English Language and Literature Commons^™

Women's Timeless Fascination With True Crime And Horror, Sarah Victoria Di Carluccio

Legacy Theses & Dissertations (2009 - 2024)

This thesis examines society’s interest in gothic literature, horror, and true crime. Beginning with the first gothic works, and ending with modern true crime media, a focus of this exploratory piece will be on women because women have always been, and remain, the primary consumers of the gothic, and of true crime. The question is: Why? To examine the possible reasons, I will be examining the success of original gothic writers, namely, Ann Radcliffe. Other authors who influenced the development of the Gothic genre will influence our modern understanding of these origins. I will examine Poe’s “The Mystery of Marie …

"I Don't Believe One-Half Of It Myself": The Role Of Folk Groups In Supernatural Legend Interpretation, Melanie Kimball

Undergraduate Honors Theses

A range of interpretations can characterize supernatural legends as religious or non-religious—or somewhere in between. Religious audiences quickly categorize supernatural religious legends as such, but they hesitate when interpreting supernatural non-religious legends and supply multiple interpretations. Folk group paradigms influence these interpretations, and a variety of factors in turn influence which paradigms are used. The most important of these factors is a hierarchy of folk groups, which each individual has uniquely created and to which they refer when interpreting stories and experiences. When the most important of these folk groups fails to fully interpret a narrative, individuals will use folk …

The Woman Of Sorrows: Clara's Self-Destructive Behavior Based On Supernatural Belief In Wieland, Or The Transformation: An American Tale By Charles Brockden Brown, Paden Carlson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Much has been devoted to the study of causality and ambiguity within Charles Brockden Brown’s Wieland, or the Transformation. While there is textual and cultural evidence providing explanations for Clara’s behavior, little has been said about the ramifications of Clara’s actions. This essay seeks to add to the discussion of Wieland by exploring Clara’s transformation from theistic rationalist to someone who is inclined to believe in supernatural explanation concerning seemingly inexplicable events.

In more than one instance, Clara’s supernaturally-charged beliefs endanger her. Brown uses Clara’s increasing reliance on supernatural explanation to suggest that, should the early United States similarly abandon …

Ship Of Fools, Kevin Grzybowski

MSU Graduate Theses

In this collection of stories, the absurd deterritorializes characters, plots, and ideologies throughout a combination of full-length narratives and flash fiction. In the process of reterritorialization, new meaning is added to archetypical narratives (The Bible's creation myth) and to familiar characters (the impoverished man, the cruel industrialist). Through these narratives, humanity is explored through unconventional means as characters find themselves at odds with supernatural forces, whether it be reincarnation, interaction with deities, or being haunted by the grotesque rat king. While this is a far cry from realism, the absurdism allows the reader unusual ways of seeing the same world.

The Complete Poems Of Anne Bannerman, Matthew Heilman

Electronic Theses and Dissertations

Anne Bannerman (c.1780-1829) spent most of her life in Edinburgh, Scotland and published three volumes of poetry in the early nineteenth century. For my dissertation, I have prepared the first fully-annotated critical edition of Bannerman’s complete works, including Poems (1800), Tales of Superstition and Chivalry (1802), and Poems, A New Edition (1807). A comprehensive introduction provides information on Bannerman’s life and background, and examines her work in the context of British Romanticism, the Gothic, Scottish nationalism, and the ballad tradition. Close-readings of the poems examine the ways in which Bannerman’s female narrators challenge early nineteenth-century conceptualizations of gender, particularly in …

The Temptation Of Sherlock Holmes: Aesthetics, Expectations, And The Gothic, Sarah M. Davin

Senior Projects Spring 2016

This thesis will be concerned with challenging the preconceptions of Sir Arthur Conan Doyle's Sherlock Holmes novels and stories, and how different readings of the text are revealed when those preconceptions are challenged. While the character of Sherlock Holmes is often considered as very scientific in nature, this thesis will attempt to challenge this, suggesting alternative readings of Holmes that might situate the character within a literary tradition rather than pretending that the Holmes character can somehow be psychoanalyzed or that his work as a detective in a text somehow directly interacted with the real world. By focusing on the …

Undead Empire: How Folklore Animates The Human Corpse In Nineteenth-Century British Literature, Charles Hoge

Electronic Theses and Dissertations

This dissertation explores representations of the human corpse in nineteenth-century British literature and ephemeral culture as a dynamic, multidirectional vehicle used by writers and readers to help articulate emerging anxieties that were complicating the very idea of death. Using cultural criticism as its primary critical heuristic filter, this project analyzes how the lingering influence of folklore animates the human corpses that populate canonical and extra-canonical nineteenth-century British literature.

