English Language and Literature Commons^™

Review Of Environmental Humanities And Theologies: Ecoculture, Literature And The Bible, By Rod Giblett, Sam Mickey

Landscapes: the Journal of the International Centre for Landscape and Language

This is a review of Rod Giblett's Environmental Humanities and Theologies: Ecoculture, Literature and the Bible, published by Routledge in 2018. The review notes Giblett's contributions to the field in tracing wetlands iconography through theological and literary discourses in landmark works in the Anglo-American tradition, Judeo-Christian doctrine, and Australian Aboriginal myth.

Shadow Over Mount Barren, Bronwyne J. Thomason Dr

Landscapes: the Journal of the International Centre for Landscape and Language

A short story that captures scenery of the Fitzgerald National Park and relates it to life-affirming principles of the natural Australian Bush.

Fortunates Part 1, Lawrence Upton

Landscapes: the Journal of the International Centre for Landscape and Language

A poem. With corrections listed in an email of today's date

Zemlja And Pioneer Day, Natalie D-Napoleon

Landscapes: the Journal of the International Centre for Landscape and Language

Poems: Zemlja and Pioneer Day by West Australia born author Natalie D-Napoleon.

North Sea Poems: Birds Of The North Sea, Caa'in, Summer Ferry, Lesley Harrison

Landscapes: the Journal of the International Centre for Landscape and Language

These poems reflect the practical, human, immersive processes of self-orientation and self-location within the coastal and island landscapes round the North Sea. In both recording and bringing about this process, the poet maps herself onto her surroundings and brings her surroundings to bear on herself. The interplay of graphic, linguistic and other forms of description are destabilised by the contingency of their usefulness, and by their meaningless to each other. In the end, the generative poetic voice is the principle by which the 'map' is made.

Snorkel Virgin, Emma J. Young

Landscapes: the Journal of the International Centre for Landscape and Language

Snorkel Virgin

Plunging Down Under, Ian Smith

Landscapes: the Journal of the International Centre for Landscape and Language

Plunging Down Under

“‘The Strata Of My History’: Reading The Ecological Chronotope In Wendell Berry’S That Distant Land”, Ellen M. Bayer

Landscapes: the Journal of the International Centre for Landscape and Language

This article examines Wendell Berry’s short story collection, That Distant Land (2004) through the lens of the ecological chronotope. Berry’s characters cultivate an intimate relationship with their physical environment, and the land, in turn, inscribes their history within it. Furthermore, it is through a shared sense of responsibility to the land that the characters foster a sense of community, shared history, and timeless connection with each other. My analysis of Berry’s fiction employs the notion of the ecological chronotope as a lens for understanding the environmental implications encountered at the intersection between time and place in That Distant Land. …

Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape: Heritage II presents the scholarly and creative contributions to Landscapes, Volume 9, Issue 1.

Issue Introduction By Icll Director Glen Phillips, Glen Phillips

Landscapes: the Journal of the International Centre for Landscape and Language

General Introduction by ICLL Director Glen Phillips

Complete Issue 1, Volume 9

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 9, Landscapes Journal.

Waiting For A Queer Change: Gender Identity Through Performative Waiting And The Boudoir Chronotope In Call Me By Your Name, Gregory R. Clarke

Theses : Honours

This thesis analyses André Aciman’s novel, Call Me By Your Name (2007), in light of its portrayal of a nineteen-eighties gay relationship that is not entirely defined by the HIV/AIDS epidemic. Rather than the abjection associated with illness and death, I focus on the narrative’s evocation of pleasure and love for its protagonists, Elio and Oliver, who do not identify as exclusively gay. My argument focuses on Elio exemplifying and undermining Roland Barthes’ trope of the lover-who-waits as historically ‘feminine’ in A Lover’s Discourse. In doing so, I demonstrate how Barthes’s work prefigures Judith Butler’s gender performativity theory.

First, …