Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Institution
- Publication
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in English Language and Literature
Bloody Thoughts: Violence And Wit In Shakespeare's The Tempest, Aubrey Keller
Bloody Thoughts: Violence And Wit In Shakespeare's The Tempest, Aubrey Keller
Honors Scholars Collaborative Projects
In this Honors thesis, I examine the roles of wit and violence in Shakespeare's The Tempest, exploring my original suspicion that the play is a pacifist work. Noticing references to "bloody thoughts" in both Hamlet and The Tempest, I hypothesized that while Shakespeare resolves his tragedies using violence, he resolves his comedies using wit, making the two foil plot devices. I discovered that the plot is not propelled by either violence or wit on their own, but by Prospero's cunning. Rejecting the conventional reading of Prospero as a sorcerer, I read Prospero as a Machiavellian figure. I examine …
A Sailor's Intimacy: Homosocial Labor In Nineteenth-Century Oceanic Narratives By Dana And Melville, Adrian R. Salgado
A Sailor's Intimacy: Homosocial Labor In Nineteenth-Century Oceanic Narratives By Dana And Melville, Adrian R. Salgado
FIU Electronic Theses and Dissertations
This thesis studies the male sailor community in Richard Henry Dana’s Two Years Before the Mast and Herman Melville’s Moby-Dick and how they are portrayed in terms of homosociality and intimacy. The presence of a homosocial community on board a sailing vessel provided a means of forming a group of men that cultivated relationships and communications through the production of labor with one another. Both Melville and Dana engaged readers in the workings of a sailor’s life and how those interactions on board a ship with fellow sailors formed a premise for the evaluation of maritime labor in nineteenth-century oceanic …
Exploring The Marginalized Voice: Queering Form In Contemporary Short Fiction, Madalyn M. Jackson
Exploring The Marginalized Voice: Queering Form In Contemporary Short Fiction, Madalyn M. Jackson
Honors College
Feminist and queer narrative theory calls into question the systemic way of thinking about categorizations such as genre conventions, form, and length. The short story subverts all of these, flipping common love plots or hero arcs, denying readers whole pictures, and privileging plot over character development. Through the application of feminist and queer narrative theory, this study evaluates Lambda Literary Awardwinning texts from authors Chinelo Okparanta, Krystal Smith, and Carmen Maria Machado on how the function, form, and common conventions of the short story are subversive in nature and lend themselves to the functions, forms, and conventions of the queer …
Write It Slant: Queerness And Form In The Argonauts And Time Is The Thing A Body Moves Through, Eleanor Linafelt
Write It Slant: Queerness And Form In The Argonauts And Time Is The Thing A Body Moves Through, Eleanor Linafelt
Senior Independent Study Theses
This project analyzes two books of contemporary creative nonfiction: The Argonauts by Maggie Nelson (2015) and Time Is the Thing a Body Moves Through by T Fleischmann (2019). Both writers centrally deal with queerness in their texts as a concept that is ineffable, or unable to be fully explained in words. I explain how to think about queerness as ineffable through the work of queer theorists Judith Butler and José Esteban Muñoz. In their books, Nelson and Fleischmann recognize that language is insufficient or even harmful in maintaining the ineffability of queerness, which poses a significant paradox for their works …
Disrupting An(Other): Sexuality As Political Resistance, Emma C. Downey
Disrupting An(Other): Sexuality As Political Resistance, Emma C. Downey
Master’s Theses
If sexual knowledge can threaten social and political institutions and their control, how do the contents and subjects of literature and publications in the interwar period make that legible? Moreover, if female sexuality–represented or real–was seen as something disruptive to the normal functioning of society, did sexuality offer a useful entry point for social, political, or ideological critiques of the interwar period? My project responds to these questions by analyzing the lives and writings of two female authors of the interwar period: Djuna Barnes (1892-1982) and Katharine Burdekin (1896-1963). In my analysis, I focus on two major points of connection. …