underlying ethos.
No Surrender! War And The Death Of Innocence In The Fictions Of John Mcgahern, Eamon Maher
No Surrender! War And The Death Of Innocence In The Fictions Of John Mcgahern, Eamon Maher
Articles
No abstract provided.
Tracing The Imprint: Catholicism In Some Twentieth Century Irish Fiction, Eamon Maher
Tracing The Imprint: Catholicism In Some Twentieth Century Irish Fiction, Eamon Maher
Articles
In a seminal article published in Studies in 1965, Augustine Martin noted now Irish writers were characterised by what he termed 'inherited dissent', a tendency that led them to replace their original religious faith with blends of the mystical and aesthetic: