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Full-Text Articles in English Language and Literature
Mic Check : Finding Hip Hop's Place In The Literary Milieu, Victorio Reyes
Mic Check : Finding Hip Hop's Place In The Literary Milieu, Victorio Reyes
Legacy Theses & Dissertations (2009 - 2024)
The study of Hip Hop poetics has been slowly gaining momentum as an area for scholarly inquiry. Accordingly, Mic Check rests on one critical assumption: Hip Hop is the most significant American form of poetry ever invented. To back up this claim, this project investigates Hip Hop lyricism from five critical angles: tradition, form, tone, medium, and practice. I argue that music’s foundational position in African American literature clarifies Hip Hop’s experiments with language, which operate within and extend an ongoing, centuries-old tradition of linguistic, rhythmic, and poetic experimentation. Comprehension of the longstanding literary/oral territory from which Hip Hop is …
Keats And Food : Language Of The Edible In John Keats's Letters And Poems, Kaitlin Resler
Keats And Food : Language Of The Edible In John Keats's Letters And Poems, Kaitlin Resler
Legacy Theses & Dissertations (2009 - 2024)
This thesis is an exploration of the language of food and drink in the letters and poetry of John Keats. In sifting through his letters, famous for his unselfconscious thoughts on the nature of poetry and poetic composition, it is possible to construct the details of his culinary life not only as it pertains to daily eating habits but also in how he uses the language of food to articulate the sensations achieved in the course of writing and reading poetry. Keats frequently adapted this language to describe these activities because for him, the way food is consumed and synthesized …
Making Thought Matter : Postmodern Models For Material Thinking, James Kenneth Belflower
Making Thought Matter : Postmodern Models For Material Thinking, James Kenneth Belflower
Legacy Theses & Dissertations (2009 - 2024)
Making Thought Matter: Postmodern Models for Material Thinking, crosses disciplines to trace the aesthetic contexts of Postmodern American artists whose work employs the senses to make legible creative and critical modes of synthesis. I contend that in practicing a material thinking—the artistic mobilization of the intimate and affective qualities of conceptual and physical surfaces—these artists reinsert perceptual knowledge and bodily agency into Postmodernism’s “emptied” surfaces. Consequently, their work opposes late theorists of Postmodernity who characterized contemporary artistic forms as immaterial, abstract, and emotionally deficient. To assess contemporary syntheses I develop Philip Johnson’s late International Style Glass House into an analogy …