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Articles 1 - 3 of 3
Full-Text Articles in English Language and Literature
Structures Of Ritual Sacrifice In Abraham And Isaac And Afore Night Come, Misty Baumann
Structures Of Ritual Sacrifice In Abraham And Isaac And Afore Night Come, Misty Baumann
Honors Papers
In part, this study is a response to a frightening reality-- humans acting to take human life. It is an attempt to understand better how, why and when that act is deemed holy. It is an examination of ritual sacrifice, its symbolic structure, its use and its perversions in two very different dramatic works, the Brome version of the medieval Abraham and Isaac and David Rudkin's modern, British Afore Night. In respect for the eldest, I begin with the former.
The Homecoming And The Cherry Orchard: Pinter's Inversion Of Chekhov's Subtextual Method, Art Borreca
The Homecoming And The Cherry Orchard: Pinter's Inversion Of Chekhov's Subtextual Method, Art Borreca
Honors Papers
The ever-present tension between literary criticism and performance analysis makes one wary about suggesting a cause and effect link between the work of a single dramatist and the development of a major acting method. And yet, it is impossible to separate the original concept of subtext, which emerged upon Stanislavsky's stage, from Anton Chekhov's revolutionary dramaturgy, which made startling demands upon that stage. Chekhov wanted specifically to narrow the gap between real life and stage life--to do away with the worn-out well made play formula that permitted actors to declaim and gesticulate broadly, shouting incredible passions and externalizing larger-than-life desires. …
The Interweaving Of Poetry And Dance In Ben Jonson's Masques, Ted Gradman
The Interweaving Of Poetry And Dance In Ben Jonson's Masques, Ted Gradman
Honors Papers
The masked noblemen prepare to preform one of their intricate dances for King James I and his court; they aim to make the complex floor patterns and body movements appear ordered, adroit, and effortless. Their dances are just one element of the highly elaborate Stuart court masque with integrates dance, poetry, scenic design, costume design and music into a three-hour dramatic spectacle. All that remains today of the lavish event is a text of twelve pages, some short descriptions of the choreography, a handful of sketches, and several short pieces of music. Although we can never fully reconstruct Pleasure Reconciled …