English Language and Literature Commons^™

The Enchanter's Spell: J.R.R. Tolkien's Mythopoetic Response To Modernism, Adam D. Gorelick

FIU Electronic Theses and Dissertations

J.R.R. Tolkien was not only an author of fantasy but also a philologist who theorized about myth. Theorists have employed various methods of analyzing myth, and this thesis integrates several analyses, including Tolkien’s. I address the roles of doctrine, ritual, cross-cultural patterns, mythic expressions in literature, the literary effect of myth, evolution of language and consciousness, and individual invention over inheritance and diffusion. Beyond Tolkien’s English and Catholic background, I argue for eclectic influence on Tolkien, including resonance with Buddhism.

Tolkien views mythopoeia, literary mythmaking, in terms of sub-creation, human invention in the image of God as creator. Key mythopoetic …

An Uncommon Splice: Seeking Mutations In The Life-Writing And Short Fiction Of Mary Butts And Djuna Barnes, Susan George

Theses and Dissertations

Immersed in a web of short stories, poetry, and supporting biographical and life-writing sources, I investigate the narrative significance beneath and beyond two British and American modernist women authors. I evaluate sisterly connectedness between their literary production, publishing histories and life writings present in a specific cultural-temporal moment and genre: the short story. By looking on these unique, forgotten fictions through a new materialist lens, I argue for their short fiction's greater inclusion in the canon of women's modernism. Chapter I tests correlations between two authors undergoing the same stresses, alienations, joys and desires by taking up tenants of material …

Hall Of Mirrors: Radclyffe Hall’S The Well Of Loneliness And Modernist Fictions Of Identity, Laura Green

Laura Green

No abstract provided.

Metaphor And Metanoia: Linguistic Transfer And Cognitive Transformation In British And Irish Modernism, Andrew C. Wenaus

Electronic Thesis and Dissertation Repository

This dissertation contributes to the critical expansions that Douglas Mao and Rebecca L. Walkowitz identify as New Modernist Studies. This expansion is temporal, spatial, and vertical. I engage with the effects Modernist texts have “above” the page: lived experience. I examine the structural similarity of linguistic metaphor and the mind as considered by cognitive scientists. Identifying the human mind as linguistic and language as an artifact of the human mind, my research extrapolates upon what I call the “psycho-ecology” of reading, a self-representational knot between text and mind that constitutes lived experience. Far from being an abstraction, psycho-ecology is concrete: …

Mina Loy And The Electric Body, Debra Elizabeth Cardell

Masters Theses

Abstract Mina Loy, modernist poet and artist, experimented with theories of feminism and class within her own artwork. This creates a complex point of interpretation for the reader because of overlap and contradiction. The concept of ekphrasis, when manipulated for Loy’s context, opens possibilities of understanding Loy’s many contradictions. Since the body and material world play a central role in Loy’s art, ekphrasis is a lens through which we can begin to see the relationship between Loy’s art and writing along with her feminism.

Scrapping Modernism: Marianne Moore And The Making Of The Modern Collage Poem, Bartholomew Brinkman

Bartholomew Brinkman

The scrapbook was an important vehicle for the chronicling of personal history and the negotiation of identity in a culture of mass print, frequently modeling other modern cultural and literary forms. This essay argues that Marianne Moore's early scrapbooks informed both the subject matter and the form of her developing collage poetry in their material display of juxtaposition, assemblage, pasting-over, anchoring, and enjambment. In doing so, it challenges the common critical notion that the collage poem was an exclusive extension of the visual avantgarde, pointing to a popular scrapbooking tradition as basis for poetic collage.

Textual Bodies: Modernism, Postmodernism, And Print, Michael Kaufmann

Michael E. Kaufmann

No abstract provided.

Manhattan Transference: Reader Itineraries In Modernist New York, Sophia Bamert

Honors Papers

John Dos Passos' Manhattan Transfer (1925) follows dozens of characters through modern New York City. The novel is organized as a fragmented montage and, in this paper, I argue that transit functions as both a central theme and the structuring principle of the text. I compare Manhattan Transfer to works by Walt Whitman and William Dean Howells and draw upon spatial form theory to examine how experiences of urban transportation influence literary forms. Ultimately, I suggest that Manhattan Transfer's modernist form offers readers itinerant ways of perceiving the complicated networks of which cities are made.

Wasted Women: Modern Oppression In T.S. Eliot's "The Waste Land", James Warwood

Undergraduate Theses, Professional Papers, and Capstone Artifacts

T.S. Eliot has frequently been criticized for his misogynistic treatment of women in his poetry. Few, however, have considered the role his portrayal of women plays in supporting his poetic themes. The narrative space of “The Waste Land” is dominated primarily by women, both contemporary and mythical, who illustrate the brutal relationship between men and women. This intensely personal relationship, however, is analogous to the relationship of the individual and society; like the individual, the women must make the decision to either speak out against their oppressors or keep silent and accept their circumstances. Either option places women at risk …

The Laws Of Verse : The Poetry Of Alice Meynell And Its Literary Contexts, 1875-1923, Jared Hromadka

LSU Doctoral Dissertations

Like other poets who came to prominence in the nineteenth century but continued to publish well into the twentieth, Alice Meynell’s work has come gradually to be occluded by the work of her younger contemporaries, among them T. S. Eliot and Ezra Pound. The available scholarship records this process of occlusion in the form of an almost complete absence of serious discourse on Meynell’s work following her death in 1922 until the beginnings of a modest revival of interest in her writing beginning in the 1980s. This study aims to address that gap by giving a more complete account of …