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Full-Text Articles in English Language and Literature
"I Want To Melt Into Her Body": Sexual Empowerment And A Feminist Recentering Of The Female Characters In Dracula By Bram Stoker, Carmilla By J. Sheridan Lefanu, And Villette By Charlotte Bronte, Carson Leigh Pender
Graduate Theses
Simone de Beauvoir argues in The Second Sex, “The normal sexual act [of intercourse] effectively makes woman dependent on the male and the species. It is he–as for most animals– who has the aggressive role and she who submits to his embrace. . . coitus cannot take place without male consent, and male satisfaction is its natural end result” (385). Essentially, de Beauvoir argues that the act of sex cannot exist without the presence of man, but particularly for heterosexual women, the act of sex is dependent on the presence of, responsibility of, and response of men. However, despite the …
From Governess To Wife: How Women On The Fringe Of Society Upset And Restore Victorian Homes, Elsa C. Torgersen
From Governess To Wife: How Women On The Fringe Of Society Upset And Restore Victorian Homes, Elsa C. Torgersen
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
In middle-class Victorian homes, wives were responsible for the care of the home, the raising of children, and the maintenance and upward mobility of her family’s social standing. She was the heart of the home and her purity and commitment to the home would not only affect her family, but also society. Yet the women who were qualified according to societal standards were a small group, carefully chosen to maintain the standards of society. In the novels Bleak House and Jane Eyre, the authors push back against strict societal expectations. They ask the audience to consider if women should …
From Byronic To Gothic Blood Sucker: Subversion Toward A Non-Gendered Identity, Hannah Hoover
From Byronic To Gothic Blood Sucker: Subversion Toward A Non-Gendered Identity, Hannah Hoover
Electronic Theses and Dissertations
Analyzing Emily Bronte’s Wuthering Heights and linking trends of the Byronic hero that have merged into a variety of genres reveal that the hero is a mode of subversive gender expression, which has evolved within the Gothic through feminine desire. Delving into Bram Stoker’s Dracula will provide unique insight into the audience’s desires/expressions of gender. Finding the transition point from the monster vampire of Dracula to Stephanie Meyer’s desirous, sparkling boy-next-door in Twilight will track the trajectory of gender and sexual norms through time. From the foundational adaptation of the Byronic hero in Wuthering Heights to the repressed vampiric desire …
The Making Of Monsters: Creativity And Morality In Gothic Novels Frankenstein And The Picture Of Dorian Gray, Elisa Klaassen
The Making Of Monsters: Creativity And Morality In Gothic Novels Frankenstein And The Picture Of Dorian Gray, Elisa Klaassen
Graduate Research Theses & Dissertations
This study examined Mary Shelley’s Frankenstein, which foreshadows the Victorian period, and Oscar Wilde’s The Picture of Dorian Gray, which reflects on it. The two novels are both monster stories that share many similarities, including themes of creativity and morality. However, the two novels are distinctly different in surprising ways. This thesis serves as an examination of their differing treatments of creativity and morality. In its examination, it reveals the ways in which Shelley couples these themes, foreshadowing Victorianism, while Wilde decouples them, reflecting and refracting on Victorian themes. Thus, this study reveals some of the major cultural changes that …
Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira
Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira
Honors Program Theses
Most scholars agree that author and social activist Charles Dickens (1812-1870) made keen observations on human behavior and societal problems through his works. However, scholars are divided over whether to categorize Dickens and his work as radically reformist or pro-bourgeoisie. Through an analysis of three of Dickens’s texts, A Christmas Carol (1843), Bleak House (1852), and Great Expectations (1861), this thesis demonstrates that Dickens’s works carry contradictory ideologies. As time passes, Dickens becomes disillusioned with capitalism but continues to promote capitalist and bourgeois values and ideologies. The trajectory of Dickens’s views shows the difficulties in imagining different realities outside of …