The first chapter examines the treatment of the human corpse through burial and mourning rituals, as specific developments within these procedures provide interpretive windows into how the idea of death was quickly …

Monsters Without To Monsters Within: The Transformation Of The Supernatural From English To American Gothic Fiction, Tryphena Y. Liu

Scripps Senior Theses

Because works of Gothic fiction were often disregarded as sensationalist and unsophisticated, my aim in this thesis is to explore the ways in which these works actually drew attention to real societal issues and fears, particularly anxieties around Otherness and identity and gender construction. I illustrate how the context in which authors were writing specifically influenced the way they portrayed the supernatural in their narratives, and how the differences in their portrayals speak to the authors’ distinct aims and the issues that they address. Because the supernatural ultimately became internalized in the American Gothic, peculiarly within female bodies, I focus …

Responsibility And Responsiveness In The Novels Of Ann Radcliffe And Mary Shelley, Katherine Marie Mcgee

USF Tampa Graduate Theses and Dissertations

This dissertation looks at the ways in which humans interact with and respond to other humans and nonhumans in Ann Radcliffe's and Mary Shelley's novels. I argue that in light of the social and political turmoil surrounding the French Revolution, Radcliffe and Shelley call not so much for Revolution or drastic reform but for a change in the ways in which individuals respond to the needs of others, both human and nonhuman, and take responsibility for each other. The ways in which humans interact with the nonhuman inform the positive and negative practices that they should use to interact with …

Deconstructing The Supernatural In Shakespeare's Macbeth, Britney Marler

Undergraduate Honors Capstone Projects

Of all Shakespeare's tragedies, Macbeth is by far the most supernaturally charged. The play opens with three witches who give Macbeth and Banquo a prediction that lays out the plot of the rest of the play. Macbeth sees a phantom dagger, hears voices, and is haunted by the ghost of his murdered comrade. The vast amount of supernatural events comes as no surprise considering that Shakespeare almost certainly wrote the play as a tribute to King James I, the British monarch whose belief in the power of witchcraft ran so deep that he led several witchhunts throughout Britain, in addition …

Murder Will Out: James Hogg's Use Of The Bier-Right In His Minor Works And Confessions, Tanya Ann Terry

Theses and Dissertations

In The Private Memoirs and Confessions of a Justified Sinner (1824), James Hogg uses the uncanny trope of the bier-right, a medieval superstitious belief of Christian origin that a murdered corpse will bleed in the presence or at the touch of the actual murderer, to negotiate his struggle with fading belief in local superstitions and religious faith in the Scottish Borders. Examining the origins of the bier-right, court cases involving the bier-right, and Hogg's minor works using the bier-right I offer a comparison of how Hogg manipulates and morphs this trope in Confessions. I also argue that the main …

Ancient Superstitions Steeped In The Human Heart: Rumors Of The Supernatural As Resistance Narrative In The House Of The Seven Gables, Marie E. Horne

Theses and Dissertations

Nathaniel Hawthorne's The House of the Seven Gables continuously plays with the idea of narrative authority to explore concepts of class and power within the novel. Since these concepts of class and power are also a central focus of Subaltern Studies, applying some of this body of scholarship to the novel brings into focus these concepts and sheds light on the motivations and types of resistance in the novel. The upper class characters, including the Pyncheons, construct and maintain a narrative based on the declarations of professionals and officials of the state and church. It discusses only the most noble …

"The Mirror Turn Lamp": Natural-Supernatural In Yeats, Cleston Lee Armstrong Iii

Dissertations

The supernatural portrayed in Yeats represents a carefully constructed convergence of all major themes in his canon. Yeats's first exposure to myth, the supernatural, and magic occurs in the 1890s when he worked as an editor of William Blake and Irish fairy lore. This experience at once inspired Yeats to explore mysticism and to shroud his own collected works in mystery. With the onset of modernity and the age of criticism this period ushered in, however, he was unable to capitalize on the spiritual as first imagined. As mere aesthetic, peculiar illuminations of the immaterial world Yeats so intensely sought …