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Articles 1 - 7 of 7
Full-Text Articles in English Language and Literature
Queering The Winter's Tale In Jeanette Winterson's The Gap Of Time, Niamh J. O'Leary
Queering The Winter's Tale In Jeanette Winterson's The Gap Of Time, Niamh J. O'Leary
Faculty Scholarship
No abstract provided.
Shakespearean Constellations, Sarah Bradshaw
Shakespearean Constellations, Sarah Bradshaw
University Scholar Projects
Sarah Bradshaw’s thesis argues that Shakespeare's legacy is a fundamentally collaborative product. Rather than viewing Shakespeare’s legacy as the product of a single individual, what "Shakespeare" has come to mean over the past 400 years is altered by those who read, depict, and adapt these texts. Bradshaw presents Shakespeare, Romantic critics, and film adaptors as artists collaborating with their pasts and presents to adapt texts into new environments. By adopting Walter Benjamin’s metaphor of the constellation, Bradshaw theorizes Shakespeare’s legacy as a larger image in which each source, reading, and adaptation operates as a discrete object of study that together …
‘Enough Is A Myth:’ An Exploration Of The Politics Of Consent Within The Hellraiser Franchise, Ivy Kiernan
‘Enough Is A Myth:’ An Exploration Of The Politics Of Consent Within The Hellraiser Franchise, Ivy Kiernan
Chancellor’s Honors Program Projects
No abstract provided.
What Makes A Salesman: Death Of A Salesman And The Politics Of Adaptation, Thomas Alvarez
What Makes A Salesman: Death Of A Salesman And The Politics Of Adaptation, Thomas Alvarez
Honors Scholar Theses
Arthur Miller has regularly been regarded as one of the most prominent American playwrights of all time, producing timeless and often innately political works designed in part to speak to his perspective on history as it has taken shape. This thesis will discuss the 1951, 1966, and 1985 American adaptations of Death of a Salesman—one of his greatest defining works—to draw attention to his specific perspective while exploring how this messaging can be recontextualized when decades and mediums separate an adaptation from its source text. Furthermore, this thesis will explore choices made by actors and screenplay writers, working to ascertain …
Adapting The Classics: Making The Invisible Visible, Kate Isabel Foley
Adapting The Classics: Making The Invisible Visible, Kate Isabel Foley
Theater Honors Papers
This project seeks to answer the question, “How can a writer use an old story to shine new light on modern issues and make the invisible visible?” My adaptation of Jane Austen’s Pride and Prejudice is a genderbent retelling with queer themes while my adaptation of J.M. Barrie’s Peter Pan is a dark reimagining of Mrs. Darling as an antihero protagonist who must become Captain Hook to try to save her children. Both my research and these two plays focus on bringing visibility to marginalized communities, specifically women and members of the queer community.
Apocalypse Then And Now: Narrative Influence And Thematic Subversion Of Victorian Literature In Modern American War Narratives, Douglas James Scully
Apocalypse Then And Now: Narrative Influence And Thematic Subversion Of Victorian Literature In Modern American War Narratives, Douglas James Scully
LSU Doctoral Dissertations
In this dissertation, I argue that by looking at the lasting impact of Victorian war literature on a variety of modern media, one can see that an increased cultural awareness of trauma has led to less humane depictions of the traumatized. The multitude of Sherlock Holmes adaptations produced and set in various time periods and covering assorted wars serves as a strong example in my first chapter of how a Victorian-produced text can have a lingering impact, and the veteran Watson serves as a strong tool for adaptors to use when commenting on the shifting nature of war and the …
"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin
"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin
Honors Projects
The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …