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Articles 1 - 27 of 27
Full-Text Articles in English Language and Literature
The “Muddle” Of Landscape And Machinery In E.M. Forster’S Howard’S End And A Passage To India: An Ecocritical Reading, Ryan Ignatius Vera
The “Muddle” Of Landscape And Machinery In E.M. Forster’S Howard’S End And A Passage To India: An Ecocritical Reading, Ryan Ignatius Vera
Theses and Dissertations
This is an ecocritical reading of E.M. Forster's A Passage to India and Howard's End. I argue that Forster is concerned with imperial power structures that damaged the environment, as well as the looming aftereffects of the Industrial Revolution on both landscape and the people that reside in it.
The Act Of Seeing And Being Seen: Visual Explorations Of Queerness And Memory In Alison Bechdel’S Fun Home, Vanessa Lopez
The Act Of Seeing And Being Seen: Visual Explorations Of Queerness And Memory In Alison Bechdel’S Fun Home, Vanessa Lopez
Theses and Dissertations
In the autobiographical illustrated novel Fun Home, Alison Bechdel uses various art styles and comic techniques to examine her father’s life as a closeted gay man and his tragic suicide, as well as her own childhood and experience with homosexuality. This thesis explores how Bechdel uses the medium of the graphic novel to showcase different visual perspectives and ways of bearing witness to the past, memory, trauma, and interpersonal relationships, showing how they converge to create the story of how one generation’s model of queer identity can impact and shape the next. Bechdel presents multiple points-of-view in her exploration …
Unthinkable Conditions: Affect And Environment In Romanticism And Speculative Fiction, Amelia Z. Greene
Unthinkable Conditions: Affect And Environment In Romanticism And Speculative Fiction, Amelia Z. Greene
Dissertations, Theses, and Capstone Projects
Unthinkable Conditions bridges two literary periods and two theoretical modes in order to illustrate important parallels between historical periods and the writers who attempted to approach the changing environmental conditions of their respective eras. Each chapter names and theorizes a unique form of feeling which then serves as a framework for eco-affective analysis, drawing from existing studies in the environmental humanities and in studies of affect in order to construct a hybrid theoretical model which more fully accounts for the work of the writer treated in each chapter. The central claim of this dissertation is that vital affective innovations accompany …
Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun
Towards A Decolonial Feminist Aesthetics: Gender, Race, And Empire In Theresa Hak Kyung Cha’S Dictee, Juwon Jun
Dissertations, Theses, and Capstone Projects
Defining revolutionary struggle as a struggle between fictions, Trinh T. Minh-ha asserts that art in revolution is a spiritual presence which widens the conception of freedom. Political struggle is constituted by clashes in differently written and conceived realities—hinged on the creation and realization of multiple liberatory fictions. Liberation then requires us to attend to creating new myths and conceptions of freedom which can free us from the current structures of domination that produce current subjects and realities. If culture is indeed an “essential element in the history of a people,” mapping decoloniality in cultural and aesthetic fields may be essential …
Autobiographical Narratives Of Sexual Violation: Trauma, Genre, And The Politics Of Telling, Sarah M. Hildebrand
Autobiographical Narratives Of Sexual Violation: Trauma, Genre, And The Politics Of Telling, Sarah M. Hildebrand
Dissertations, Theses, and Capstone Projects
This dissertation engages with literary trauma theory and rape studies by investigating how scholars through the 1990s theorized the relationship among trauma, narration, and silence, and how the #MeToo movement causes us to rethink these views. Attending to the specific silence generated in the wake of sexual violation reveals how power structures influence the act of telling, challenging the idea that trauma is untellable. I argue that literary trauma theory needs to push beyond its foundation in biomedical models of trauma—in which the (in)ability to recall or articulate traumatic events is rooted in neurology—to examine the ways traumatic narratives are …
"Never Forget": Embodied Absence And Extended Relations Of Care After 9/11, Sophie L. Riemenschneider
"Never Forget": Embodied Absence And Extended Relations Of Care After 9/11, Sophie L. Riemenschneider
