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Articles 1 - 7 of 7
Full-Text Articles in English Language and Literature
Bloody Thoughts: Violence And Wit In Shakespeare's The Tempest, Aubrey Keller
Bloody Thoughts: Violence And Wit In Shakespeare's The Tempest, Aubrey Keller
Honors Scholars Collaborative Projects
In this Honors thesis, I examine the roles of wit and violence in Shakespeare's The Tempest, exploring my original suspicion that the play is a pacifist work. Noticing references to "bloody thoughts" in both Hamlet and The Tempest, I hypothesized that while Shakespeare resolves his tragedies using violence, he resolves his comedies using wit, making the two foil plot devices. I discovered that the plot is not propelled by either violence or wit on their own, but by Prospero's cunning. Rejecting the conventional reading of Prospero as a sorcerer, I read Prospero as a Machiavellian figure. I examine …
Jonathan K. Gosnell. Franco-America In The Making: The Creole Nation Within. U Of Nebraska P, 2018., Anna V. Keefe
Jonathan K. Gosnell. Franco-America In The Making: The Creole Nation Within. U Of Nebraska P, 2018., Anna V. Keefe
Studies in 20th & 21st Century Literature
Review of Jonathan K. Gosnell. Franco-America in the Making: The Creole Nation Within. U of Nebraska P, 2018. 347 pp.
The Language Of Rats: Unwelcome Animals And Interspecies Connection In Contemporary Anglophone Fiction, Kieran Leigh Lyons
The Language Of Rats: Unwelcome Animals And Interspecies Connection In Contemporary Anglophone Fiction, Kieran Leigh Lyons
LSU Doctoral Dissertations
The Language of Rats: Unwelcome Animals and Interspecies Connection in Global Contemporary Fiction consists of three essays examining the representation of what I call unwelcome animals in contemporary Anglophone novels from the United States, Nigeria, and India. These animals often live alongside humans yet are perceived as threats or annoyances. Literary depictions of this fraught relationship reveal, and sometimes critique, the intellectual structures that shape how we understand and represent interspecies connections. This dissertation contributes to our understanding of the interspecies dimensions of contemporary fiction by bringing together the fields of environmental criticism, animal studies, postcolonialism, and U.S. Southern studies. …
Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo
Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo
CLCWeb: Comparative Literature and Culture
The idea of “home” is a significant occurrence in postcolonial literature, as it connects to other ideas as identity, nationhood, and culture. This paper discusses “home” in Ghanaian poetry focusing on three well-regarded poets: Kofi Awoonor, Kofi Anyidoho, and Mawuli Adzei. These poets come from the Ewe ethnic group, and engage with the Pan-African project in both their scholarly and creative expressions. Drawing on John Berger, Sara Dessen, and Ewe thought on the afterlife, this paper suggests two major types of “home” in the works of these three poets: the physical, and the metaphysical. Physical “home” refer to the Wheta …
Postcolonial Urban Vernacular Narratives In Contemporary Britain, Kathryn N. Moss
Postcolonial Urban Vernacular Narratives In Contemporary Britain, Kathryn N. Moss
Dissertations, Theses, and Capstone Projects
This dissertation explores the ways in which three postcolonial writers in Britain (Samuel Selvon, James Kelman, and Suhayl Saadi) have used the vernacular as a medium for third person narrative fiction. In doing so, they have emphasized the legitimacy, beauty, and utility of languages sometimes considered debased and ugly even by their own speakers. I argue that this shift from the margins to the center of dialect or minority language in fiction is a radical—and relatively recent—one, beginning in the mid-twentieth century. By utilizing the vernacular as a medium for third person narratives, these authors are bringing non-prestige vernacular voices …
"The Island Has Two Sides": Female Subjectivity In Postcolonial Adaptation, Teah Goldberg
"The Island Has Two Sides": Female Subjectivity In Postcolonial Adaptation, Teah Goldberg
CGU Theses & Dissertations
My dissertation is entitled: “The Island has two sides: Female Subjectivity in Postcolonial Adaptation.” In it I will argue that many postcolonial narratives either consciously or unconsciously adapt Shakespeare’s The Tempest in an effort to resurrect repressed female narratives of resistance. Through an examination of Elizabeth Nunez’s Prospero’s Daughter (2006), J.M. Coetzee’s Foe (1986), Maryse Condé’s I, Tituba, Black Witch of Salem (1988), and Jean Rhys’s Wide Sargasso Sea (1966), this dissertation will contribute to the fields of feminist and postcolonial studies by arguing that the kinds of female critical voices that we find embedded within these postcolonial texts, either …
Crying In The Novel, Noor Dhingra
Crying In The Novel, Noor Dhingra
Pomona Senior Theses
What happens when characters cry in novels? And what does that tell us about the Victorian novel?