English Language and Literature Commons^™

Ekphrasis: An Exploration Of Poetry Inspired By Art, Caitlin Cacciatore

Dissertations, Theses, and Capstone Projects

“Ekphrasis: An Exploration of Poetry Inspired by Art” is an Open Educational Resource (OER) that occupies the underdeveloped niche of freely available teaching and learning materials about the interdisciplinary poetic medium of ekphrasis. Ekphrastic poetry is a form dating back to Book XVIII of the Iliad, experiencing a revitalization in the latter half of the 18^th century, when demand for written descriptions of paintings was in high demand, and again taking on a new, modern meaning in the early 19^th century, with poems like John Keats’ 1819 “Ode on a Grecian Urn.” Ekphrasis is …

The Facade Of Names In Benjamin Clark’S “The Emigrant”, Brad Donegan

The Criterion

No abstract provided.

Eliot’S Raid On The Ineffable, Louie Alexandris

The Criterion

In the poem Four Quartets, T.S Eliot employs a fragmentary form to dramatize the disjointed continuity of time. Within the poem though, the fluctuation or fragmentation of the form is also in service to the whole by showing the unending exploration of man to reach the “still point” of divine contemplation. For Eliot, the fragmentary nature of the form in Four Quartets is in service to the whole, because the continual fluctuation of musicality embodies a journey or exploration for the “still point” of the world to achieve true contemplation. In that sense, Eliot’s poem is an artistic success, …

Moving “Passed” Life For Death, Gwyneth Morrissey

The Criterion

The paper Moving “Passed” Life for Death explores Emily Dickinson's poem #479, "Because I could not stop for Death," focusing on the theme of movement expressed through the word "passed." It analyzes the contradictory qualities of movement and stopping and how they interplay. At the same time, it looks into how the poem's periodic stopping points highlight the natural cycle of life and death, challenging the conventional and fearful understanding of dying. Dickinson's use of "passed" ultimately alludes to the persistence of life after death, altering readers' perceptions of mortality. The essay presents an intriguing interpretation of life, death, and …

Review Of The Cambridge Edition Of The Works Of Anne Finch, Countess Of Winchilsea, Edited By Jennifer Keith Et Al, Melissa Schoenberger

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea, edited by Jennifer Keith et. al.

Teaching Poetry With Anne Finch: Manuscript Culture As Early Modern Social Media, Jennifer Keith

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay discusses two approaches I use to teach Anne Finch's—and others'—poetry. Drawing on certain habits of early modern manuscript culture, I make visible to my students ways that reading and writing are socially embedded practices, which may variously involve exchange, reciprocity, or censorship. By adapting the "quaint" habits of manuscript culture practiced by Finch and many others to specific assignments, I encourage students to experience poetry as living, sociable occasions of reading and writing. To augment my students' engagement with early modern poetry I connect it to frameworks from their twenty-first-century reading and writing worlds. These exercises in "early …

Anne Finch On The Patio: A Scholarly Eat And Greet, Melissa Schoenberger

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article recounts an instructional event for English majors held in the central campus library. Students engaged with various materials related to the career and editorial history of Anne Finch. The event offered students an introduction to questions of information literacy, textual history, and literary studies.

Teaching Finch And / In Performance: A Media Studies Approach (With Toolkit), Elizabeth Heckendorn Cook

ABO: Interactive Journal for Women in the Arts, 1640-1830

Teaching the birdsong poems and compositions for musical settings of Anne Finch, Countess of Winchilsea, through media theory allows students to connect their own social-media-based expressive arts practices with the multimedia practices of early modern women writers.

Visibility In The Redacted Space: What Censored Poetry Reveals About Guantanamo Bay Prison And The Individuals Trapped Inside, Chase Portaro

English Capstone Projects

This paper discusses what readers can understand about Guantanamo Bay and the larger setting of America's Islamophobic "War on Terror" through the poetry of individuals detained inside of Guantanamo Bay Military Prison. In 2002, Mark Falkoff, with the help of a team of lawyers, translators, and human rights advocates published a collection of twenty-two detainee-authored poems, titled Poems from Guantanamo: The Detainees Speak. This paper discusses the emerging neo-colonial subjectivity of America's War on Terror, as it analyzes the available writings of Guantanamo poets. The new language of subjectivity of victims of contemporary American empire is defined by suppression, as …

"And No Birds Sing": The Environmental Ethics Of Carson, Keats, Sagan, And Oliver, Savannah Bloom

Undergraduate Theses

This project aims to create resonances and synchronicities between the works of science writers Rachel Carson and Carl Sagan and poets John Keats and Mary Oliver. It puts their environmental ethics in conversation with one another with a focus on shared literary practices and ecocritical and ecocentric sensibilities. Is the work of poetry, particularly poetry participating in the Romantic tradition, compatible with science writing? The ultimate goal is to demonstrate the symbiosis between science and literature and the necessity of bridging scientific and poetic discourse in regard to addressing climate and the environment. Each chapter pairs a science writer with …

10-5, Avery Taylor

Forces

No abstract provided.