Dissertations, Theses, and Capstone Projects
This dissertation is a reflection on how loss was articulated in the wake of 9/11. The terror attacks engendered a memorial style that sought to give shape to grief, acknowledging it without filling it in or erasing it. This new style, which I term embodied absence, exists across a range of mediums, from literature to architecture. It is such a potent memorial form because it also captures the traumatic process, which is prolonged, layered, and potentially open-ended. However, despite their ability to mirror the nature of trauma, instances of embodied absence never verbalize the attacks’ root trauma—the disconnect between our …
A Difference In Rhythm: John Burroughs As Rhythmanalyst, Jennifer Macdonald
A Difference In Rhythm: John Burroughs As Rhythmanalyst, Jennifer Macdonald
Dissertations, Theses, and Capstone Projects
Nature writer John Burroughs wrote about the rhythms of life in nature, people, and places, sharing his experiences of his surroundings for readers to learn from, get inspired by, or escape through. In this literature review, using Henri Lefebvre’s Rhythmanalysis, in which rhythm is the “interaction between a place, a time, and an expenditure of energy” (Lefebvre, 2004, p. 15), I explore some of Burroughs’ writing, asserting that Burroughs himself was a rhythmanalyst. Burroughs is typically read as a literary naturalist who hoped to relay any scene as it truly was (to perfect the “art of seeing things” or …
Here Time Becomes Space: The Victorian Spatial Imaginary, Jonathan E. Rachmani
Here Time Becomes Space: The Victorian Spatial Imaginary, Jonathan E. Rachmani
Dissertations, Theses, and Capstone Projects
My dissertation, “Here Time Becomes Space: The Spatiality of the Victorian Novel,” addresses the Victorian realist representation of space as the open zone of interaction where the circulation of affect among embodied subjects and the places and things in their environment challenges the individualist axis of Victorian plots. I envision this spatiality as a composite literary practice emerging from contact with eighteenth-century realism, the Gothic novel, and the radical revision of the social imagination under the Romantics. Through an analysis of major works by Charlotte Brontё, Charles Dickens, George Eliot, and Henry James, I trace the dialectical development of realist …
Some Notes On Birds: Language And Attention In The Age Of Social Media, Aimee Lamoureux
Some Notes On Birds: Language And Attention In The Age Of Social Media, Aimee Lamoureux
Dissertations, Theses, and Capstone Projects
Technology, social media, and its affiliated distractions are now an ever-present part of our daily lives. Attention is a commodity, one which tech companies value because it delivers them bigger and bigger profits. Their products are intentionally designed to be additive, to demand more and more of our time and attention throughout our day. However, attention is not simply a commodity, but the way in which we connect with the external world and attend to our everyday experience. The world that we create in the mind is the world that ends up forming the reality of our everyday lives. Complex …
“Woman’S Legitimate Empire”: Fabricating Asianness In Gaskell’S North And South And Mary Elizabeth Braddon’S Lady Audley’S Secret, Hailey Lam
Dissertations, Theses, and Capstone Projects
This thesis argues that the fabrication of Asianness in Victorian literature is indebted to the subtle, yet frequent gestures, habits, and interactions that occur in the literary works of Elizabeth Gaskell and Mary Elizabeth Braddon. By specifically focusing on Gaskell’s North and South (1855) and Braddon’s Lady Audley’s Secret (1862), I explore a methodological approach for literary studies that is capacious enough to reckon with the material histories and materiality of race that pervade the cultural imagination of an eighteenth and nineteenth century England. Queer of color criticism by scholars like Sara Ahmed and meditations on aesthetics, race, and culture …
Another Time, Another Place: The Truth Of Silence In J.M. Coetzee's Disgrace, Sara T. Murphy
Another Time, Another Place: The Truth Of Silence In J.M. Coetzee's Disgrace, Sara T. Murphy
Theses and Dissertations
Through Lucy’s rejection of the criminal justice system, Coetzee's Disgrace operates as an allegory for the failure of the Truth and Reconciliation Commission to provide individual justice and reparations to victims of Apartheid.
