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Articles 1 - 6 of 6
Full-Text Articles in English Language and Literature
Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi
Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi
Graduate Theses and Dissertations
There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …
Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick
Woolf As Window: A View Into Martín Gaite’S Treatment Of Alienation In El Cuarto De Atrás, Elizabeth Cornick
Dartmouth College Master’s Theses
In this article, I explore the Spanish writer Carmen Martín Gaite’s affinity with Virginia Woolf’s modernism. In particular, I analyze the modernist theme of alienation so prominent in Woolf’s To the Lighthouse that Martín Gaite expresses in her novel El cuarto de atrás (The Back Room). To do so, I provide historical analysis of Woolf’s and Martín Gaite’s respective cultures to contextualize the ways in which the writers treat modernization as an alienating condition of modernity in the novels. I focus on Woolf’s depiction of estrangement experienced by the characters Mrs. Ramsay and Lily Briscoe from To the …
Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling
Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling
Honors Thesis
This thesis discusses Hélène Cixous’ ideas on feminine literature, as expressed in her article, “The Laugh of Medusa,” and attempts to apply the goals that she sets out for what feminine literature must look like in order to develop the literary cannon to the novel. In an attempt to pull away from traditional patriarchal images and expectations of feminine lifestyles, I join Cixous’ call for the marginalized to inscribe their voices into the cannon for themselves, and argue that representation of such images in literature is necessary to the development of our biased perceptions to more authentically represent typically marginalized …
Mapping The Queer Ephemeral, Mitchell Famulare
Mapping The Queer Ephemeral, Mitchell Famulare
Honors Theses
This thesis seeks to define/theorize and map the queer ephemeral, a cycle of emergence and reemergence of the queer subject within queer time. Straight time consists of the linear timeline where when one matures, attends college, attains a stable job, falls in love, marries, bears children, and lives happily ever after. Whether through movies, television, books, or our own guardians, time is presented to us as something stable, consistent, and reproductive; diverging off the conventional timeline brings societal pressures that isolate subjects who fall out of its fabric. As straight time facilitates the construction of some sort of ideal adult, …
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
Scripps Senior Theses
“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian
Scripps Senior Theses
“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …