English Language and Literature Commons^™

The “Fruit” Of Success: Christina Rossetti’S “Goblin Market” As An Allegory Of The 19th Century Literary Marketplace, Priyodarshini Ghosh

Criterion: A Journal of Literary Criticism

Christina Rossetti’s “Goblin Market” is probably her most critically acclaimed literary masterpiece. It has been accepted undoubtedly as an allegory of something, but critics have not been able to come to a unanimous conclusion as to what. Some have tried to establish it as a Christian allegory of Fall and Redemption, while others as an allegory of sexual temptation. Certain critics have hinted that this poem could be an allegory of the literary marketplace during the 19^th century, which was wholly dominated by men, women’s entry into that marketplace being either restricted or marked by insurmountable obstacles. Following the …

Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen

Criterion: A Journal of Literary Criticism

By the mid-15^th century, the royal marriage of King Charles and Queen Henrietta Maria incited enough conflict to spark civil war, as the English struggled to reconcile between the long-established image of female English domesticity and a pervasive cultural expectation for equality between marriage partners. Any form of equality in the royal marriage called the absolute power of the king into question, as it would imply that his actions had included her direct involvement, and even at times were more representative of her, not his, views. Letters captured at the Battle of Naseby confirmed fears that the queen …

Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett

Criterion: A Journal of Literary Criticism

Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …

A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul

Criterion: A Journal of Literary Criticism

Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …

“I Suppose An Island Dweller Should Expect It To Be So”: The Contradiction And Drama Of Maternity And Islands In Caleb’S Crossing, Shayla Frandsen

Criterion: A Journal of Literary Criticism

Islands have a long tradition of capturing human imagination and functioning as a space that nurtures both magic and mystery. As geographic locations, they seem to avoid easy taxonomy even while behaving easily categorizable: they exist as tourist fantasies separate from everyday landscape even while many operate as an othered land that is still “safe” enough to visit. They are isolated yet capable of nurturing strong cultural identity. They also act as autonomous entities while still being interconnected within larger natural structures, coastlines, and waterways. In these ways and more islands navigate as border spaces of inherent contradiction—contradictions which are …

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner

Criterion: A Journal of Literary Criticism

This analysis investigates the gendered implications of Shakespearean heroines' deaths. Using Macbeth, Antony and Cleopatra, and Titus Andronicus as case studies, evidence is drawn from the text. This evidence is then supported by extensive historical research and reference to external critical studies of these tragedies. By identifying the gendered aspects of these heroines’ deaths, one can gain a greater understanding of Shakespeare’s view of female autonomy and power. The deaths Shakespeare inflicts often act as a punishment for the heroines' betrayal of traditional gender roles and forcibly return the heroines to the feminine sphere.

Developing A Feminist Pedagogy: A Look At Intersectionality And Poe's Women, Riley Haacke

Criterion: A Journal of Literary Criticism

Abstract

Edgar Allan Poe is one of the world’s most prolific writers and therefore has an immense capacity to influence and change how we, as a society, engage with literature. By developing a feminist pedagogy centered on the intersectionality of Poe’s diverse female characters we can begin to develop a value based education model that influences the critical conversations we have about women’s issues.

The Weight Of “Glory”: Emily Dickinson, George Eliot, And Women’S Issues In Middlemarch, Megan Armknecht

Criterion: A Journal of Literary Criticism

No abstract provided.