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Full-Text Articles in English Language and Literature
Censuring The Praise Of Alienation: Interstices Of Ante-Alienation In Things Fall Apart, No Longer At Ease, And Arrow Of God, Kevin Frank
Publications and Research
Interrogating Abiola Irele’s largely unchallenged praise of alienation, this essay is bold and insightful in returning to Chinua Achebe’s African trilogy to examine the subtler, equally dangerous agent of externality: ante-alienation, or social alienation within traditional African culture, which precedes race-based, colonial alienation. This ante-alienation challenges Négritude’s paradisiacal view of Africa and raises questions about Africans always being happiest with themselves within their traditional culture.
"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug
"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug
Department of English: Dissertations, Theses, and Student Research
This essay is devoted to looking back into the life and fiction of Edythe Squier Draper, a twentieth-century writer in Oswego, Kansas. Many of Draper’s stories are set in southeastern Kansas. Through them, we gain a sense of how she attempted—and at times failed—to perceive, articulate, and adapt to her place on the Great Plains. Draper claimed the identity of a rural woman writer by writing herself into narratives of colonial, agricultural settlement, and she both complicated and perpetuated stereotypes of class and race in her fiction. By examining her and her characters’ perspective on their place in the Great …
'Mass Of Madness': Jurisprudence In E.M. Forster's A Passage To India, Allen P. Mendenhall
'Mass Of Madness': Jurisprudence In E.M. Forster's A Passage To India, Allen P. Mendenhall
Allen Mendenhall
Law-and-literature scholars have paid scant attention to E. M. Forster’s oeuvre, which abounds in legal information and which situates itself in a unique jurisprudential context. Of all his novels, A Passage to India (1924) interrogates the law most rigorously, especially as it implicates massive programs of ‘liberal’ imperialism and ‘humanitarian’ intervention, as well as less grand but equally dubious legal apparatuses – jail, bail, discovery, courtrooms – that police and pervert Chandrapore, the fictional Indian city in which the novel is set. The study of law in Anglo-India is particularly telling, if troubling, because India served as ‘a model for …