English Language and Literature Commons^™

‘Conspiring Together’: Woolf’S Investigations On ‘Party Consciousness’ And Interwar Instability In Mrs. Dalloway And To The Lighthouse, Madeline Smith

Theses and Dissertations

Woolf has been generalized popularly as enthusiastic about parties, relishing their effervescence and conversation, and she had a particular bent for imagining a party’s vivacity while often remaining distanced from it. This imagination and duality would mark Woolf’s thoughts as is recorded in her diary entries, and they became especially apparent in her fiction. In an entry on April 27^th, 1925, less than one month from Mrs. Dalloway’s May 14^th publication, she declares that “people have any number of states of consciousness” and reports that she “should like to investigate the party consciousness” (A Writer’s …

The Visionary Mode In Anglophone Modernist Fiction, Wei Wu

Dissertations, Theses, and Capstone Projects

This study is a critical reexamination of descriptions of visionary experiences in the novels of Woolf and Lawrence. Its goal is twofold: first, to demonstrate that the visionary mode, when best practiced by the modernist novelists here discussed, can overcome the ideological liabilities that its supposed individualist stance seems to entail; secondly, based on an updated understanding of the visionary mode, to reconceptualize its relation with the ordinary. Through discussions of five important modernist novels, this study concludes that modernist practicing of the visionary mode, when contextualized and historicized, portrays the subject as situated in dynamic exchanges with otherness, subscribes …

Paradoxes Of Intimacy In Selected Novels Of Victorian And Early Twentieth Century, Miaad Muhammad Mahmood

Legacy Theses & Dissertations (2009 - 2024)

While markers of the passage from Victorian to early Twentieth-century novels abound, none is more pointed or insistent than human relationships. Marriage, one of the important human connections for social, emotional, and spiritual purposes, becomes the dominant theme of the novels of the period. This dissertation addresses intimacy and its paradoxical nature in marriages depicted in Victorian and early twentieth-century novels. It explores how these novels depict marriage and intimacy, and the paradoxes surrounding intimacy that develop from those depictions. Three novels—George Eliot’s Middlemarch (1871), Thomas Hardy’s Tess of d’Urbervilles (1891), and Virginia Woolf’s Mrs. Dalloway (1925)—span the period from …

Describing The Dress Of Women: Author’S Notes On The Development Of Gender, Cassandra B. Tan

Dissertations, Theses, and Capstone Projects

This thesis is an examination of how authors of the late Victorian and early Twentieth Century describe the embodied and mental effects of the nature of women’s clothing through works of fiction and nonfiction. Through this analysis, I argue that clothing serves as a mechanism to oppress women by eliminating concrete and philosophical access to wealth and necessities as well as by instigating acts of violence upon a developing body through stricture and hygiene. I examine the ways that feminine dress, from youth through adulthood, shapes the way women view themselves, and in turn has a reciprocal effect on how …

How To Be An Artist: An Investigation In Dialogue With Rainer Maria Rilke And Virginia Woolf, Amber Nicole Junker

Senior Projects Spring 2020

In 1929, Rainer Maria Rilke’s Letters to a Young Poet was published, a text which quickly became one of his most renowned works. 1932 saw the publication of Virginia Woolf’s “A Letter to a Young Poet,” a text which is not held by critics as one of her best. Yet Woolf’s letter should not be ignored, as it allows for a comparison between herself and Rilke, two modernists who are rarely put into conversation. Though this comparison originates from the surface level—the curious similarity between the titles of these works—I have found that it is their nearness in content that …

The Future Regained: Toward A Modernist Ethics Of Time, Jack Rodgers

Honors Projects

This project explores the convergence of futurity and ethics through an examination of key figures in modernist literature. It studies works by Virginia Woolf, Marcel Proust, and James Joyce in order to conceptualize an encounter with the future which goes beyond a traditionally linear and teleological model of time, setting out to reimagine the role of both temporality and ethics in novels including Orlando, Mrs. Dalloway, In Search of Lost Time, and Ulysses. Key facets of this exploration, which is metaphorized and guided by the image of a window, include temporal otherness, transgression and fracturing of the self (primarily understood …

