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Articles 1 - 6 of 6
Full-Text Articles in English Language and Literature
The Unarticulated Unseen: Britt Bennett’S “The Vanishing Half” And Her Intent On Revealing The Unseen In The Tradition Of Racial Passing, Caroline Maas Rue
The Unarticulated Unseen: Britt Bennett’S “The Vanishing Half” And Her Intent On Revealing The Unseen In The Tradition Of Racial Passing, Caroline Maas Rue
All Theses
Throughout the trajectory of passing literature, there have been varying projections of racial identity as it is intertwined with choice and power. Despite the many commonalities between the archetypal passing novel, the differences in the way that passing is demarcated in various novels is indicative of the racial climate out of which it came. This paper considers Britt Bennett’s 2020 novel, The Vanishing Half, as a socio-political artifact of an allegedly post-racial era. In considering Bennett’s novel as a reflection of post-raciality, a comparative study incorporating Nella Larsen’s Passing, Douglas Sirk’s Adaptation of Imitation of Life, and Danzy …
Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait
Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait
Animal Studies Journal
This article outlines how nonhuman animals are framed by the emotions of drama, theatre and contemporary performance and considers a distinctive tradition in western culture of enacting animal characters who function as surrogate humans. It argues that, contradictorily, while animal characters confirm anthropocentric emotionalism, drama also contains pro-animal values and concern for animal welfare. Animals embodying emotions in theatrical languages are part of the way animals are used in the traditions of western culture and to think and philosophize with, but they also indicate thinking about the emotions in theatrical performance. The article considers if, however, staging living animals can …
Space On Par: A Short Performance For One Performer, Peta Tait
Space On Par: A Short Performance For One Performer, Peta Tait
Animal Studies Journal
Space on Par is a short performance text that uses gentle humour to communicate an alternative perspective on how open space is used by humans and nonhuman animals, in this instance a golf course. If playing golf for enjoyment is puzzling behaviour for a nonhuman observer, it can emphasise human refusal to recognise the physical and spatial rights of other species and their needs for survival. The effort to educate about the treatment of animals can include theatrical characters who blur the species identities to make a point, and Space on Par inverts the invisibility of the gaze of the …
Dark Stars Of The Evening: Performing African American Citizenship And Identity In Germany, 1890-1920, Kristin L. Moriah
Dark Stars Of The Evening: Performing African American Citizenship And Identity In Germany, 1890-1920, Kristin L. Moriah
Dissertations, Theses, and Capstone Projects
Dark Stars of the Evening: Performing African American Citizenship and Identity in Germany, 1890-1920 demonstrates that black performers in Germany developed wide networks in the performance world as they sought artistic opportunities beyond the racist circumscription of the American popular stage. Their performances became emblematic of modernity, globalization, and imperial might for German audiences at the turn of the century. African American-styled blackness contributed to the formation of the city of Berlin while allowing African American performers to assert themselves on the global stage. Groups like the Four Black Diamonds had a lengthy engagement with the popular stage in Berlin, …
Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick
Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick
Publications and Research
This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …
Compulsory Homosexuality And Black Masculine Performance, Vershawn A. Young
Compulsory Homosexuality And Black Masculine Performance, Vershawn A. Young
English Faculty Publications
No abstract provided.