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Full-Text Articles in English Language and Literature
The Eugene O'Neill Newsletter, Vol. 5, No.1, 1981, Eugene O'Neill Society
The Eugene O'Neill Newsletter, Vol. 5, No.1, 1981, Eugene O'Neill Society
Eugene O’Neill Newsletter
The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html
The Eugene O'Neill Newsletter, Vol.5, No.3, 1981, Eugene O'Neill Society
The Eugene O'Neill Newsletter, Vol.5, No.3, 1981, Eugene O'Neill Society
Eugene O’Neill Newsletter
The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html
The Eugene O'Neill Newsletter, Vol.5, No.2, 1981, Eugene O'Neill Society
The Eugene O'Neill Newsletter, Vol.5, No.2, 1981, Eugene O'Neill Society
Eugene O’Neill Newsletter
The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html
Marlowe's Doctor Faustus Finds Reality: In The Comic Mask, Eva Marie Enis
Marlowe's Doctor Faustus Finds Reality: In The Comic Mask, Eva Marie Enis
Masters Theses
Scholars have considered the protagonist of Christopher Marlowe's The Tragical History of the Life and Death of Doctor Faustus from nearly every perspective, but, at the same time, they have been hesitant to recognize the humorous incidents, particularly the so-called clownish scenes, as having a legitimate place even though much comic incident appears in Marlowe's source. Though scholars have acknowledged Marlowe's play to be a morality, they have not viewed Faustus as a morality character whose comic mask is his reality.
An examination of the morality tradition, with Marlowe's debt to the morality in mind, justifies the inclusion of much …
Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne
Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne
Masters Theses
Several critics have suggested that the plays of Harold Pinter are incomprehensible because the characters do not explicitly explain their actions and motivations. These comments come because the critics and audiences are conditioned to expect a playwright to in some way explain the motivations and personalities of his characters with a standard explanation given through explicit dialog, copious stage directions, or other means. But Pinter believes that it is dangerous for a playwright to design a play with one overall purpose in mind because the chances are that the purpose will be mistaken.
Pinter prefers to write in a realistic …
The Function Of Rhetoric, Marlowe’S Tamburlaine, And ‘Reciprocal Illumination’, Audrey Davidson, Clifford Davidson
The Function Of Rhetoric, Marlowe’S Tamburlaine, And ‘Reciprocal Illumination’, Audrey Davidson, Clifford Davidson
Clifford Davidson
Antony And Cleopatra: Circe, Venus, And The Whore Of Babylon, Clifford Davidson
Antony And Cleopatra: Circe, Venus, And The Whore Of Babylon, Clifford Davidson
Clifford Davidson