Open Access. Powered by Scholars. Published by Universities.®
![Digital Commons Network](http://assets.bepress.com/20200205/img/dcn/DCsunburst.png)
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 2 of 2
Full-Text Articles in English Language and Literature
Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers
Chimeras, Centaurs, And Satyrs: Creating Mixed Genre Texts In Antiquity And The Renaissance, Claire Sommers
Dissertations, Theses, and Capstone Projects
Mirroring its many definitions, the concept of hybridity has historically been a highly fraught one, with creatures such as the centaur or the satyr alternately treated as wild and wise. Defined as a “mixed entity,” the English word “hybrid” derives from the ancient Greek hybris, a term with several connotations, including wanton violence, lust, or outrage. The word is also synonymous with “hubris,” or excessive pride. Hybris also developed additional meanings, referring to a deed of excess, an attempt to rise above one’s station, or the desire to surpass the gods. More positively, hybris may also be translated as …
Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer
Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer
Dissertations, Theses, and Capstone Projects
To express joy in revolutionary England was deeply paradoxical. English Protestants frequently described the experience as indescribable, owing more to the agency of God’s grace than the subject’s will. And yet, the public expression of joy was considered a Christian duty, an important means of affirming and galvanizing community. In Revolutionary Joy: Affect, Expression, and Community in Milton’s England, I argue that the constitutive paradox of Protestant joy renders its expression a potent form of political speech amidst mid-seventeenth century transformations to the English church, monarchy, and parliament. In an era where apocalyptic expectation put pressure on affective experience …