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Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols May 2015

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …


A Redemption Of Meaning In Three Novels By Italo Calvino, Dominick J. Knowles Apr 2015

A Redemption Of Meaning In Three Novels By Italo Calvino, Dominick J. Knowles

English Honors Papers

In this thesis I present three readings of Italo Calvino’s later novels: Invisible Cities (1972), If on a winter’s night a traveler (1979), and Mr. Palomar (1983). My primary aim is to defend Calvino against dominant scholarly interpretations that position him as a Postmodern nihilist, a literary trickster interested solely in toying with the mechanics of language. My analysis of Calvino’s work re-envisions him as a special breed of Postmodernist concerned with humanity’s ability to create spaces for meaning in spite of an indifferent cosmos. Drawing from psychoanalytic theory, cognitive science, analytic philosophy, and phenomenology, I synthesize my own critical …


A Single Man Of Good Fortune: Postmodern Identities And Consumerism In The New Novel Of Manners, Bonnie Mclean Apr 2015

A Single Man Of Good Fortune: Postmodern Identities And Consumerism In The New Novel Of Manners, Bonnie Mclean

Dissertations (1934 -)

In my dissertation, I argue that the novel of manners, while sometimes considered a moribund genre, presents itself as a genre relevant to contemporary criticism of social change from consensus politics to privatization both at governmental and domestic levels. I establish both key terms, cultural and theoretical trends, and define the novel of manners in context as a historical genre and a contemporary one. I further explore the novel of manners as a commentary on social and moral problems, particularly in tensions between social morality and individual morality that emerge when manners break down, a concept originally highlighted by Henry …


"What, To A Prisoner, Is The Fourth Of July?": Mumia Abu-Jamal And Contemporary Narratives Of Slavery, Luis Omar Ceniceros Jan 2015

"What, To A Prisoner, Is The Fourth Of July?": Mumia Abu-Jamal And Contemporary Narratives Of Slavery, Luis Omar Ceniceros

Open Access Theses & Dissertations

Writing from a specifically Black postmodern perspective, former death row inmate Mumia Abu-Jamal composes his multimedia slave narrative as a postmodern Neo-slave narrative. From the Atlantic slave-trade to the United States prison-industrial complex, from Quobna Ottobah Cugoano to Mumia Abu-Jamal, the slave narrative exists as a critique against oppressive State powers and a collective affirmation of interiority and embodied significance. For Abu-Jamal, his incarceration is indicative of an ever-pervasive capitalist power-structure that in the past has, in the present is, and in the future will control designated groups of made marginalized masses in order that preeminent capitalist beneficiaries preserve elite …


Consumer Mutations: Mediated Subjectivities Of The Incipient Digital Age, Aaron Duplantier Jan 2015

Consumer Mutations: Mediated Subjectivities Of The Incipient Digital Age, Aaron Duplantier

LSU Doctoral Dissertations

In this dissertation, I argue that out of postmodernity, subjectivity has seen distinct mutations inflected by consumer technology. As postmodern mediators of ordinary people, reality TV, Facebook, and YouTube are steeped in concerns about authenticity. Reality TV, for example, cannot escape its authenticity problem because of the conventional hierarchy of production it maintains, a hierarchy that prompts consumer skepticism regarding its truth value. However, seemingly democratic Internet platforms, such as Facebook and YouTube, promise consumer engagement in which users can break down those hierarchical barriers preventing authentic expression. Under the guise of presumed mediational accuracy, the resulting feedback loop between …


Making Thought Matter : Postmodern Models For Material Thinking, James Kenneth Belflower Jan 2015

Making Thought Matter : Postmodern Models For Material Thinking, James Kenneth Belflower

Legacy Theses & Dissertations (2009 - 2024)

Making Thought Matter: Postmodern Models for Material Thinking, crosses disciplines to trace the aesthetic contexts of Postmodern American artists whose work employs the senses to make legible creative and critical modes of synthesis. I contend that in practicing a material thinking—the artistic mobilization of the intimate and affective qualities of conceptual and physical surfaces—these artists reinsert perceptual knowledge and bodily agency into Postmodernism’s “emptied” surfaces. Consequently, their work opposes late theorists of Postmodernity who characterized contemporary artistic forms as immaterial, abstract, and emotionally deficient. To assess contemporary syntheses I develop Philip Johnson’s late International Style Glass House into an analogy …


A Transnational Postmodernism : North Africa As A Locus For Postmodern Fiction, Steven Weber Jan 2015

A Transnational Postmodernism : North Africa As A Locus For Postmodern Fiction, Steven Weber

Legacy Theses & Dissertations (2009 - 2024)

Examining a 25-year period of literature about post-WWII North Africa by Paul Bowles, William S. Burroughs, Kateb Yacine, and Pierre Guyotat, A Transnational Postmodernism describes the creation of a particular kind of postmodern literature that has been shaped by the concerns of its colonial/postcolonial context. Such a shaping introduces postmodernity as a problem. This problem—astutely identified by Michael Hardt and Antonio Negri’s Empire—is that, at the moment of decolonization, as we move from modern to postmodern regimes of power and control, the typical elements of postmodernity (hybridity, et al) are no longer as necessarily liberatory as they once were against …