Van Gogh’S Yellow Flowers: The Influence Of Post-Impressionism On Mansfield And Woolf, Gabriella M. D'Angelo

Seton Hall University Dissertations and Theses (ETDs)

In a letter to Dorothy Brett, Katherine Mansfield responds to Van Gogh’s painting of sunflowers explaining, “That picture seemed to reveal something that I hadn't realised before I saw it. It lived with me afterwards. It still does... They taught me something about writing, which was queer—a kind of freedom—or rather, a shaking free” that she felt after experiencing his painting (O’Sullivan, The Collected Letters of Katherine Mansfield, 4: 333). The aesthetic emotion resided with her thereafter, as she claimed: “I can smell them as I write” (O’Sullivan, TCLKM, 2: 333). French paintings of the late nineteenth and early twentieth …

Under The Sign Of Suicide, Theodore Emmanuel Prassinos

Wayne State University Dissertations

“Under the Sign of Suicide,” examines modernist writers’ intense and sustained preoccupation with and representations of suicide. Beyond numerous essays on the topic, we also find many fictional characters such as Fyodor Dostoevsky’s Svidrigailov and Kirilov both taken by gunshot, Stavrogin and Smerdyakov both by hanging. We also find Franz Kafka’s George Bendemann who takes his life by drowning, and Virginia Woolf’s Septimus Smith by impaling, Her character, Rhoda, dies off a cliff. In American literature, we find Edna Pontellier, Quentin Compson, Clare Kendry, Semour Glass, Teddy McArdle, Willy Loman, Tod Clifton, and on and on. This list is surely …

Gestural Ekphrasis: Toward A Phenomenology Of The Moving Body In Joyce And Woolf, Lauren Nicole Benke

Electronic Theses and Dissertations

This theoretical project seeks to introduce a new critical methodology for evaluating gesture - both represented in text and paratextual - in the works of Virginia Woolf - specifically The Voyage Out (1915), Orlando (1928), The Waves (1931), and Between the Acts (1941) - and James Joyce - particularly Ulysses (1922) and Finnegans Wake (1939). Though gesture studies has developed significantly as an interdisciplinary field in recent decades and performance studies has elaborated on the moving body's significance to both text and performance, literary scholarship itself has not yet adequately incorporated possibilities for specific critical attention to gesture. Gesture is …

The Roles Of Silence In Virginia Woolf's Between The Acts, Elizabeth F. Epprecht

Scripps Senior Theses

In this thesis I explore the roles of silence in Virginia Woolf’s last novel, Between the Acts (1941). I focus on three readings of silence in the text. First, I consider her portrayal of malicious silences as unsaid judgments and aggressions and their impact on interpersonal relationships and interactions. Second, I look at detached, empty silence and its relation to the critical passivity Woolf noted in her audience in the early years of WWII. Finally, I consider silence as feminist resistance to traditional narratives through the intertwined experiences of Isa and Miss La Trobe.

"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom

Dissertations, Theses, and Capstone Projects

This dissertation maps the relationship between Virginia Woolf’s fiction and essays, and William Shakespeare’s person and plays. I argue that Woolf’s writing is intended as an interactive practice of cultural memory, challenging her readers to become responders and to engage critically with the canon. I further argue that Woolf offers herself as inheritor of a literary practice that actively seeks to shape the values and social ideology of the time. The introduction defines three modes of memory operating in Woolf’s work: memory as opiate; memory as political instrument; and memory as dialectic. The first chapter shows the cultural memory of …

Diagnoses By Gender: The Consequences Of Treatment Of The Mentally Ill In Virginia Woolf's The Waves And Mrs. Dalloway 2016, Erika Nichole Jackson

Master's Theses

“Insanity is purely a disease of the brain…The physician is now the responsible guardian of the lunatic, and must ever remain so.” Sir John Charles Bucknill (1897)