Reading The World: American Haredi Children's Literature, 1980–2000, Dainy Bernstein
Reading The World: American Haredi Children's Literature, 1980–2000, Dainy Bernstein
Dissertations, Theses, and Capstone Projects
Children’s literature is an important force in building not only linguistic literacy but a literacy of the world, showing the child reader how to make sense of themselves in relation to the many people, objects, experiences, and concepts around them. Haredi children’s texts foster a mode of understanding the world around them as comprehensible through the texts, people, and events of the past. In Reading the World, I demonstrate that Haredi children’s textual culture between 1980 and 2000 fostered a literacy of language, text, time, space, morals, and general knowledge as inextricably intertwined, and that this literacy propelled further …
Vulnerability: Sensation And Subjectivity In The Late Victorian Novel, Michael Shelichach
Vulnerability: Sensation And Subjectivity In The Late Victorian Novel, Michael Shelichach
Dissertations, Theses, and Capstone Projects
“Vulnerability: Sensation and Subjectivity in the Late Victorian Novel” explores how developments in the science of psychology in the second half of the nineteenth century destabilized the genre of literary realism in Britain. Prominent mid-Victorian psychologists theorized a subject with a highly impressionable brain and nervous system. This new understanding of the mind’s potential vulnerability to external influence impelled contemporary novelists to contemplate the extent to which subjective interiority could be altered by the environment. Through close readings of canonical realist novels like Charles Dickens’s Great Expectations, George Eliot’s The Mill on the Floss and Wilkie Collins’s The Moonstone …
Very Two, Very One: Reading As Friendship, Amelia Marini
Very Two, Very One: Reading As Friendship, Amelia Marini
Dissertations, Theses, and Capstone Projects
“Very Two, Very One: Reading as Friendship” embarks upon what the American philosopher John Dewey might describe as an act of “cultivated naïveté” by asking the reader to imagine that one of the study of literature’s highest goods is the feeling of friendship that it can inspire between the studious reader and the multivalent text. This dissertation proposes that our readerly interactions with texts have many of the same interpersonal complexities and satisfactions of lived friendship, and the chapters that follow will offer a vocabulary for describing those complex interactions in ways that allow us to speak, write, and think …
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Writing Not Writing: Transdisciplinary Poetics, Institutional Critique, Miriam L. Atkin
Dissertations, Theses, and Capstone Projects
This dissertation is an exploration of transdisciplinary creative practice as a means of institutional critique. The artists I have chosen as my primary focus—Robert Kocik, Eleni Stecopoulos, Zora Neale Hurston, Jimmie Durham, Leslie Scalapino and Lyn Hejinian—employ multiple mediums and fields of discourse to address the presumptions and exclusions that are structurally integral to the institutions that house them. They enact “architextural” interventions through their use of forms that move between the page and three dimensional space, incorporating architecture, sculpture, drawing, painting, film, performance, poetry and prose. My work aims at a renewed understanding of critique as such, and therefore—though …
(In)Hospitable Modernity: Hospitality And Its Discontents (1920–1953), Daniel A. Hengel
(In)Hospitable Modernity: Hospitality And Its Discontents (1920–1953), Daniel A. Hengel