2024 Forces, Collin College

Forces

No abstract provided.

The Holding On, Lydia Price

English Senior Capstone

“The Holding On” is a work of creative nonfiction, fiction, and poetry that explores the tension that lies at the heart of growing up and departing the world as you have previously known it. Through the lens of reflections on home life and family, this project seeks to honor the unique blend of celebration and mourning that we meet with during the transitions of life. Joy does not undo sorrow, but neither does sorrow undo joy, and the ultimate purpose of these stories is to transport you to that threshold moment— the moment before leaving.

Appealing To Truancy: How Mary Oliver Escapes Americana, John Wise

Student Writing

How the work of Mary Oliver disagrees with the American Cultural way of thinking.

Satori 2024, Draconian Onyx, Xander Auman, Elizabeth Benfield, Samantha Bird, Elysia Beynon, Ashleigh Campbell, Lydia Domaille, Muwatta Dukuly, Alysen Endres, Jessica Grafe, Grace Guertin, Mushfiq Kabir, Nathan Kronbeck, Alayna Majkrzak, Rachel Marzahn, Noelle Mckinney, Ian Douglas Mckinzie, Dorothy Moore, Jack Mulvaney, Kaylee Nickisch, Kiera Norman, Alex Peachy, Sophia Porter, Sydney Porter, Keaton Riebel, Sophia Sailer, Lucy Severson, Kelly Steltzer, Celia Stern, Willow Swinbank, Jackie Velishek, Allen Wedekind, Riker Weiler, Jaydon Wilson

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2024 editors are:

Design and Technical Editor: Draconian Onyx;
Fiction Editors: Elizabeth Benfield, Jed, Nelson, Kate Nissen, Mandie Schmidt, Kylie White, Jayde Yeates;
Poetry Editors: Xander Auman, Kat Beekman, Alex Peachey, Kelly Stelzer;
Art Editors: Jessica Grafe, Draconian Onyx Benjamin Rayburn.
The Satori 2024 faculty advisor is Dr. Liberty Kohn, Professor of English.

Milton, Immortality, And Obtaining Eliot's "Significant Emotion", Aaron By Gorner

Criterion: A Journal of Literary Criticism

In his essay Tradition and the Individual Talent, T. S. Eliot famously asserts that very few can actually access "significant emotion" in poetry, and do so by understanding where relics of the classical tradition assert their immortality. In my article, I support Eliot's claims by demonstrating two (previously undiscussed) occasions where Milton, via Paradise Lost, inserts Christianity into the classical world: Satan and Abdiel alluding to Virgil's Remulus and Ascanius, and then Eve and Adam with Virgil's Nisus and Euryalus. Ultimately it will be apparent that not only does Milton's poetry obtain Eliot's "significant emotion" and its associated immortality, …

I Can... Will You?, Cheryl Golden

Virginia English Journal

No abstract provided.

Detroit Poet Laureate: A Local And National Necessity, Rosemary O'Meara

Rushton Journal of Undergraduate Humanities Research

From 1981–2020, Detroit officials appointed a city-recognized poet laureate. Though the position has been vacant since the 2020 death of Naomi Long Madgett, this essay advocates for reinstatement of a Detroit poet laureate to help spotlight important Detroit artists and to ensure that the words and ideas of Detroiters are sustained and celebrated. A poet laureate would continue to uniquely serve Detroit to help preserve its complex history and contribute to a literary canon specific to the city.

John Gower: The Minor Latin Works, Robert J. Meindl, Mark T. Riley

Accessus

A translation, with introductions, of the minor Latin works of John Gower.

Legacy 2024, Southern Adventist University

Legacy

The Legacy 2024 edition features both poetry and short stories written by Southern Adventist University students. Short stories were written by Jordaine Broyer, Irene Reyes, and an anonymous author. Poetry was written by Julia Juler, Jackson Robison, Jahsoulay Walton, Nina Bueno, and Heidi Burke.