Mental illness has consistently been and continues to be a subject that is viewed as taboo by society, especially when it comes to diagnosing a patient. Instead of acknowledging a person’s actions, thoughts, and words, society continually disregards mental illness as something that is negative and to be feared. The fact that this area of medicine can be difficult and distressing makes it all the more important to continue research. It is true …

Ceasing To Run Underground: 20th-Century Women Writers And Hydro-Logical Thought, Annie M. Cranstoun

Dissertations, Theses, and Capstone Projects

Starting from two central ecopoetic convictions—the constitutive role of environment in human experience (and vice versa), and text’s ability to connect with the world—this dissertation then moves in a different direction from most ecocritical projects. Instead of looking at the ways literary representation flows back into nature in the forms of attitude, praxis, and policy, this study focuses on the earlier part of the loop: the emergence of text from environment, particularly its aquatic parts, via the faculty of the imagination. In its scrutiny of images that spring directly from matter and its faith in the concept of a personal …

"The Stuff Of Thought" : Virginia Woolf's Object Lessons, Sam Mitchell

Honors Theses

No abstract provided.

A Screen Of One's Own The Tpec And Feminist Technological Textuality In The 21st Century, Amy J. Barnickel

Electronic Theses and Dissertations

In this dissertation, I analyze the 20th century text, A Room of One's Own, by Virginia Woolf (2005), and I engage with Woolf's concept of a woman's need for a room of her own in which she can be free to think for herself, study, write, or pursue other interests away from the oppression of patriarchal societal expectations and demands. Through library-based research, I identify four screens in Woolf's work through which she viewed and critiqued culture, and I use these screens to reconceptualize "a room of one's own" in 21st Century terms. I determine that the new "room" is …

The Luminous Halo: The Place Of Language In The Waves And The Years, Rachel Luban

Honors Papers

Can words ever express a truth beyond language? Virginia Woolf explores this persistent question most directly in two of her late novels, The Waves and The Years. The two appear to sit at opposite ends of the spectrum of her writing, The Waves embodying interiority and vision and The Years embodying exteriority and fact. The apparent realism of The Years, following on the heels of the impressionism of The Waves, has caused many critics to dismiss it as an aberration. But in fact the later novel is far from a regression to traditional realism: it takes up where its predecessor …

Reading Masculinity In Virginia Woolf's The Waves, David Michael Mraz

ETD Archive

The Waves subtly subverts traditional notions of gender, and creates a space for divergent expressions of masculinity, specifically, the masculinity referred to in this paper relates to norms established in England during the Edwardian and Post World War I periods. In The Waves, the three male voices, Bernard, Neville and Louis, are introduced at school to a pro-imperialist vision of masculinity which is further reinforced through their relationship with the silent Percival. However, unlike Percival, the three male voice characters are either barred from the homosocial (Nevill and Louis) or are ambivalent to its production (Bernard). By employing masculinity theory …

Sex, Gender, And Androgyny In Virginia Woolf's Mock-Biographies "Friendships Gallery" And Orlando, Sarah Hastings

ETD Archive

This is an examination of sex, gender, and androgyny in Virginia Woolf́⁰₉s ́⁰₋Friendships Gallerý⁰₊ and Orlando. These texts, written twenty years apart, highlight Woolf́⁰₉s development as a feminist who seeks to obliterate the assumed sex and gender binary. She accomplishes this through a mock biography format. Her first attempt highlights the androgynous nature of the main character Violet, whereas in Orlando her message of the constrictive nature of an assumed link between sex and gender is far more emphatically proven though the utilization of the titular character undergoing a biological sex change that ultimately leaves his/her gender unaffected

An Analysis Of The Sources Of Moments Of Vision In Virginia Woolf's Novels, Jean Clay Bloom

University of the Pacific Theses and Dissertations

Statement of the problem. It is the purpose of this study (1) to examine the sources of the various moments of vision found in Virginia Woolf's novels; (2) to consider the characteristics of the personality type presented in her novels; (3) to show the relationship between these characters and moments of vision.