Dissertations, Theses, and Capstone Projects
This dissertation discusses the tacit forms of political activity operating through the performance and space of hospitality in modern fiction. I read the habitus, praxis, and dissemblages of hospitality in modern fiction as conduits that reveal dialectics of submission and resistance to Victorian and Edwardian markers of normativity. This is ultimately an infrapolitical work. I locate fulcrums of dissent, cloaked in a guise of hospitality, in the domestic sphere and the politicization of formerly private spaces into sites with the potential to reorder legitimated forms of agency. This project attempts to uncover veiled forms of sociopolitical resistance in and through …
Pierce And Pine: Diane Di Prima, Mary Norbert Korte, And The Meeting Of Matter And Spirit, Iris Cushing
Pierce And Pine: Diane Di Prima, Mary Norbert Korte, And The Meeting Of Matter And Spirit, Iris Cushing
Dissertations, Theses, and Capstone Projects
Diane di Prima (1934-2020) and Mary Norbert Korte (b. 1934) are two poets whose contributions to postwar American poetry are vitally important, and yet their status on the margins of mainstream literary culture has left their work largely unstudied. Di Prima, the granddaughter of Italian Anarchist Domenico Mallozzi (with whom she shared a close relationship) grew up in an Italian-American community in Brooklyn and bore witness to the cultural schizophrenia of WWII as a child. Korte was raised in an affluent Bay Area family, and encountered hardships (including the death of her father when she was 12) that affected her …
Skin Worlds: Black And Indigenous Science Fiction Theorizing Since The 1970s, Lou Cornum
Skin Worlds: Black And Indigenous Science Fiction Theorizing Since The 1970s, Lou Cornum
Dissertations, Theses, and Capstone Projects
This dissertation unfolds along two trajectories, the first following from an ascendant interest in minoritarian traditions in speculative and science fiction and the second following the reiterative conversations across Black and Indigenous Studies. Science fiction theorizing is introduced as a frame for thinking these two trajectories together, with science fiction texts by authors Nalo Hopkinson, Octavia Butler, Gerald Vizenor, Leslie Marmon Silko and Samuel Delany providing a paraliterary mode of imagining the planetary from which to understand the interconnected processes of settler colonialism and trans-Atlantic slavery. Science Fiction theorizing across these texts disrupts notions of linear progressive time, human/alien boundaries, …
Amazing Stories: Science Fiction’S Inception In Interwar Pulp Magazines, Zachary Doe
Amazing Stories: Science Fiction’S Inception In Interwar Pulp Magazines, Zachary Doe
Theses and Dissertations
This thesis explores the creation of the science fiction genre through the pulp magazines of the 1920s. Hugo Gernsback, the creator of Amazing Stories is the first to title the budding genre as science fiction. Through his editorials, one can see a desire to create a wide community heavily involved in genre creation. By exploring these initial stories and editorials we can better understand how science fiction began as well as evolved into what it is today.
Mapping The “Ungeographic” In Jesmyn Ward’S Where The Line Bleeds, Beth B. Smith
Mapping The “Ungeographic” In Jesmyn Ward’S Where The Line Bleeds, Beth B. Smith
Theses and Dissertations
This essay examines the ways in which author Jesmyn Ward guides her reader in reimagining a small Mississippi town in her novel Where the Line Bleeds (2008) by uncovering the antagonisms and ambivalences found in the Dirty South and reflecting on the physical and interior geography of her characters.
