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The Eugene O'Neill Newsletter, Vol. 5, No.1, 1981, Eugene O'Neill Society Jan 1981

The Eugene O'Neill Newsletter, Vol. 5, No.1, 1981, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html


The Eugene O'Neill Newsletter, Vol.5, No.3, 1981, Eugene O'Neill Society Jan 1981

The Eugene O'Neill Newsletter, Vol.5, No.3, 1981, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html


The Eugene O'Neill Newsletter, Vol.5, No.2, 1981, Eugene O'Neill Society Jan 1981

The Eugene O'Neill Newsletter, Vol.5, No.2, 1981, Eugene O'Neill Society

Eugene O’Neill Newsletter

The Eugene O’Neill Newsletter is the official newsletter of the Eugene O’Neill Society, an organization of scholars, theater professionals, and enthusiasts, which began meeting in 1978. This publication, created by Suffolk University Professor Fred Wilkins in 1977, started off as part newsletter and part academic journal. In 1989, the publication name was changed to the Eugene O'Neill Review to denote its focus on scholarship. In recent years, the O'Neill Society re-started publication of the newsletter. This site includes newsletter issues from 1977-1989. Newer issues are available on the Eugene O'Neill Society website: https://www.eugeneoneillsociety.org/newsletters.html


Marlowe's Doctor Faustus Finds Reality: In The Comic Mask, Eva Marie Enis Jan 1981

Marlowe's Doctor Faustus Finds Reality: In The Comic Mask, Eva Marie Enis

Masters Theses

Scholars have considered the protagonist of Christopher Marlowe's The Tragical History of the Life and Death of Doctor Faustus from nearly every perspective, but, at the same time, they have been hesitant to recognize the humorous incidents, particularly the so-called clownish scenes, as having a legitimate place even though much comic incident appears in Marlowe's source. Though scholars have acknowledged Marlowe's play to be a morality, they have not viewed Faustus as a morality character whose comic mask is his reality.

An examination of the morality tradition, with Marlowe's debt to the morality in mind, justifies the inclusion of much …


Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne Jan 1981

Character Motivation And Definition Through Dialog In The Memory Plays Of Harold Pinter, Douglas E. Grohne

Masters Theses

Several critics have suggested that the plays of Harold Pinter are incomprehensible because the characters do not explicitly explain their actions and motivations. These comments come because the critics and audiences are conditioned to expect a playwright to in some way explain the motivations and personalities of his characters with a standard explanation given through explicit dialog, copious stage directions, or other means. But Pinter believes that it is dangerous for a playwright to design a play with one overall purpose in mind because the chances are that the purpose will be mistaken.

Pinter prefers to write in a realistic …


The Function Of Rhetoric, Marlowe’S Tamburlaine, And ‘Reciprocal Illumination’, Audrey Davidson, Clifford Davidson Dec 1980

The Function Of Rhetoric, Marlowe’S Tamburlaine, And ‘Reciprocal Illumination’, Audrey Davidson, Clifford Davidson

Clifford Davidson

No abstract available.


Antony And Cleopatra: Circe, Venus, And The Whore Of Babylon, Clifford Davidson Dec 1980

Antony And Cleopatra: Circe, Venus, And The Whore Of Babylon, Clifford Davidson

Clifford Davidson

Selection rpt. in Shakespeare’s Christian Dimension, ed. Roy Battenhouse (Bloomington: Indiana Univ. Press, 1994), pp. 497-99; revised version of this paper rpt. in History, Religion, and Violence, pp. 64-94.