Harriet Monroe: An American Poet In Vevey. Her Diary Entries, May 16 – July 26, 1898, Harriet Monroe, Michael R. Hill, Deborah Anna Logan

Zea E-Books Collection

Since its inception in 1912, Poetry magazine has been widely regarded as a premier resource for modern poetry and poets. Published in Chicago as Poetry: a Magazine of Verse, its legacy continues today through the Poetry Foundation, a superlative online resource for seekers of poets, poems, and random lines needing identification. A less immediately recognizable legacy is that of its founder, Harriet Monroe (1860–1936), one of those fin de siècle “intellectual women” typically dismissed as a contradiction in terms. But Monroe was a force to be reckoned with, and this beautifully crafted volume participates in the recuperation of a life …

The American West, 1899–1936: Prose, Poetry & Drama, Harriet Monroe, Michael R. Hill, Lindsay Atnip

Zea E-Books Collection

This comprehensive volume presents Harriet Monroe’s (1860–1936) previously unexplored love affair with the American West, an infatuation that blossomed in three interrelated genres: prose, poetry, and drama. Known internationally as the founder and influential editor of Poetry: A Magazine of Verse, here Monroe is revealed as a prolific author with a passion for the people, scenery, and environments she encountered during western escapes from her constricted urban life in Chicago. Monroe’s western travels were transformative. Originally schooled in the literary and artistic traditions of Europe, Monroe became increasingly convinced of the fundamental importance of the American West as the …

Auden: Body/Mind, Basil Lloyd-Moffett

CMC Senior Theses

On one hand Auden appears the most cerebral of poets. It is said that when he arrived at school, aged eight, he professed himself excited to study the different psychological types, and the cryptic verse that was to emerge over a decade later bears the scars of his reading, psychological or otherwise, as clearly as the relentlessly analytical Dichtung und Wahrheit and other late works.Absorbing and repurposing philosophical, psychological, religious, and scientific works was an essential part of his artistic strategy, and led to credible accusations of plagiarism on a number of occasions.And just as his collaborators and friends mocked …

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …

Honeysuckles & Irises: Effigies Of The Land, Ami` L. Hanna-Huff

English Creative Writing Theses

Here is a memoir of my paternal line through the lens of my Great-Grandmother and myself. A reclamation of the land I hail from and a connection to a history previously felt distant, this examination of race and gender explicitly focused on the African American Southern female experience; I try to make sense of the juxtaposing positions in our lives. The culture built from its creation through Tennessee personified. Here, I integrate history and theory with lyrics and prose to experience the eighty-one years of progress brought between our births and the lingering anxiety of slavery. My great-grandmother, Hazel Irene …

Teaching Anne Finch In "Partisanship In Restoration And Eighteenth-Century Britain", Jennifer Wilson

ABO: Interactive Journal for Women in the Arts, 1640-1830

The works of Anne Finch, a writer doubly exiled as a female poet and Jacobite, stand out as eminently teachable examples of a compelling political outsider view that provokes us to consider how we can better attend to perspectives of principled opposition. Her poems in response to what has been called the "first modern revolution," together with her odes upon the deaths of King James II and Queen Mary Beatrice, showcase the subversive power of indirect articulation, expressing values through emotions and affects in veiled forms such as allegory and alternate history.

Fierce Allegories: Teaching Anne Finch’S Fables In A Course On Satire, Sharon Smith

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay outlines an approach to integrating Anne Finch’s work into an advanced undergraduate and/or graduate course on eighteenth-century satire, focusing particularly on her satirical verse fables. This approach encourages students to question common critical assumptions about women and satire, most particularly that women avoided satire due to its association with aggression and politics—assumptions Finch’s fables are well-suited to challenge. The essay focuses particularly on Finch’s verse fables "Upon an Impropable Undertaking," “The Eagle, the Sow, and the Cat,” and “The Owl Describing Her Young Ones.” In these poems, written in the aftermath of the Glorious Revolution, Finch employs violent …

Feminine Interiority And Social Protest In The Poetry Of Mary Leapor, Joanna C. Yates

ABO: Interactive Journal for Women in the Arts, 1640-1830

Mary Leapor (1722-46) is one of the many under-studied women poets of the eighteenth-century. She is often described as a laboring-class poet which, while historically accurate, implies her immediate marginalization as an writer by her class and gender. Her focus of enquiry explores a new female authorial interiority, embracing her own volition, personality, and aesthetic sensibility through the act of writing itself. This nascent individualism, arising from the examination of feeling, lies at the heart of her work and heralds the social protest that will erupt later in the century. This paper hopes to offer a broader perspective on Leapor’s …

Poetic Tracks And Treading On Indigenous Lands: Examining Marlatt And Warland’S And Akiwenzie-Damm’S Literary Travels To Australia And Aotearoa, Christine C. Campana

The Goose

This paper considers the work of poets who travel from the area of the Indigenous land of Turtle Island now known as Canada to the Indigenous territories of Australia and Aotearoa. The poets engage in different forms of movement on the land that reveal varying degrees of awareness of and respect for Indigenous sovereignty. In particular, I put “17:00 / coming into Port Pirie” and “30/5 8:50 / past Menindee” from Daphne Marlatt and Betsy Warland’s 1988 Double Negative, an understudied collection of poetry in which the lesbian poets traverse Australia by train while reflecting on travelling through “(ab) …

Two Poems, Nicholas Bradley

The Goose

Poetry by Nicholas Bradley