The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan
The Lodge In The Wilderness: Ecologies Of Contemplation In British Romantic Poetry, Sean M. Nolan
Dissertations, Theses, and Capstone Projects
This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. Closely reading poems and writing about poetry composed between the 1780s and 1830s by William Cowper, George Crabbe, Robert Bloomfield, Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, and John Stuart Mill, I probe the relationship between aesthetic, ethical, and emotional responses to depictions of toil, idleness, and leisure. I argue that ecologies …
How She Haunts: Missed Endings, The Fragmentary, And The Female Figure In British Romanticism, Jane Clare Bolin
How She Haunts: Missed Endings, The Fragmentary, And The Female Figure In British Romanticism, Jane Clare Bolin
Dissertations, Theses, and Capstone Projects
In this dissertation I discuss a relatively small grouping of fragmentary texts by Coleridge (Sibylline Leaves, “The Three Graves,” “Christabel,” and “Kubla Khan”), De Quincey (Suspiria de Profundis), and Keats (“La Belle Dame Sans Merci” and Lamia). In critical discussions of the Romantic fragment, it is most often referred to as incomplete, lacking closure, and unintentionally so. The fragments I have chosen to include transcend such a reading of lack and embrace a perpetuation of possibility. My claim is not that these are exemplary British Romantic fragments but rather that they lend themselves to a …
Broken Harts: Mourning The Human/Animal Divide In Shakespeare’S As You Like It And Wordsworth’S “Hart-Leap Well”, Jennifer Jourlait
Broken Harts: Mourning The Human/Animal Divide In Shakespeare’S As You Like It And Wordsworth’S “Hart-Leap Well”, Jennifer Jourlait
Theses and Dissertations
This thesis compares the deer scenes in Shakespeare’s As You Like It and Wordsworth’s “Hart-Leap Well.” Both raise questions about man’s right to hunt animals with impunity. Shakespeare’s Jaques superficially takes up the issue of animal rights whereas Wordsworth’s personification of the stag evokes the reader’s sympathy for the animal.
Disaster And Hope In The Comic Universe Of 'Gardening In The Tropics', Molly Mosher
Disaster And Hope In The Comic Universe Of 'Gardening In The Tropics', Molly Mosher
Dissertations and Theses
In this paper, I explore ideas of dominion and how Western canon has helped propagate ideas of human domination of the natural world. Using Joseph W. Meeker’s The Comedy of Survival, I trace a line from the advent of the literary tragedy to the climate crisis. To contrast, I use his idea of comedy as the antidote to domination — a way of thinking that might inspire collaboration with the natural world. I will explore the comic with, predominately, Olive Senior’s Gardening in the Tropics, alongside Jamaica Kincaid’s gardening studies and Mona Lisa Saloy’s essay on environmental destruction. To …
Mira Muchacha: The Latinx Bildungsroman In Elizabeth Acevedo’S The Poet X, Layza M. Garcia
Mira Muchacha: The Latinx Bildungsroman In Elizabeth Acevedo’S The Poet X, Layza M. Garcia
Dissertations and Theses
This thesis explores how the Bildungsroman’s traditional narrative transforms into a window to the Latinx experience in Elizabeth Acevedo’s The Poet X. The traditional Bildungsroman features white, male, and European protagonists, according to Louis F. Caton in “Romantic Struggles: The Bildungsroman and Mother-Daughter Bonding in Jamaica Kinclad’s Annie John” (126). Recognized as the first work in the Bildungsroman genre, Johann Wolfgang von Goethe’s Wilhelm Meister’s Apprenticeship (1796) tracks the development and education of the protagonist from boyhood to manhood. In 20th and 21st century literature, the Bildungsroman structure expands to reflect the diverse cultures, lifestyles, and identities of its readers. …
Roberto Bolaño’S 2666, The Funneling Effect Of Capitalism, And The Production, Consumption, And Proliferation Of Violence For Profit, John Timlin
Dissertations and Theses
Roberto Bolaño's novel 2666 is a realist text, one that reflects the simple fact that in contemporary capitalism, the physical destruction of female bodies is a profitable enterprise; one that forces its readers to confront their complicity or outright participation in violence against women; and one that relates directly to violence against women as consumable entertainment in American mass culture.
Henry Adams: An Education In Autobiography, Marcellus Richie
Henry Adams: An Education In Autobiography, Marcellus Richie
Dissertations and Theses
This essay will begin by breaking down Henry Adams’s starting sentence in his autobiography word by word, piece by piece – pondering its meanings and permutations in the context of subsequent chapters of this iconic memoir. The essay will then consider whether Adams’s Education should still be regarded as a classic of American autobiography or seen merely as an irrelevant and out-of-date artifact. In a nation radically transformed since Adams’s time, does the book still deserve its high flung reputation? In other words, which of the images cited above is most relevant to The Education: an image of optimistic youth …